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Tackling Depression in Inside Out

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Inside Out is one of those films where you will hear adults sobbing in the audience. Job well done, Pixar. Numerous articles have already come out about the psychology behind the film and why the best character is the one left out of marketing, so I’m not going to talk about those. Instead I want to focus on how the film dealt with mental illness.

We champion Frozen as some pillar of achievement, especially because Elsa is often seen as a symbol of depression and anxiety. Inside Out took this exploration into mental illness a step further. When Riley loses Joy, Sadness, and her core memories, she exhibits symptoms of depression and doesn’t know what to do.

I’m going to start with a quick explanation of Core Memories, something the film makes up for the sake of storytelling. In Inside Out, Riley has about five very strong, powerful memories that supposedly make her who she is. One moment where she’s goofing off with her mom and dad is singled out as the genesis of the ‘goofball’ facet of her personality. Her scoring a goal makes up her love of hockey, another of her walking hand in hand with her best friend to symbolize her love of friendship. You get the point. These memories are stored in their own area and are very, very important.

inside out the accident oops

When Joy and Sadness have an argument and are ejected from Headquarters, it so happens all of Riley’s core memories go with them, hence destroying the facets of her personality. Joy and Sadness are in a race against the clock to restore the memories before Riley loses herself completely.

inside out how are we supposed to be happy

Now, the bulk of the film is spent following Joy (and mostly Joy), as she attempts to get back. But we do see snippets of how Riley is functioning without Joy, Sadness, and her core memories. Spoiler alert: It’s not good. Riley exhibits symptoms of depression, which we’re going to discuss now.

Loss of Interest in Hobbies and Irritability

This is biggest and most obvious one. Riley loves hockey, but when her family moves to San Francisco, she has to leave her team and friends behind. Her mom quickly finds her a new league in their new town, but Riley isn’t excited. She tries out anyway, but it goes poorly and she storms away. Riley ends up turning aggressive when she gets frustrated, and her mom is surprised; clearly this isn’t something that has ever happened before.

Riley’s irritability also comes through when her parents are talking to her and want to know about school in the famous dinner scene that’s been used to promote the film. Riley doesn’t want to talk about it and can’t keep her tone from verging on disrespectful. It ends in a yelling match that has Riley stomping to her room.

Loss of Appetite

Let’s stay on that same scene a bit longer. It’s dinner and both her parents are eating, but Riley just swirls her fork around the take-out carton, never actually eating anything.

inside out riley not eating

Earlier in the film we see her reject pizza in San Francisco, but that’s because she resents the idea of putting broccoli on pizza.

inside out broccoli pizza

inside out anger pizza ruined

In fact, Riley was the one that suggested to her mom they get food in order to lift the mood. But during dinner, after the fiasco with Joy and Sadness has happened, she’s not eating.

Difficulty Concentrating/Remembering

On Riley’s first day of school in the new town, she has to introduce herself. At this point, Joy and Sadness are still in Headquarters, so she hasn’t gone into a spiral yet.

However, Sadness keeps touching all the memories, turning them from happy to sad, almost as if she can’t help it.

inside out sadness touching core memories

This confused me for a bit, but now I’m going to explain it this way: Riley was already in a negative state of mind because of the move. Riley was already letting Sadness govern her (instead of Joy). She didn’t just fall into a depression because she lost her core memories. She was already struggling emotionally before Joy and Sadness went missing—which is really great since for awhile I was worried Riley’s depression would be magically fixed with Joy and Sadness returning while people actually struggling with depression don’t have such an easy healing process. Riley already struggling to function before the mishap shows that depression sometimes creeps up on a person.

When Riley needs to introduce herself to the class, she can’t focus (partly because Joy and Sadness are squabbling up in Headquarters and her memories keep changing) and ends up crying because she misses her home so much.

inside out core memory turning sad Sadness turning a happy memory being recalled to a sad one.

Feelings of Worthlessness

This one was done subtly, but I saw it in the scene where Riley video chats with her best friend from home. When Riley finds out that her friend has already made a new friend, she angrily ends the call (another sign of irritability) and presumably feels not too great about herself. How come her friend was able to move on so quickly? Doesn’t she miss her?

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Difficulty Sleeping

This one is more due to Joy and Sadness messing around with Riley’s Dream Production for various reasons, but Riley has a nightmare and wakes up.

Persistent sad, anxious, or “empty” mood

Riley is obviously sad about the move to San Francisco. She left her home, friends, and familiar surroundings all for a rundown house, a new school, and a city that puts broccoli on pizza.

There’s a lot of anxiety around the move. Besides fitting in and trying to make new friends, Riley can also sense her parents’ tension. They moved for her dad and his job and Riley overhears her parents talking about money problems. Worse, the moving van with all their stuff goes missing and no one knows when their stuff will arrive. Having your things to make your new home homey and familiar can help moving go smoother and cause less stress, but they don’t have that luxury.

However, after her initial breakdown in school, she doesn’t cry again, until the end of the film, when equilibrium is finally restored. Riley tried to suppress her feelings of sadness and anxiety because her mom asked her to put on a smile. As a result, Riley seems to numb herself and since she doesn’t have Joy and Sadness, she’s not functioning properly. This made me think of Frozen and the “good girl” Elsa strives to be. Because Riley and Elsa are putting on a face, they’re not processing their emotions. They aren’t allowed to go through a spectrum of emotion and that numbs them, making them feel empty.

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The hardest part of watching Inside Out for me was seeing Riley become more and more numb to everything. She seemed like a shell of her herself.

Riley is for all intents and purposes empty. Her core memories are gone. The glass case that stored them is literally empty. And she embodies that, like I just mentioned.

Does Love Fix Everything?

Long time followers of AM know Mel and I have major beef with Frozen for how they closed Elsa’s story. Love is not the answer to every problem, especially mental illness. Inside Out, thankfully, knows that and did something different.

Riley appears depressed because Joy, Sadness, and her Core Memories are gone. So Fear, Anger, and Disgust have been left in charge of helping her function (spoiler alert: They suck at it).

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Riley is not clinically depressed since not once are neurotransmitters mentioned—the chemicals in the brain that can get out of whack and cause mental illness or other neurological problems like Parkinson’s Disease. Naturally, Joy and Sadness returning to HQ and restoring her memories should be solution enough.

It’s not.

Now I cried a lot during Inside Out. I cried the most here.

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This is where the story cycles back to Riley feeling like she has to put on a brave face because her mom asked her. It also ties us back to Joy and Sadness and their own arcs. I mentioned Sadness had been touching memories, thus making them sad instead of happy. This freaked Joy out because of course you’d rather have happy memories, right? No one wants to be sad. But Joy, who has been trying so hard to be happy all the time, finally sees that being sad is a part of life. Nothing can be wholly happy.

inside out SADNESS SAVES THE DAY WOOOTTTT Sadness saves the day!

Joy gives Sadness control of Riley, finally letting her cry. Letting her feel the pain she was numbing herself to—just like Elsa, unable to experience a full range of emotions. Riley also opens up to her parents, who are there for her.

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Because the good thing about being sad is that usually, happiness will follow. Joy and Sadness are able to join forces and new memories form that are happy and sad, not solely one or the other. It also means a lot to me that Riley’s core memories do become “sad” in the end since they will now carry a tinge of nostalgia and longing for her old home. But they also still make her happy.

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Riley overcomes her depression not just by Joy and Sadness restoring order in her brain, but by Riley talking with her parents, the people who love her, and feeling the sadness she needs to in order to move forward.

If you are suffering from symptoms of depression and don’t know what to do please, please, talk to someone you trust because you and your life matter. 

The National Suicide Prevention Lifeline: 800-273-8255

National Alliance on Mental Illness

Take care and love yourselves. 

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Cheers,

M&M

Songs for Dad: Animation Style

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Tomorrow is Father’s Day so have a Dad Themed meta! What better way to express your love for Dad than with music? There are two Disney songs and one non-Disney song that are Dad centered. Let’s dive in!

Father and Son

In the third Aladdin movie, Aladdin finally met his long lost father. They have a strained relationship on account of Cassim being absent (and the fact that he’s The King of Thieves—minor detail). In this song, Genie tries to help them make some positive progress in their relationship.

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And boy do they need it…

This song is different than the ones we’re gonna talk about because it’s not the kid and parent singing. Instead it is someone else commenting on a father/son relationship.

It’s a big bright beautiful future

Thank you your lucky stars, you’re alive

You’ve got someone special to talk to

A friend that you can trust for life

I love the optimism here, the notion that any relationship can be fixed or mended. Sometimes families become estranged and there’s bad blood there forever, which is just really sad. But Genie is here to tell you that as long as you’re both alive, there’s always a chance things can get better.

The second line also literally relates to Aladdin and Cassim, since Aladdin did think his dad was dead for basically his whole life. Shame on Disney for killing family so often or keeping them alive and separating them.

Next, “special someone to talk to” is a really sweet line. Usually moms are the parent you’re supposed to turn to with your problems because women are more interested in sharing their feelings, but here, dads are friends and trustworthy and they’ll have your back forever. This is similar with the idea that no one will ever love you as much as your family.

You’ve been on your own with no family ties

But those solo days are done

You’ll be two of a kind

Spending quality time

Together as father and son

Again, this stanza starts with referencing the estrangement and this becomes more pronounced as the song goes on. Aladdin and Cassim have both been separated, alone, and while their reconciliation will make them two of a kind since they’ll be together, they already are. They’re both thieves (or, Aladdin was) and they’ve both been alone. They already have things in common. Once they spend some time together, they’ll be able to see how similar they are and become two peas in a pod, basically.

aladdin king cassim

Building model ships

Taking fishing trips

Working hand in hand

Painting the palace and moving the sand

First ten to go, with your daddy-o

Once you break the ice

You can postulate paternal advice

Here is a list of typical “Dad Things.” Building things, fishing, the visuals also show them playing football together. But then we’re back to the estrangement (“break the ice”) and that good can come out of it if they just work through it.

It’s a fine fantobulous future

I see fruit on the family tree

You’ll be great as the grumpy old grand-pa

Bouncing babies on your knee

You can fall asleep on the comfy couch

After playing one on one

Dreaming back to back

That you walloped the Shaq

Together as father and son

There’s a bunch going on here. The Shaq reference at the end again ties back to sports and things Aladdin and his dad can do together. But I like this idea of family continuing to expand and that one day, Aladdin and Jasmine will have kids so not only is Cassim gaining his son, he’s also gaining grandkids and a daughter-in-law and father-in-law. Cassim may have missed all of this with his son, but he gets to watch his son do what he couldn’t and be supportive and have a relationship with him now. Plus he gets to meet his adorable grandkids and love them. Estranged family members miss out on those big moments in life when they let things get in the way. The genie does not want that for Aladdin and Cassim.

Maybe a bumpy ride

We’ll make it side by side

Good afternoon, I’ll be your travel guide

Move over, laddie,

Make room for Daddy

Gotta whole new shoulder to cry on

“Bumpy ride” takes us back to the fact that this isn’t gonna happen overnight. There’s probably a lot of anger, resentment, and sadness to work through. All relationships take time. They’re messy. They’re hard and painful. But the benefits, like gaining someone to build model ships with. 😉

We talked about earlier how a father here gets to be someone you can talk to and in this stanza we also see he’s a shoulder you can cry on. That’s really nice, especially to tell boys. Our society conditions boys not to cry, which is really damaging. This song includes all the masculine things like sports and fishing and also says you can talk and you can cry and that’s perfectly normal. Props to you, Disney. You did something good.

Take a chance now give it a spin

You’ve had chums for palin’ around with

But you’ve never had a friend like him

Put your checkered past behind you now

No more living on the run

Face the big bright beautiful future

Together as father and son

We’ve reached the end! So let’s just start with the callback to movie one, Friend Like Me. The song purposefully classifies family and friends differently. We like to say friends are the family you choose for yourself, or friends feel like family, but there’s also the saying blood is thicker than water. And since this is a song about how awesome a relationship with your dad is, of course, they’re going with the latter.

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We end right back where we started, with the future and all the possibilities that lie ahead. The estrangement and isolation doesn’t need to be permanent. They just need to make the choice.

On My Father’s Wings

Our next song selection is from Quest for Camelot. This one is different from above since Kayley sings this just after her father has died. What you need to know is: Kayley adored her father. Her dad = who she wanted to be. So now her hero has literally died/been murdered. This is where Kayley affirms her mission to live up to the man her father was, to be like him, to remember him.

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This song is very straightforward. The visuals are really what matters. Kayley goes back to the beach she used to visit her with dad. She draws the symbol of the knights, the three intertwined rings, and actually has a flashback to when they would play together.

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Quest for Camelot is all about Kayley wanting to be a knight, but being told she can’t because she’s a girl. Her father was the only person that believed she could be a knight and when she loses him, she doesn’t know how to escape society’s expectations, but knows she still wants to.

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And I will fly on my father’s wings

To places I have never been

There is so much I’ve never seen

And I can feel his heart beat still

And I will do great things

On my father’s wings

This world I’ll never see

My dreams that just won’t be

This horse’s stride, with one day’s ride

Will have covered more distance than me

Kayley still feels her father with her, which is a beautiful message about the people we love never leaving us.

Someday, with his spirit to guide me

And his memory beside me

I will be free

To fly on my father’s wings

To places I have never been

Kayley is trapped tending a farm, what she’s supposed to do. So she turns it into an adventure, using the pitchfork as pole vault, a jousting stick, and finally hitting the bulls eye with it. She uses a spoon and bucket cover as a sword and shield.

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Kayley’s inspiration to be a knight stems from her father. If he wasn’t her father, she seriously would not be the person we see on film.

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This tells us that dads matter so much to the development of a child. Even Aladdin was affected by not having a father since earlier in the film he tells Jasmine that he feels like he comes from nowhere, like he just appeared out of thin air. Even in movie one he hated being referred to as a street rat, like he was worthless. He didn’t have a father in his life to take care of him or build up his self-esteem like Kayley did.

Nobody Else But You

Do you remember this Goofy Movie tune? I did not. (Props to Mel for reminding me!)

Before the song starts, Max and Goofy are mid-fight and they are really going at it. Max resent being treated like a kid, but to Goofy, Max is his kid. Goofy’s just trying to figure out what his role is now that Max is growing up and doesn’t want him around as much. Cue the sad feels.

goofy movie fight

But then the song starts and all the happy feels! They totally make peace and love each other to bits.

Max

There are times you drive me, shall we say, bananas

And your mind is missing, no offense, a screw

Still, whatever mess I land in

Who is always understandin’?

Nobody else but you

Goofy

Oh, your moodiness is now and then, bewilderin’

And your values may be, so to speak, askew

I love how it’s Max that makes the effort to go first and it takes him a few tries to get it going. Goofy and Max both have their differences, but none of that really matters in the long run. Family and dads in particular, are there for you when you mess up. Say you impersonate a pop star to get the girl and then tell her you know that pop star and will be on stage at his concert and give her a shout out and then have to highjack your father/son bonding trip to make it happen.

Goofy, for his part, is just dealing with what all parents do: that shift that happens when kids become teenagers. Parents have a hard game to play because they need to give their kids space to learn on their own, figure out who they are, and let them make their own choices. Teenage years are that inbetween phase and it’s hard for everyone involved.

goofy movie always my son

Nobody else but you

It’s just our luck

We’re stuck together

Nobody else but you

Is crazy enough to believe we’ll come through

Parents pretty much always have your back. Even when it doesn’t seem like it, sometimes my mom flat out has to tell me, “I’m always on your side.” We don’t get to pick our parents and parents do not get to pick their kid. It really is luck, pretty much, that got us here. That’s what family is. There are hard times and confusing times and sad times, but family are the people you’re always supposed to have in your corner. They’re automatically there for you.

Max

So your jokes are all, let’s face it, pre-historic 

Goofy

And your music sounds like monkeys in a zoo

Both

But when life becomes distressin’

Who’ll I be S.O.S’in? 

See, your automatic. They’re who you call when shit goes to hell. No matter what your differences, big or small, material or moral, you’re stuck with them so suck it up. No, kidding. But it’s nice. Sadly, not everyone does have their automatic. But adoptive parents and siblings and grandparents and aunts and uncles and even good friends can be that automatic, too. Because really, it was luck you got them, too.

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Both

Hard times we’ve had a few

Goofy

Like we’re thrown in the drink

Max

Like we’re tossed outta town

Both

But when I start to sink, than I’d rather go down

With nobody else but Y-O-U!

The visuals here have them actually sinking since they get sucked in a whirlpool, which is a silly animation touch. This ending section is pretty much everything I’ve been saying. Like Aladdin and Cassim and their hard times, Goofy and Max have had something more akin to ‘normal problems’ but if all you have are ‘normal problems’ then well… they feel like big problems. But both pairs of fathers and sons were able to work it out in the end. Cause, family.

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Conclusion

In what was probably the cheesiest meta in AM history…

No, but seriously. Okay all these songs are nice and all, but why are they all between fathers and sons? There are way more daughter/dad duos in animation. Especially in Disney with their KILL THE MOM fetish. That leaves so many princesses with fathers (Snow White, Ariel, Belle, Jasmine, & Pocahontas) (Aurora, Hercules, Mulan all had moms also, but their dads arguably played a much larger role in their stories.) The Lion King was also largely about Mufasa and Simba, while Sarabi had a very minor role. If you go the Pixar route, look at The Incredibles which yes, featured a family, but the dad had the biggest storyline.

Turn to Dreamworks and The Croods is about a family, but again largely revolves around the father character. Even in the Shrek franchise we meet Fiona’s dad and Shrek 2 is largely about Shrek and Fiona’s dad finding common ground. How to Train Your Dragon finds Hiccup without a mother, though this is rectified in part two (so amazing), but the dad so far has played a much larger role in the story. Maybe this will be different in movie 3 (if we get one/are we getting one?).

From other studios, we have Despicable Me, which focuses on a foster/adoptive father. Could Gru have been a woman? In The Swan Princess, Odette’s mother dies in the very beginning and though her father dies a bit later into the film, she was still raised by him and seemingly close. Look at how many more father figures feature prominently in animated movies. Anastasia is mostly about Anya and her grandma, but in the beginning, before it all goes to shit, Anya dances with her father and then imagines dancing with him again in Once Upon a December.

While I am unhappy with the lack of mom-rep, the amount of dad-rep is overwhelming. So why few songs about dad and family? Why does romance get all the best songs?

However, for the songs we do get, they’re all positive. It’s good. All is happy in animated-dad land. Unless you’re Kayley’s dad.

Happy Father’s Day.

Who is your fave animated dad?

Follow AM on Twitter and Tumblr.

Cheers,

M&M

An Announcement

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Hello everyone!

As you can see, this is not a meta. Instead, it is an announcement to let you know we’ll be switching up our posting schedule. The normal cycle we had was two metas per week, one on Tuesdays and one on Saturdays.

The new schedule is a meta every Saturday, so once a week instead of two.

We look forward to seeing you guys on Saturday with a brand new sparkly meta. 🙂

In the meantime, our Twitter and Tumblr are fully stocked with animated goodies for your enjoyment during the week.

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Cheers,
M&M

Animated Love Songs (Part 2)

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Happy Valentine’s Day!! Whether you’re single or in a relationship or unsure where you stand with someone, today is a made up holiday where the greeting card business gets a well needed boost. Or it’s, like, a day to tell everyone you know how much you love them. Okay! Let’s continue with our Animated Love Songs meta.

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Love is an Open Door – Frozen (Mel)

Ooh, I’ve been excited to talk about this one.

I’ll admit it: I have a lot of gripes with Frozen. But I can’t deny that “Love is an Open Door” is handled brilliantly, mainly because it’s a song where you can go back and find subtle foreshadowing. There were a lot of complaints about Hans’ villainy coming out of left field, but if you reexamine, you can see the small seeds planted for his antagonistic role.

“Love is an Open Door” is mainly about Anna and Hans, who have always been shut out and ignored by their siblings, and how their love for one another is an open door that gives them new possibilities. But what they want out of their relationship is completely different.

So let’s take a look at motivations.

Anna: All my life has been a series of doors in my face,

And then suddenly I bump into you

Hans: Yeah! It’s like,

I’ve been searching my whole life to find my own place

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Anna has always felt like she was alone in life. “Do You Want to Build a Snowman?” really cements her loneliness and her desire to have someone to talk to. When Hans waltzes into her life, she’s found someone who she feels confident enough to talk to. Hans doesn’t shut her out the way Elsa does: instead, he listens sympathetically, and understands her struggles perfectly.

frozen find my own place

For a way, it’s similar for Hans, but let’s hone in on his word choice. He specifically mentions that he wants to find his own place – and he glances at Arendelle when he says this. He isn’t referencing Anna – he’s referencing her kingdom. That’s really important, considering that we find out later that he wanted to marry her so he could rule Arendelle. To Anna, he is referencing her, and that’s where the double meaning comes in.

Anna (and the audience, on first viewing) assumes that Hans is on the same page as her. But Hans has a completely different agenda, which makes “Love is an Open Door” a very unique love song. Does it follow the love song formula? Yes. But this is the first love song where one half of the party is being duplicitous and outright manipulating the other party.

Anna: But with you

Hans: But with you, I’ve found my place

Anna: I see your face

Both: And it’s nothing like I’ve ever known before

Love is an open door

Notice the way that Hans’ lyrics are focused on Arendelle, while Anna’s lyrics are focused on Hans? I bet you didn’t pick up on that on your first watch. Neither did I, until I watched Frozen again and little alarm bells went off in my head.

Our mental synchronization can have but one explanation:

You – and I –were just meant to be

frozen mental synch

Here’s where some irony slips in, because they’re not really as synchronized as they think. Or rather, Anna thinks they’re on the same page, but Hans knows they’re not.

Say goodbye (say goodbye)

To the pain of the past

We don’t have to feel it anymore

frozen love is an open door

Anna and Hans have obviously both had some turbulent/lonely childhoods. I mean, your brothers pretending you don’t exist? It could be a lie, considering Hans has lied about a lot, but if it’s the truth, it explains a lot about Hans’ motivations. Hans has never had a place to call his own. With twelve older brothers, being brother thirteen means you’re virtually destined for nothingness, and the second that he met Anna, he saw an opportunity to marry into something that could be his. Why didn’t he hone in on Elsa, the future queen? Well, he might’ve thought she was more unapproachable, and there was the fact that he met Anna first, and more importantly, genuinely seemed to like her.

Frozen is oddly conflicting about Hans and Anna’s relationship. They show us instances that indicate that Hans really does have feelings for Anna (like the scene when she runs off and he’s staring after her with that silly smile on his face), but then they refute it at the end. The creators didn’t really make up their minds on whether Hans actually had some shred of feelings for Anna, or whether she was just an easy target. I like to think it was a mix of both. Therefore, I think there is a bit of truth in Hans’ song: he does like Anna, but the chilling part of Hans is that he likes power more. And when he’s given the opportunity to take Arendelle for himself, he’s willing to let Anna die to make it happen.

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One last thing I want to talk about before we move on is the end of the song, and the repetition of a certain lyric:

Love is an open door, love is an open door

Life can be so much more

With you (with you) with you

Love is an open door

The title of the song is dropped a lot during the song. So what does “love is an open door” really mean? Well, it was multiple meanings. For Anna, her love for Hans is an open door in opposition to all of the doors that have been shut on her in the past. It’s a chance to be with someone and have someone who trusts her and will stick by her no matter what.

For Hans, he sees Anna’s love for him as an open door to find his own place on the throne of Arendelle. Whether he has genuine feelings for her or not, being with her gives him a shot at being king, and finally having something that is solely his.

So is this a love song?

frozen IT'S TRUE LOVE

In a way, yes. But it’s so much more than that. And that’s why it remains my favorite song from Frozen.

 

Looking Through Your Eyes (Quest for Camelot)—Mic

Ugh, this song is so sweet. It’s basically all about how beautiful and perfect the world is when you’re in love.

Look at the sky tell me what do you see

Just close your eyes and describe it to me

The heavens are sparkling with starlight tonight

That’s what I see through your eyes

Firstly, Garrett is blind. So part of him is actually asking Kayley to describe it to him. But, Garrett is also a cynic and a loner, so he would never say the ‘heavens are sparkling with starlight.’

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Love has changed him, opened him up and it wasn’t something he was looking for. Kayley wasn’t looking for love either, since she was on a hero’s quest to save Camelot (and hopefully become a knight).

It’s out of our hands, we can’t stop what we have begun

And love just took me by surprise, looking through your eyes

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To continue the same thread:

I see a world we’re meant to see together

And it is so much more than I remember

More than I remember

More than I have known 

Love has changed the way they see their surroundings and even what they want out of life. Nothing matters unless they’re together (And suddenly I know why life is worthwhile).

Visually, the sequence is also important. Garrett is trusting Kayley to be his eyes, but it’s not all on his side. He also brings her into his world and shows her how he uses his walking stick as a weapon.There’s newfound trust between them.

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Here in the night, I see the sun

Here in the dark, our two hearts are one 

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I’m reading Wuthering Heights right now (if you read my Oliver Twist & Company meta, you know I’m taking an Early Victorian Novels class) and Cathy and Heathcliff share a similar sentiment. They consider themselves one being and when Cathy dies, Heathcliff says something to the effect of, how can I live without my soul? That’s kind of the same sentiment here, though Kayley and Garrett are way healthier than Cathy and Heathcliff.

 

Bella Notte (Lady and the Tramp)—Mic

Bella Notte is Italian for “beautiful night.” This song basically backdrops the perfect first date and one of Disney’s most iconic scenes: the spaghetti kiss. It’s sung with a heavy Italian accent, at first, and plays up this very romantic vibe.

lady and the tramp kiss

Visually, the sequence is very simple. They have dinner together in an alley and don’t eat anything special: tomato sauce and meatballs is a straightforward dish. Anyone can make it. They don’t do anything particularly special. They walk around town, they go to the park, they’re just together. And it’s a beautiful night because they are together and they are in love.

lady and the tramp eye sex hehe

Side by side with your loved one,

You’ll find enchantment here.

The night will weave its magic spell,

When the one you love is near

lady and tramp pawprints

It’s not a beautiful night because it’s not raining or because it’s not too cold. It’s a beautiful night because Lady and Tramp are together.

Look at the skies, they have stars in their eyes

Skies don’t have eyes. It’s not about the sky.

lady and tramp stars in their eyes

It’s about Lady and Tramp and how totally mystified they are by other person (dog). It’s about how they feel about each other. It’s an allegory or something like that.

It’s not about the material things like a big fancy or dinner or a shiny car (doghouse). It’s about being with that other person (dog). That is what makes una bella notte.

Buongiorno! (Doggies did the deed.)

lady and the tramp day after

 

Kiss the Girl – The Little Mermaid (Mel)

“Kiss the Girl” is probably one of the most straightforward love songs Disney has: Sebastian wants Eric to go on and kiss the girl already.

little mermaid sebastian ear

“Kiss the Girl” is sung by Sebastian, and the first verse is basically Sebastian summing up Eric’s thoughts on Ariel:

There, you see her, sitting there across the way

She don’t got a lot to say, but there’s something about her

And you don’t know why, but you’re dying to try

You wanna kiss the girl

It’s pretty obvious at this point in the movie that Eric is interested in Ariel. Her fascination with the world around her and her lively nature draws him in. Even without her voice, Ariel’s body language and expressions convey her feelings and thoughts quite well. And while it’s clear Eric doesn’t know everything about her, he knows enough to like her – and possibly want to kiss her.

Yes, you want her;

Look at her, you know you do

Possible she wants you too;

There is one way to ask her

Here’s where Sebastian nudges Eric, trying to get him to notice Ariel’s obvious interest in him – or rather, the way she plays with her hair and tries to avoid his gaze until she realizes he’s looking at her the way she’s been looking at him.

little mermaid kiss the girl

Eric, of course, drives us crazy by being uncertain and not ready to kiss Ariel, because he’s still hung up on the chick that saved him. Of course, if he knew that was Ariel, this would make things smoother, but then we wouldn’t have much of a plot, would we? So we have Sebastian to goad him into kissing Ariel, because of what he might lose out on if he doesn’t.

Ain’t it sad, ain’t it a shame?

Too bad; he gonna miss the girl

Boy you better do it soon; no time will be better

She don’t say a word, and she won’t say a word

Until you kiss the girl

Eric doesn’t realize it, but the nag for Ariel to get her kiss is so that she can stay on land permanently, thus why there’s such a rush for Eric to kiss her in the lyrics. Of course, Eric doesn’t pick up on this.

little mermaid kiss the girl paddling

The nagging aspect of the song actually kind of bothered me, because while I understood the purpose of the time limit in story, the pressure put on Eric to “kiss the girl” was a bit annoying.

While Eric and Ariel don’t get that kiss by the end of the song, thanks to Ursula’s interference, they do at the end of the movie. Sometimes it takes a bit of time for someone to get up the nerve to kiss the girl, as evidenced by Eric’s long wait, and that’s perfectly alright. It’s also okay for a woman to take the lead, but I digress. Eventually, he got to kiss the girl, and it was worth the wait that both of them endured.

 

Something There (Beauty and the Beast)—Mic

Something There is a really sweet song about discovering those first inklings of a crush. It’s the first time Belle and Beast really start to see each other for who they are and begin to like that person.

The music actually begins sometime before the first lyric is sung and it’s when Belle and Beast are finally eating together. They both make concessions and compromise. Beast eats with his mouth, but attempts to use a spoon. He’s really bad at it after so many years, but Belle sees his effort and proposes a new way.

beauty something there dishes

When they go outside to feed the birds and she sings:

There’s something sweet and almost kind

But he was mean and he was coarse and unrefined

And now he’s dear and so unsure

beauty something there birds

She’s not just referring to him trying to feed the birds. She’s talking about what happened at dinner and what happened when he risked his life to save hers. It’s a combination of everything that has happened between them, building up to this awakening.

I wonder why I didn’t see it there before

Belle, dude, that’s because it was NOT there before. The beast had to learn. He was cursed because he was a vain brat. It’s not like he was kind before he was punished. So Beast has never actually known how to be “sweet” and “kind” or “dear.” His schemas are totally being rewritten by Belle.

And when we touched she didn’t shudder at my paw

No it can’t be, I’ll just ignore

But then she’s never looked at me that way before 

The beast was a jerk as a kid, but he also had it rough as a beast. He was feared, loathed. He also may not have been very friendly—we saw how he treated Maurice. We don’t how much was the beast assuming or how much was what he had learned. It certainly seems like he had negative experiences with people since he says to Belle’s father, “You’ve come to stare at the beast!” So when Belle comes, he’s not open to considering she may be different. He also doesn’t know how to break the curse. He has no real concept of love.

Belle touching his paw is important to him. It represents her not fearing his exterior, but let’s be real. She never did. Besides their first meeting, which, can you blame her? No one expects to see a walking, talking (yelling), horned animal thing. He had locked her father in a cell. He didn’t make a good first impression. The only time Belle feared him was when he yelled at her in the west wing. And he didn’t just yell. He popped out of the darkness and prowled around and then started breaking and throwing stuff.

Whatever the beast’s path is, it all plays into this now. He can’t even think that she may like him or feel the same way he does. Love is conditional for him. Love has to be beautiful. And he is not.

New and a bit alarming

Who’d have ever thought that this could be?

True that he’s no Prince Charming

But there’s something in him that I simply didn’t see

beauty something there reading

Belle kinda feels the same way he does. Well, they both feel exactly the same. They’re crushing and terrified. While Belle admits he’s not the typical romantic hero, Beast has no mention of Belle being the opposite of a princess. It contrasts with the way the town sees her as this outsider. She’s “peculiar” to them, but not to the Beast. Finally someone sees Belle the way she’s meant to be seen and he’s totally smitten by her.

The song then cuts to the observers:

And who’d have guessed they’d come together on their own?

It’s so peculiar.

Ah, there is that word again. Peculiar. Everything is peculiar if you don’t understand it.

Belle is peculiar because she does not fit into her society and the town shuns her for it. But one can never truly know someone, at least not by judging them and making assumptions. The town does that.

And if people are hard to understand, then love is even harder. Mrs. Potts and Lumiere and Cogsworth certainly can’t understand it. But they don’t have to. Only Belle and Beast do and it’s not peculiar to them. They never use that word.

 

Beauty and the Beast–Beauty and the Beast (Mel)

“Beauty and the Beast” (the song) touches on one of the oldest fictional clichés ever: the couple that starts out as adversaries, and then becomes something more. Mrs. Potts even spells out the trope for us at the start of the song:

Tale as old as time; true as it can be

Barely even friends, then somebody bends unexpectedly

beauty dancing

It sums up Belle and the Beast pretty well, doesn’t it? They started out as two people who could barely stand one another, and then somebody (in this case, the Beast) bends unexpectedly and surprises Belle.

Just a little change

Small, to say the least

Both a little scared

Neither one prepared

Beauty and the Beast

Beauty and the Beast has gotten flack by critics for the Beast’s attitude, and that Belle ending up with him could be a result of Stockholm Syndrome (since she starts out as his prisoner). But what a lot of its contenders forget is that Belle doesn’t even like the Beast as a person. In fact, she detests him and calls him out on his bad attitude. And when she does that, guess what? He realizes she was right, and then promptly changes his ways and treats her with respect and dignity, something she never got from her last suitor, Gaston.

The change aspect is something that was originally touched on in “Something There” and then reappears again. It’s the Beast’s change in attitude that makes Belle reevaluate him as a person, and later as a romantic prospect. I also like the “both a little scared, neither one prepared” sentiment, because both the Beast and Belle aren’t quite sure of what to make of their feelings for one another, and like most people in love, they’re uncertain of whether they should make the first move, or how to even handle their feelings.

Ever just the same; ever a surprise

Ever as before, and ever just as sure

As the sun will rise

This was a weird verse for me at first until I broke it down and realized that it was Mrs. Potts touching on the cliché again. We’ve seen this story a lot of times (“ever just the same”; “ever as before”) but we’re still surprised that these couples make it at times (“ever a surprise”). Still, it doesn’t come as much of a surprise when we realize that the couple is set up in such a way that it’s so obvious that they should be together.

It also relates to how the characters view the relationship. That last line – “ever just as sure as the sun will rise” – relates to the inevitability of Belle and the Beast’s relationship to the Beast’s staff. However, to Belle and the Beast, it’s a surprise to them, because they never expected to feel this way about one another.

Tale as old as time,

Tune as old as song,

Bittersweet and strange,

Finding you can change,

Learning you were wrong

beauty dancing2

Those last three lines right there sum up the relationship flawlessly. “Finding you can change” clearly relates to the Beast, who hadn’t realized his capacity for change until he finally attempted it. “Learning you were wrong” relates to both sides of the couple; they carried a lot of assumptions about one another, and it was only by coming together and learning about each other that they grew past the assumptions and saw the person beneath them. Their relationship at this point has been bittersweet and strange, but now they’re at a point where they finally understand one another. They’re on the same page, and they’re even on the same pace, as evidenced by their flawless dancing.

Last week, I mentioned how important it was that Anya let Dimitri lead during the Waltz Reprise, and how their dancing in sync related to them as a couple. Here, a similar occurrence happens with Belle and the Beast. Dancing takes a lot of trust. Much like how stubborn Anya lets Dimitri take the reins, the stubborn Beast lets Belle take control during their dance.  This represents the way their relationship has balanced out. Both sides trust one another, and both aren’t afraid to let the other take control. How’s that for an epic romance?

 

Can You Feel The Love Tonight (The Lion King)—Mic

Can You Feel The Love Tonight might make history for having the most number of narrators in a single love song: four! We start with Timon, who is so mad Simba and Nala have found each other. To him, this union will destroy his boys club.

But then we switch to Nala and she is happy. She’s probably happy for the first time in a long time considering she’s been under Scar’s dictatorship and thought her best friend died. Her line about the world being in perfect harmony is so great since she is finally at peace after experiencing the instability in the Pride Lands.

Another narrator change occurs and we get Simba’s perspective. He’s happy to see her too, but also scared she won’t understand what happened. He, himself, doesn’t understand what happened, which is why he’s been hiding with Timon and Pumba. Nala knows right away something is up with him—

He’s holding back, he’s hiding

But what, I can’t decide

She doesn’t know exactly, but she knows something is off. “I can’t decide” implies she has some theories since he is her best friend. They really are in perfect harmony.

Once again, we swap narrators and this time it’s this overarching third person POV. Simba and Nala were physically apart during the start of the song, on different sides of the water.

lion king apart drinking

Then they’re playing together and running around. They are together, falling into their old rhythm.

lion king like old times

This POV is like a narration.

Can you feel the love tonight?

You needn’t look too far

Stealing through the night’s uncertainties

Love is where they are

Timon saw clearly (I can see what’s happening), but Nala and Simba were both kinda stumbling around (and they don’t have a clue), their past stopping them from moving forward. But once they do admit their feelings (Nala licking Simba), the third person narrator lets us know that, yeah, they’re in love, and nothing, not even their pasts or the troubles ahead, can stop them.

lion king nala licks simba

Then we have one last change, back to the beginning, bookending with Timon and Pumba. It’s kind of symbolic, since Simba fled and became complacent with Timon and Pumba and then had to find the courage to leave and go back. They mark the shift in Simba’s story. Timon and Pumba open and close this song and by the end, Timon has convinced his friend that Simba having a lady friend will tear them apart.

And if he falls in love tonight

It can be assumed

His carefree days with us are history

In short, our pal is doomed

lion king our pall is doomed

lion king our pall is doomed

Nala coming back does represent a change for Simba. But it doesn’t really have anything to do with love. Simba chooses to go back because Nala reminded him of who he’d left behind and also told him what had happened in his absence. His carefree days are over because he goes back to be king, not because Nala has come to crash the party. And their pal is not doomed, since Timon and Pumba go with him and end up living in the Pride Lands. Everyone ends up in perfect harmony.

 

Let Me Be Your Wings (Thumbelina)—Mic

Let me tell you how much I loved this song when I was a kid: too much. I think it was because I had a giant crush on Cornelius, but whatever.

Let me be your wings

Let me be your only love

Let me take you far beyond the stars

thumbelina

Thumbelina is a story about fairies, so of course wings feature very heavily. Thumbelina is the size of a fairy, but she is not one. She has no wings. And she falls in love with the fairy prince.

Everyday I’ll take you higher

and I’ll never let you fall

Wings are safety, security. They are a means of travel and protection and all that stuff. Cornelius, le fairy prince, wants to be that for her. He is also literally talking about being her wings since he carries her everywhere during this sequence, or takes her for a joyride on his bumblebee.

thumbelina let me be your wings 3

But his words are deeper than that.

Leave behind the world you know

for another world of wondrous things

We’ll see the universe and dance on Saturns’s rings

Fly with me and I will be your wings

Leave behind being on your own, be with me. Come into the world of love, cheesy as that sounds. But all these love songs are about how love changes you or how love binds two people into one, or love is scary and thrilling. Cornelius is asking Thumbelina and promising to be everything for her. He will protect her and he will build her up and they will go on adventures together.

thumbelina let me be your wings2

Heaven isn’t too far.

Heaven is where you are,

Stay with me and let me be your wings 

Like Through Your Eyes, Bella Notte, Love, Can You Feel The Love Tonight, and many others, happiness and completeness only comes with the other person. Love is overpowering and encompassing and the music of animation takes that all and wraps into pretty music that we know every lyric to.

 

Happy Valentine’s Day everyone!

What is your favorite love song? Who is your OTP? What is your favorite romantic moment in Disney/non-Disney movies? SWOON BELOW!

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Cheers,

M&M

Animated Love Songs (Part 1)

Standard

This week is Valentine’s Day, so we wanted to do something fun to change things up. This week is the week of Animated Love Songs, both Disney and non-Disney. Mic and I have decided to co-write, so we’ve marked each song to show who’s waxing poetic about it. I hope you guys enjoy this!

A Whole New World – Aladdin (Mel)

Aladdin is one of my absolute favorite Disney movies ever and I fangirl shamelessly about Aladdin and Jasmine’s relationship. They’re the definition of a badass power couple. Thus, I’m super excited to talk about “A Whole New World” – aka, their epic song.

We start with Aladdin’s awesome promise to show Jasmine the world:

I can show you the world: shining, shimmering, splendid

Tell me, princess, now when did you last let your heart decide?

He’s appealing to Jasmine’s sense of adventure and he brings up a great point. Jasmine’s never really had a chance to follow her heart because of her duties, and now, she’s getting a chance to listen to her heart and go for what she wants with Aladdin.

“A Whole New World” is interesting because Jasmine is in on the secret with the audience now: she knows that Aladdin = Prince Ali, and so there’s also a sense of glee that she’s found this boy she deeply cared for and worried about earlier in the story. Also, she doesn’t really fall for “Ali” until she realizes he’s Aladdin. Aladdin’s attempts to be something he’s not don’t really get him anywhere. It’s this song, where he opens up and shows his true self, where he wins her over. Because who would not want Aladdin?

aladdin flower

A whole new world

A new fantastic point of view

No one to tell us no, or where to go

Or say we’re only dreaming

Both Aladdin and Jasmine are tired of always being told what to do. Aladdin’s been kicked around for being a street rat and no one’s really appreciated who is he. He was born a street rat and he’ll die a street rat, but he’s defying that expectation. Meanwhile, Jasmine’s been harassed about getting married, and having to stay behind the palace walls, but she’s sick of that. This moment is a little taste of rebellion against everyone who’s ever told them they can’t be who they want to be, or go where they want to go.

Unbelievable sights, indescribable feelings

Soaring, tumbling, freewheeling

Through an endless diamond sky

This is probably one of my favorite bits of the song. Jasmine’s delight and awe at getting to see all of Agrabah, finally, is wonderful. All she ever really wanted was to get out of the palace and find someone she loved, and she’s accomplished both in one fell swoop.

I’m like a shooting star, I’ve come so far

I can’t go back to where I used to be

After all that she’s seen, and all she’s experienced with Aladdin, she can’t go back to the sheltered girl she was before. And honestly, she doesn’t want to.

Every turn a surprise,

Every moment red letter;

I’ll chase them anywhere,

There’s time to spare;

Let me share this whole new world with you

(Small note: I actually had a great debate about whether the second line was “red letter”/”gets better” with Mic earlier; it was fun.)

Anyway, basically, these two crazy kids are enjoying their whole new world, filled with adventure and excitement. They want to enjoy the moment (“there’s time to spare”) and share the new world they’ve discovered.

A whole new world (A whole new world)

That’s where we’ll be (that’s where we’ll be)

A thrilling chase, a wondrous place

For you and me

Jasmine’s found the adventure she wants, Aladdin’s found the respect he wants, and they’re both pretty happy with this whole new world they’ve uncovered. We even get some hand-holding and fireworks – that’s basically official couple status right there. 😉

 

Far Longer Than Forever – The Swan Princess (Mic)

The love song in The Swan Princess is interesting since it happens when the lovers are apart. This song is a way to connect them, to bridge the gap.

I close my eyes and I am where you are

And with your love I’ll never be alone

It’s also a very flowery song, comparing their love to the sun and how meant to be they are. Funny, considering they’ve been paired together their whole lives with the expectation they’ll marry, and Odette and Derek have rebelled against that notion their entire lives.

swan princess gross odetteswan princess derek kissing hand

“This is My Idea” is a montage of their adolescence full of scowling and pranking and “ughhh, dad, I don’t want to go see Derekkkk,” and then this is NOT my idea turns into this is my idea.

As sure as the dawn brings the sunrise

We’ve an unshakable bond

Destined to last for a lifetime and beyond

Look, I adore this song. I do, truly. It’s just that Odette rejects Derek when he wants to marry her because of her beauty and that’s not enough for her. Odette knows that’s not what love is. She leaves him, so they haven’t seen each other since, nor did they part on good terms.

swan princess is beauty all that matters to you

The rational part of me could buy a love song a little more understated that did not declare their love “as constant as a star,” since after all this had happened with zero follow up.

However, they have known each other since childhood, which is longer than most animated couples. Maybe a part of Odette knew Derek didn’t just love her pretty face—he was just too dumb to put words together—and she jumped on his idiocy to turn him down because she was afraid. Her change of heart is never addressed once he saves her. And neither is the deepening of Derek’s feelings.

But that’s the rational side of me. The fangirl part that adores this movie and thinks Odette is the prettiest thing and Derek is cute and “You should write a book: How to Offend Women in Five Syllables or Less,” is one of the best lines ever, loves this this song. The flowery language, the longing, the not feeling alone BECAUSE LOVE. I can’t get enough of it.

I also love how Odette wants to save herself.

 If I could break this spell

I’d run to him today

And somehow I know he’s on his way to me

Odette tried to escape. She had a big song about it with her puffin, turtle, and frog friends. It just didn’t work. And later, she is the one that finds Derek and leads him to her (since boy is clueless, okay?), but she can’t break the spell. But she takes solace in knowing her partner is trying to save her. Tis one less thing to worry about.

So, yes, is Far Longer Than Forever a tad over the top? Is it cheesy? Is it everything movies tell us about love? Yes, yes, and yes. Do I care? No, no, no.

 

I See the Light – Tangled (Mel)

tangled the lights

“I See the Light” has a gorgeous montage involving the lights. It’s a great song, because it’s not only a love song, but it’s also about realizing your dreams – and discovering new ones. One of the best parts of Tangled to me is its message  about dreams. When you achieve your dreams, you discover new ones. And sometimes, what you’ve dreamed of isn’t always what you expected it to be. Your dreams change and grow along with you, which we see very clearly in Rapunzel and Eugene’s lyrics. Let’s start with Rapunzel:

All these days, watching from the windows

All these years, outside looking in

All that time, never even knowing

Just how blind I’ve been

Rapunzel’s first verse actually has a dual-sided meaning. The obvious one is that Rapunzel is sheltered and she’s never really known much about the world outside her walls. Much like Quasimodo, Rapunzel’s grown up naïve and scared of venturing outside her comfort zone. But once she does, she realizes how blind she’s been – and how much the world has to offer her. The second, less obvious meaning, relates to her feelings for Eugene. She’s been blind to how she feels about him, until now anyway.

Now I’m here, blinking in the starlight

Now I’m here, suddenly I see

Standing here, it’s oh so clear

I’m where I’m meant to be

Here’s our triumphant “I got what I wanted” moment. Rapunzel wanted to see the lights, and now she understands that this is where she’s meant to be. She was meant to see them, and she feels accomplished. Again, since this is a love song, we can also tie that back to Eugene: she was meant to be here – with him.

tangled rapunzel lights

I’m going to come back to Rapunzel’s want/dream soon, but first I’m going to change stride and focus on Eugene’s verses. We’ll come back to the pretty chorus later.

All those days, chasing down a daydream

All those years, living in a blur

All that time, never truly seeing

Things the way they were

Remember what I said earlier, about how what you dream of isn’t really what you expect it to be? That applies perfectly to Eugene. He’s realizing now that his dream isn’t really all that it was cracked up to be. Just like he’s opened up Rapunzel’s perspective and shown her the truth about the world outside the walls of her tower, she’s opened him up to a world he never really imagined – and the love he never thought he wanted. In the interlude before his verse begins, Rapunzel offers him the bag with the crown in it, and while the Eugene at the start of the story would’ve snatched that right up, he doesn’t even bother looking inside. He doesn’t care about that anymore, because he’s realized there’s more to life than the life he had before, all thanks to Rapunzel.

tangled light 1tangled light 3

tangled light 2

Now she’s here, shining in the starlight

Now she’s here, and suddenly I know

If she’s here, it’s crystal clear

I’m where I’m meant to go

While his old dream isn’t really working out for him, he’s found a new dream in Rapunzel. She’s his guiding light, and he knows that she has led him to the path he needs to be on. Unlike Rapunzel’s “I’m where I’m meant to be,” which signifies the completion of her dream, Eugene’s “I’m where I’m meant to go” signifies the start of a brand new dream.

tangled rapunzel eugene lights

Now, let’s go back to that chorus:

And at last I see the light, and it’s like a fog has lifted

And at last I see the light, and it’s like the sky is new

And it’s warm and real and right,

And the world has somehow shifted

All at once, everything looks different

Now that I see you

tangled now that i see you

This is important: the chorus pops up twice.

The first time, it’s sung by solely Rapunzel, after her verses end. The “now that I see you” occurs just as she turns and sees Eugene. Now, why is that important? Well, Rapunzel’s completed her dream to see the lights. And now, she’s realizing she has a new dream: Eugene. Now that she sees him, it’s clear that she wants him, and that she’s realized the depth of her feelings for him.

The second time, it’s a true duet. The inner monologues end, and Rapunzel and Eugene come together to sing their feelings out like a true Disney couple. It shows that they’re not afraid to express how they feel about one another, and also that they’re on the same page about their feelings.

The chorus is all about what it’s like to gain perspective. “A fog has lifted.” “The sky is new.” These are lines that relate to that moment when everything becomes clear, and suddenly you realize what’s most important to you. For our protagonists, that’s them realizing their feelings for one another, and how important they are to each other. Now, everything is different. They’ve shed their past dreams and started a brand new dream, together.

 

So This Is Love – Cinderella (Mel)

cinderella and prince

I am such a sap about Cinderella, so prepare for lots of gushing about this song.

So This Is Love is Cinderella and Prince Charming’s love song, and it’s pretty adorable. It’s an interesting case where there’s a duet, but neither part is actually singing out loud. Instead, it’s internal monologue about how they feel about finding love.

So this is love -humming-

So this is love

So this is what makes life divine

It’s important to focus on the visuals here. We get to see a close up of Cinderella and the Prince’s radiant grins, and the way they stare at each other in awe as they dance. It’s easy to see how enthralled Cinderella is with the Prince, and vice versa. For Cinderella, who’s grown up without much love after her father’s death, finding love with someone like the Prince certainly “makes life divine.”

cinderella and her princey dancing

I’m all aglow -humming-

And now I know (and now I know)

The key to all heaven is mine

“The key to all heaven is mine” relates to their feelings for one another: meeting one another has unlocked all kinds of happiness that neither of them even knew existed. There’s a Katy Perry somewhere that says “they say you know when you know,” and Cinderella and Prince Charming certainly seem to know that this is love, and this is the love they need to find eternal happiness with one another.

My heart has wings -humming again-

And I can fly

I’ll touch every star in the sky

This part is really beautiful to me, because the wings and flying metaphor ties in so well for Cinderella, who’s always been grounded by the cruelty her stepfamily shows toward her. She always had the faith that she would get out of her situation and the determination to never give up on her dreams, but now she’s found someone who makes her heart soar, and gives her more hope than she had before. With the Prince, she sees a new route opening, and he could be exactly what she needs to get out of her grim living situation.

So this is the miracle that I’ve been dreaming of

So this is love

cinderella otp

We know that Cinderella’s been dreaming of miracles, but this also brings up the interesting point that the Prince has been looking for a wife, so he’s probably been dreaming that he’ll find someone that he loves deeply and wants to spend the rest of his life with. And while Cinderella’s found an escape in love, he’s found a future in his love for her as well. Ah, young love.

 

Once Upon a Dream – Sleeping Beauty (Mic)

sleeping beauty dance

This is a song that has about five lyrics repeated over and over again. It’s a very dreamy (get it?) perception of love and has touches of pre-destination in it. Like, they “met” in a dream, okay? There’s no depth to this song or this interpretation of love.

Mel would like to  add that the pre-destination feeling could be because they’ve met before, and can be why they’re so familiar to each other. Their original meeting feels like it happened once upon a dream.

I think, more so, this song speaks to us about Aurora and how alone she feels. Her only friends are some woodland creatures and she’s been raised by three fairies in the middle of nowhere.

sleeping beauty playing prince

We don’t really know what her relationship with them is like, but it doesn’t seem like the fairies are very adept at parenting since they still can’t do anything without magic after sixteen years.

sleeping beautiy cake candles life copy

So Aurora wants love and that makes sense.

Yet I know it’s true that visions are seldom all they seem

But if I know you, I know what you’ll do

You’ll love me at once, the way you did once upon a dream

I think this first line definitely shows us that she’s been let down in love (the fairies?) before. Or she’s heard stories. But this also goes back the fairy tale aspect of most Disney films. True Love, Happily Ever After, etc. Lots of people don’t believe in those, or think it’s cheesy. People get hurt, a lot of times it doesn’t work out. But this song is basically telling you not to be a cynic. Sure, things don’t work out, dreams don’t always come true, but this time…

Or it’s a song about a guy and a girl meeting in woods and admiring the gleam in each other’s eyes. I don’t know.

 

Learn to Do It (Waltz Reprise) – Anastasia (Mel)

anastasia dance

Anastasia’s love song is interesting, because not only is it a reprise, but it’s not sung from the perspective of either of the couple. In fact, it’s from the matchmaker’s perspective, as he realizes that he’s inadvertedly pushed Dimitri and Anastasia together in the midst of their scheme.

anastasia dimitri vlad

It’s one, two, three,

And suddenly, I see it at a glance

She’s radiant, and confident,

And born to take this chance

Here, Vladimir admires his handiwork; watching Anastasia dance proves to him that he made the right choice, choosing her for his con. By bringing out her confidence and teaching her about Anastasia’s life, he and Dimitri have gotten her ready for this. She’s “born to take this chance” – which fits in more ways than one, considering Anya actually is the lost Anastasia.

anastasia

The “it” Vladimir refers to could also refer to the romance between Dimitri and Anya, which he gets into here:

I taught her well, I planned it all,

I just forgot… romance

Vladimir may have planned out everything, but he forgot to plan for the unexpected. He didn’t realize that despite Dimitri and Anya’s initial distaste for each other, they might end up falling in love. And here’s where he’s bittersweet about the whole thing.

anastasia shock copy

Obviously, he wants Dimitri to be happy, considering how close they are, but the emotional attachment might cause issues for them, and he doesn’t want his best friend to get hurt. At this point, he’s also grown fond of Anya, so he’s worried about them both. He scolds himself, saying:

Vlad, how could you do this?

How will we get through this?

I should have never let them dance

But unfortunately for Vladimir, it’s a little too late to sulk about it, so he’s just going to have to deal with the fact that Dimitri and Anya are falling for one another. (And lucky for him, and them, it ends up working out in the end.)

anastasia kiss

One interesting thing I noticed when I watched this scene was the way that Dimitri and Anya move in perfect harmony when they waltz. It shows their connection, and how normally stubborn Anya lets Dimitri take the lead, trusting him not to screw things up. I thought that was a nice touch to foreshadow this romance, and how opening up to one another and trusting each other is ultimately what strengthens a relationship. You can’t have a relationship without trust, after all.

 

Love – Robin Hood (Mic)

Love is a super short song in Robin Hood. The singer has this very dreamy quality to her voice that emphasizes this idea that love changes you, everything happens in a bubble:

Once we watched a lazy world go by

Now the days seem to fly

robin hood hug

While this song talks about love surpassing death and going on forever and being more precious than life, it also personifies love. That really threw me off.

Love

It seems like only yesterday

You were just a child at play

Now you’re all grown up inside of me

robin hood ring so cute

At first I was like, “Umm… okay weird.” But the more I thought about it, the more sense it made. Yes, we all have the capacity to love as children. Love has always been… inside us… but it’s not until we grow up that we learn how to really love another person romantically. We start out loving our family and ourselves–and most of the time we have to learn how to love ourselves, too. Sadly, it’s not innate. As we make friends, we learn how to love them and be good friends in return. In the same fashion, we also stumble around in the dark when it comes to romantic love.

robin hood love

Love matures as we mature. I think that’s a great message to send.

 

If I Never Knew You – Pocahontas (Mel)

If I Never Knew You is interesting because it was originally a deleted scene that they cut from the theatrical release due to it making the film drag a bit. Fun fact: they did add it back in on the 10th year anniversary when it was rereleased on DVD. It’s also that song in the credits of Pocahontas, so you’ve likely heard it before if you’ve see the movie all the way through.

lion gross sobbing reaction

Anyway, this scene is really sweet, and builds off the dialogue Pocahontas and John Smith share, when she visits him the night before her father is going to execute him. She tells him that she thinks it would be better if they’d never met, and he tells her: “I would rather die tomorrow than live a hundred years without knowing you.”

One of the most important things about this song is the fact that it makes a really excellent point. Who would John Smith be if he’d never met Pocahontas?

pocahontas you think the only people who are people

There are two really great sets of lines where he muses about this:

If I never knew you, if I never felt this love

I would have no inkling of how precious life can be

(AND)

If I never knew you, I’d be safe but half as real

Without Pocahontas, John Smith wouldn’t be the man that he is now. At this point, he’s come a long way from the man who thinks of the New World as “a land I can claim, a land I can tame.”

pocahontas with stick

Pocahontas’ influence has shown him a whole new perspective. Without her to push him and challenge his views, he may have never gained that perspective.

(That sound you hear is Mic sobbing uncontrollably.)

I really, really love that second line in there: “I’d be safe but half as real.” There’s a saying that you’ve probably heard: ignorance is bliss. If John Smith had never met Pocahontas, he would be safe, since he probably wouldn’t even be in this situation, about to be executed. His former beliefs would also be safe from scrutiny. But, again, he’d only be “half as real.” He gets a nice dose of reality from Pocahontas in “Colors of the Wind,” and that’s ultimately what forces him to take a look at himself and how he views the world. He values what he’s gained from knowing her, and even though he knows he would be safer not knowing her, he also wouldn’t be the man that he is now, so it wouldn’t really be worth it.

pocahontas if i never knew you 5pocahontas if i never knew you 6

In this world so full of fear,

Full of rage and lies,

I can see the truth so clear

In your eyes

I thought this was actually a really interesting stanza to include, considering that this song takes place right in between Savages Parts 1 and 2. “Savages” is all about the misconceptions both sides carry about one another, and the lies that they believe about one another. Both sides are filled with rage and fear toward each other. But Pocahontas and John Smith have moved past the misconceptions and seen the truth in one another.

I thought our love would be beautiful

Somehow we’d make the whole world bright

I never knew that fear and hate could be so strong

Here, Pocahontas is realizing that love can’t always conquer all; they never thought that their love could make things worse, and that fear and hatred could overcome everything they were working to prevent.

But still my heart is singing, we were right

But, despite the hardships, they know that they’re in the right. Because they are in love, and because they’re taken the time to understand each other’s side and learn about one another, they have a clearer view of one another and they know their truth. They just have to prove it to everyone else (which they end up doing).

There are also some really great callbacks to other songs earlier on in the movie. We get flashbacks of Colors of the Wind. That song references how they’re all connected to each other “in a circle, in a hoop that never ends,” and the two of them are intertwined throughout the song.

pocahontas if i never knew you 3

Compare that to here:

pocahontas and john smith 4

And in a callback to “Just Around the Riverbend,” Pocahontas sees herself and John Smith reflected in the water, and John Smith disappears, much like Kocoum did.

pocahontas should i marry kocoum

But this time, John Smith is the one letting go of her hand, while Pocahontas was the one who let Kocoum go. It’s symbolic of how they know that tomorrow, he will be gone, and his goodbye to her, in a way.

pocahontas farewell 1pocahontas farewell 2

Also, note the way that John Smith looks up from the darkness and turns his face to the light when he’s alone at the end of the song. Even though his situation is dark and grim, he has hope, all because he knew her.

reaction owl fangirl hearts happy

We’ll be back with more songs on Saturday! What are your favorite animated love songs? And who are your favorite animated couples? Let us know what you think in the comments.

You can follow Animated Meta on Tumblr and Twitter! I hope you guys have a lovely Tuesday!

Cheers!

M&M

Sidekick Envy: Analyzing Tucker Foley in “What You Want”

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I’ve wanted to write about Danny Phantom for a while now. And since I’ve been rewatching season 1 for fun, I thought it would be interesting to tackle one of my favorite early episodes: episode 6, What You Want. This episode is one of my favorites because it tackles envy and jealousy in a really interesting way, and more interestingly, we get to see the episode through the lens of the hero’s sidekick, Tucker, rather than the hero himself, Danny.

dp waste these good looksdp criminal

Before we dive into analyzing Tucker and his jealousy though, let’s talk about that episode title, and how it pertains to Tucker as a character. Danny Phantom has a habit of relating episode titles to characters or events. For example, Million Dollar Ghost is about a million dollar bounty on Danny’s head, and pertains to both him and the plot of the episode. My Brother’s Keeper, the Jazz-centric episode of season 1, obviously pertains to Jazz, and her being “her brother’s keeper”, which starts with her trying to keep an eye on Danny, and ends with her being his secret keeper.

What You Want ties into Tucker’s wants and desires. Tucker is sick of being the sidekick; he wants to be the one who gets to have cool ghost powers and fly around and do awesome things. He views Danny’s powers in a very positive light, mainly because he doesn’t have to deal with the consequences of them. The episode’s antagonist, Desiree, takes advantage of that and grants his wish to have ghost powers – but at a high cost. It’s interesting, because Desiree’s own back-story ties into envy: she was a harem girl who was promised her heart’s desires by a sultan, only to be banished by his jealous wife. When she died, she started granting people’s desires, but as a great personal cost: probably revenge for the fact that she never really got what she wanted. A lot of Danny’s villains foil him in some way, but Desiree actually foils Tucker here: they’ve both felt victimized and ignored, envious of something they feel that they deserve. And Tucker almost ends up consumed by his envy, just like Desiree.

So let’s take a look at where Tucker starts in this episode, and how his struggle with his envy nearly destroys him in the end.

The Dark Side of Envy
Tucker’s always been an interesting character to me, because he has remarkably high self-esteem. After all, at the beginning of the episode, he quite proudly tells us that he has “charm, good looks, and modesty”. He thinks highly of himself, and even as girls reject him or people tease him, he lets it roll right off his shoulders and doesn’t let it get to him. It’s a nice change to see a character that isn’t drowning in self-esteem, or worried about his self-worth, especially in contrast to Danny, who has an extreme lack of self-esteem. Tucker’s envy of Danny’s ghost powers adds an interesting facet to his character, because part of what empowers Danny as a character is his ghost powers. They’re what allow him to stand up for himself and protect others. Having someone as smug as Tucker obtaining ghost powers…well, it’s a bit of a disaster waiting to happen.

dp smug tucker

What You Want opens with Tucker’s narration. The first time we notice a waver in his narration is when he admits that he and Danny share everything “except one thing. Danny’s got superpowers.” It’s hard to tell in-story that Tucker is bothered, because he’s more worried about the chaos at the time, but his tone in the narration is a bit flat and shows the start of his envy. Afterwards, he remarks on one of Danny’s new powers: “Man, that’s the cool thing about your powers. There’s no downside.” To him, Danny’s powers are cool: he doesn’t think about the negative aspects Danny himself deals with, because Tucker has never had to deal with that.

Each one of the wishes Desiree grants gives some nice foreshadowing for what ends up happening to Tucker later on in the episode. We had the cotton candy incident at the start, which showed that Desiree goes out of her way to torment people with her wishes (aka, drowning people in cotton candy is pretty extreme). Then there’s Dash – the Flash Thompson of the story – at a football game, who wishes that “[he] could get turned into the kind of monster that could crush these guys single-handed”. His wish is granted, but Dash ends up literally becoming a ghostly monster that Danny has to stop. This shows us that Desiree doesn’t mind being literal in her wish-granting. And when Tucker offers to help, he winds up filling in as mascot to cover for Danny, which leads to him getting beat up by jocks. The resentment grows. “Man, every time Danny goes ghost, I get the short end of the stick,” he complains. He doesn’t get to do the fun parts, like fighting ghosts or capturing them and being the hero. Instead, he covers for his friend and gets beat up. Definitely the short end of the stick for Tucker.
There’s also the Paulina incident, in which she wishes to be more popular, like a movie character, which in an interesting way, ties into Tucker’s wish. Both wishes are directly tied to envy, and it’s the fallout of Paulina’s wish that leads to Tucker sitting in the theater by himself, feeling lonely.

“I’m tired of being left out all the time,” he grumbles. His wish isn’t only tied to envy, it’s also tied to loneliness. He wishes he could be doing the cool things his best friend does with him. “Man, I wish I had ghost powers too.”

And oh boy, does he get them. But you know what they say: be careful what you wish for. Tucker’s new-found ghost powers are cool, but unlike Danny, he doesn’t really understand the gravity of them, and he’d prefer to play around with them instead of doing something responsible, like, oh, I don’t know, saving the world. He pranks people in the theater, laughing over their reactions. Basically, he acts like an average immature teenage boy would after getting superpowers. But when an opportunity does come in to save the day, he pops in, hoping to impress Danny, and tells him he’ll handle it.

It’s when Danny steps in to save the day that Tucker first vocalizes his envy. “Oh sure, phase the car through the building. You had to save the day, didn’t you?” and “You’re just jealous, because there’s someone else to grab the spotlight now.”

Danny’s bewildered reaction adds an interesting facet to the story. It’s a Harry/Ron situation, where one character gets a lot of notoriety and the other is jealous, but the character getting the attention doesn’t really understand why their friend is jealous. Danny’s never really gotten much good public reception, and considering all the downsides that come with his ghost fighting, he doesn’t understand why Tucker would be envious, or even want his spotlight in the first place. Danny never fought ghosts for the attention: he always did it to protect people. The fact that Tucker thinks of him that way says a lot about who Tucker is as a character, and how his envy is blinding his judgment. It’s very true to life: when we’re envious, we often don’t see another person’s struggles. We only see the good parts and wish that we had that. When Tucker gets the powers, he doesn’t see the downsides at first: he just wants to use them for his own fun, like pranking teachers, getting to the front of the lunch line, and boosting his popularity. And when Danny intervenes, Tucker sees it as Danny trying to ruin his fun. Why does Danny get to have all of the fun with his ghost power? Why can’t Tucker do that too? His envy doesn’t allow him to see that Danny is worried about his shifting personality, and the fact that his fun has turned mean-spirited.

It’s during Danny’s confrontation with Desiree that Danny understands what we the audience already knows the depth of Tucker’s envy. “He’s not that jealous…is he?” he asks, for a minute unsure. It’s here where Danny starts to understand Tucker, and his side of the story.

“More than you know,” Desiree responds; “his jealousy and frustration will cement into rage and rebellion.” That transformation is what leads to the Tucker/Danny fight near the end of the episode. Tucker at this point has let his ego and jealousy take over him, to the point where he wants to get rid of Danny. Pretty drastic change from the Tucker we meet at the start of the episode, the one who calls Danny his best friend since forever and speaks of him so warmly. When Danny manages to separate Tucker from his ghost self, Tucker’s even taken aback by what he became.

dp is that me 1dp is that me 2

“Is that me?” he asks, his voice shaky as he stares up at the growling monstrous Tucker-ghost.

He ends up apologizing to Danny, admitting he couldn’t control himself, literally: his jealousy and envy took control of him. There’s some especially dialogue when they come to terms with what happened: Tucker admits this wouldn’t have happened if he hadn’t been jealous, and Danny admits that him showing off around Tucker didn’t help matters. Here, we have two friends coming to an understanding now that they’ve seen each other’s perspective, and get why each friend felt the way that they did. Tucker realizes that ghost powers aren’t always the best thing, and that his jealousy was blinding him to Danny’s struggles, while Danny realizes the depths of his friend’s envy, and that he triggered it a bit with his showing off. The episode has a fantastic view on envy, and how it can literally consume a person if they let it. In the end, Tucker is left humbled and with a stronger understanding of Danny as a character – and vice versa, because Danny understands Tucker and his inner workings. Tucker’s lens adds some great perspective to his character, and as the episode ends, we can all walk away with a bit more appreciation for Tucker Foley and his own struggles.

dp danny and tuck share everything even colds

Happy Tuesday! You can follow Animated Meta on Tumblr and Twitter. Screen-caps were taken from: http://dannyphantomscreencaps.weebly.com/what-you-want.html

Cheers,

M&M

The Music Of: The Prince of Egypt

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I couldn’t resist following in Mic’s footsteps and tackling animated movie music this week. But unlike Mic, I decided to do something a little different, and focus on the music of a non-Disney movie: The Prince of Egypt.

I’ve wanted to write about this movie for a while now, but I couldn’t decide what aspect of it to tackle. It wasn’t until I was listening to some of the music on YouTube that I finally decided what to tackle: the music. Prince of Egypt has some of the most gorgeous songs I’ve ever heard in an animated movie. It’s also interesting seeing how the musical trends match up with Disney at times, and subverts their themes quite nicely in other ways. I’ll be going in order, from the opening number to the final song of the movie, which means we’re starting with one of my top three songs of the movie: Deliver Us.

 

Deliver Us/River Lullaby

poe deliver uspoe river lullaby

These two are sometimes lumped together, and sometimes separate, but for the sake of this post, I decided to put them together, because they play back to back in the introduction.

Deliver Us is probably the most powerful movie opening I’ve ever seen. It’s filled with so much desperation and anguish that it gives me chills every time I hear it. Deliver Us is what we’d call an “I Want” song for the Hebrews: they’re singing about how they want God to deliver them from slavery, and bring them to the promised land:

Elohim, God on high,

Can you hear your people cry?

Help us now, this dark hour

Deliver us, hear our call

Deliver us, Lord of all

Remember us, here in this burning sand

Deliver us

There’s a land you promised us

Deliver us to the promised land

It’s when Deliver Us shifts into the River Lullaby that we understand that there are two meanings to “deliver us”: one is a plea to God from the Hebrews, to free themselves from slavery. The other is a plea from Moses’ mother for her son to be delivered from death. She’s trying to save him from the fate of the other Hebrew infants the Egyptians have drowned, even as it breaks her heart to send him away:

My son, I have nothing I can give

But this chance that you may live

I pray, we’ll meet again

If He will deliver us

Can we just stop right now and talk about how amazingly brave Moses’ mom is? In the montage before the lullaby, she and her children are ducking behind pillars and narrowly avoiding soldiers. The fact that they get to the riverside with nothing going wrong is a miracle in itself. This is a woman who is giving up her child to the river and praying for him to make a safe voyage. She trusts the river (and God) to watch over her son and take him to “somewhere he can be free”. It takes a lot of strength and fate to trust in something like that, and she has loads of it.

Once Moses reaches his destination, we get a glimpse of little Miriam’s prayer for her brother as well:

Grow, baby brother

Come back someday

Come and deliver us, too

poe little miriam
And while we’re talking about Miriam, let’s talk about that parallel that happens later, when Moses sees Miriam again for the first time, and she echoes back the River Lullaby to him. It’s a callback in an eerie way, both for Moses, who is freaked out that this girl knows the lullaby that’s haunted him all his life, and  for  the audience, because it’s a painful echo, right down to the final shot:
poe miriam
poe moses' mother
Talk about a blast from the past.

Before I move on, there’s one final note I want to add: one of the things I really love about this movie is the way it includes Hebrew within the lyrics of the songs. I think it’s 1) a sign of good research, and 2) a cool touch that makes the movie stand apart. The lullaby that Moses’ mother sings to him as she’s trying to calm him down is in Hebrew, and it’s gorgeous:

Yaldi hatov veh harach (My good and tender son)

Al tira veh al tifchad (Don’t be frightened and don’t be scared)

Small thing, but it’s a cool touch none the less.

 

All I Ever Wanted

poe all I ever wantedpoe all i ever wanteddd

This is actually a really interesting song to me, because All I Ever Wanted is a unique subversion of those “I Want” songs Disney always does. In Moses’ case, it’s an “I Wanted” song. After Miriam confronts him with the truth, he’s forced to reconcile with the fact that the life he’s always known has been a lie, and that he’s been viewing the world through rose-colored glasses, essentially.

All I Ever Wanted is a song that drowns in denial. Moses tries to focus on his luxuries (“sweet perfumes of incense, graceful rooms of alabaster stone”), but it rings hollow as he sees the injustices that others face. He even tries to tell himself that he belongs and “if anybody doubts it, they couldn’t be more wrong”, even if it’s he himself who’s beginning to doubt his place. He is so determined to convince himself that this is where he belongs, and that he is in the right, but it’s so clear that he doesn’t even believe in what he’s saying anymore.

There’ a really interesting choice made with All I Ever Wanted; Moses isn’t walking around singing it. Instead, it’s a song playing in the back of his head wherever he goes. And even as he tries to convince himself that he is “a son of a proud history”, his facial expressions are filled with doubt, confusion, and anxiety. He repeats “all I ever wanted” so often that it begins to ring hollow, and as he slumps against the statue, he’s realized that maybe this was all he’s ever wanted before…but it’s not enough anymore.

 

All I Ever Wanted (The Queen’s Reprise)

poe the queen's reprise

Prince of Egypt does something very interesting with the All I Ever Wanted reprise: it assigns it to Moses’ adoptive mother, the Queen. Whereas Moses is questioning his place, she is the one who tries to soothe him, and reassure him that he’s right where he’s meant to be:

Here the river brought you

And it’s here the river meant

To be your home

Seems sweet and heart-warming, right? She’s telling him that this is his destiny, and he was meant to be here, and all of that jazz. But then there’s this other stanza:

Now you know the truth, love

Now forget and be content

When the gods send you a blessing

You don’t ask why it was sent…

At first glance, it seems sweet and accepting, but at second glance, isn’t this kind of chilling? She’s basically telling Moses to move on and forget what he knows. “You don’t ask why it was sent” is particularly interesting, because she of all people would know why Moses was sent. She would know if the genocide her husband committed, and the dozens of babies drowned in the sea. But the fact that she tells him no to pursue this means that she is advocating ignorance. Ignorance is bliss, after all.

But Moses isn’t placated. Her words are a temporary Band-Aid, and it doesn’t last long.

 

Through Heaven’s Eyes

poe through heaven's eyes

This is another one of my favorite songs, mainly because it’s beautiful and meaningful, and also because it has the coolest time lapse ever.

Through Heaven’s Eyes is all about self-worth and viewing your life through a brighter lens: more specifically, seeing your life through Heaven’s eyes (hence, the title). It’s a big wake-up moment for Moses, who has gone from very prideful and smug to feeling lower than low. He doesn’t see much to be proud of about himself in this moment, and this is the song where he builds his pride back up and becomes a better person. He begins to see the world through a brighter lens, and grows because of it.

One of my favorite parts of this song is the first stanza:

A single thread in a tapestry,

Though its color brightly shines,

Can never see its purpose

In the pattern of the grand design

In translation: no one man (“a single thread”) can see his purpose when he’s buried in a sea of people (“the pattern of the grand design”). It’s a great point made for Moses, who has had trouble finding his worth. He needs to find himself in order to find out what his purpose is. And much of the montage of  Through Heaven’s Eyes involves him both finding himself, and falling in love with Tzipporah. It’s only when Moses finds himself and becomes someone with strong values and purpose that Tzipporah begins to fall for him.

It’s interesting how much the lyrics reflect Moses and his journey in particular. The song questions whether a man has “lost his worth” “should [he] lose everything he owns”, which is something Moses has struggled with. Without his riches, without his heritage, without his title, who is he?

So how do you measure the worth of a man, in wealth or strength or size?

In how much he gained, or how much he gave?

So much of Moses’ character journey is tied into how he reconstructs himself when he has lost everything that made him who he was before. He learns that he cannot measure himself “in wealth or strength or size”. But by looking at his life through a new lens (Heaven’s eyes), he can measure his life by what he has done, and what he has gained.

No life can escape being blown about

By the winds of change and chance

And though you never know all the steps,

You must learn to join the dance

Moses’ big struggle during the song is rejoining the dance of life. At first, he’s invited to dance with the rest of Tzipporah’s people, and neglects to join, instead standing off to the side and watching the others dance wistfully. But just like one can’t avoid life, Moses can’t avoid the dance. So when Tzipporah drags him into it, he’s done resisting the pull. There’s a double-edged symbolism here: Moses joins both the dance shown in the song, and also rejoins the metaphorical dance of life. Even though he doesn’t know what’s ahead, he learns to embrace his life and become a man that he can be proud of. He can finally see his life through Heaven’s eyes.

 

Playing with the Big Boys

poe hotephuypoe playing with the big boys

Oh, these two. I guess in a way, Playing with the Big Boys would be the “villain song” of Prince of Egypt. But the main theme of the song is the contrast between smoke and mirrors, and real magic.

These two are so smug. They patronize Moses, calling him boy (“pick up your silly twig, boy”) and telling him that he’ll “know what power is when [they] are done”. They try and subdue him into quitting many times, using tricks and condescending words to force him into submission:

Stop this foolish mission

Watch a true magician

Give an exhibition how

The funny thing is though that we never really see any of this magic in the light. Every trick Hotep and Huy pull off is submerged in darkness, or smoke, or it’s behind a curtain. It’s very similar to the kinds of tricks magicians use in stage shows. We never once see proof that either of these two can conjure magic, despite all of the boasting that they can.

Hotep and Huy are good at pulling off masterful illusions, but in the end, that’s all they are: illusions. Smoke and mirrors.

Moses, on the other hand, conjures a snake right in front of everyone, with no deceptions, and yet it’s disregarded, all because it’s not quite as flashy as these two. Of course, they try and top him by ‘conjuring’ snakes as well. (Yes, I’m sure those sticks really became snakes, especially since the room was submerged in darkness as it happened.) And you know what happens to their snakes?

poe moses' snake

They’re devoured by Moses’ snake, in the midst of all of their boasting. And they don’t even notice, because they’re too caught up in the show. Talk about an epic fail. In the end, Hotep and Huy may have the flashier show, but they don’t have an ounce of real magic in them, and even as most of Egypt ignores the signs (which they really regret next song), Moses proves that he has the power of God behind him.

 

The Plagues

poe swirling clouds

poe the frogs

The Plagues is a very chilling song. The movie does not shy away from showing the damages on both sides as the conflict between Moses and Ramses heats up. Just look at all of this chaos. There are frogs everywhere. Pests in people’s food. Fireballs falling from the sky and decimating homes. The river is red with blood. This is God’s wrath, and he’s not holding back. Even the lyrics are chilling:

I send a pestilence and plague

Into your house, into your bed

Into your streams, into your streets

Into your drink, into your bread

Upon your cattle, on your sheep

Upon your oxen in your field

Into your dreams, into your sleep

Until you break, until you yield

This is a super extensive set of plagues. They raise in extremity too, going from frogs to disease and fireballs plummeting from the skies. Especially chilling is the phrase “until you break, until you yield”. This is all about getting Ramses to break. Ramses’ stubbornness is why the Hebrews are not free, and God wants to break the haughty (aka Ramses) by tearing apart Egypt. Unfortunately, Ramses is a stubborn son of a bitch, and thus, things just keep escalating.

poe the plagues

One of the more interesting aspects of the song is showing Moses’ internal conflict. He’s torn between this place that was once his home (and the brother he once had), and the freedom of his people, his family. There’s a particularly sad echo of All I Ever Wanted buried in here, when Moses muses on what he once wanted:

Once I thought the chance

To make you laugh

Was all I ever wanted

Moses is caught between a rock and a hard place, basically. He knows that he’s doing what he has to do, but he still wishes “that God had chose another…serving as your foe on his behalf is the last thing that I wanted”.

He’s also furious with his brother, and how so many innocent people have suffered because of his “stubbornness and pride”. Moses isn’t pleading anymore; he’s demanding that Ramses let his people go. Does Ramses listen?

poe ramses gif

Not really, no.

Ramses’ portion of the song is really interesting, because it’s very self-motivated. Instead of looking inward and thinking “oh dear, what have I spurred?”, he blames Moses:

You who I called brother

How could you have come to hate me so?

Is this what you wanted?

Is this what Moses wanted? Well, no, not really.  If Ramses had been paying attention, he would have realized that all Moses wanted was for his people to be freed. And Ramses could have done that. He could’ve looked inside himself, realized that he was being callous and selfish, and he could’ve let Moses’ people go.  He could’ve even ended all those plagues ruining his people’s lives. Ramses has a choice here…and he chooses wrong.

Then let my heart be hardened

And never mind how high the cost may grow

This will still be so:

I will never let your people go…

“Never mind how high the cost may grow”. That’s just callous. Not only does Ramses not care about Moses’ people and their suffering, but he also doesn’t really care about his own. Ramses is so wrapped up in himself that it takes the extreme of  losing his son for him to finally give up and let Moses’ people go. Even then, he goes back on his word and goes after them anyway. Pathetic. He never learns, and in the end, that’s why he ends up alone.

 

When You Believe

poe when you believe

I like to call this one “the awards bait song”. It’s pretty, but it’s definitely an awards bait song. That said, it has a great message: anything is possible if you just believe.

The beginning stanza gives a nice callback to the start of the movie:

Many nights we prayed

With no proof anyone could hear

In our hearts a hopeful song

We barely understood

Reminds you of Deliver Us, right? It sure reminded me of it. And then there’s this gorgeous part, which gets right at the core message of the song:

There can be miracles

When you believe

Though hope is frail

It’s hard to kill

Who knows what miracles

You can achieve

When you believe

“Though hope is frail, it’s hard to kill” is such a beautiful sentiment. These characters have spent so much of this movie hoping and praying for deliverance, and now, they’re finally at the cusp of what they’ve awaited for so long. It’s a very liberating feeling.

In this time of fear

When prayer so often proves in vain

Hope seems like the summer birds

Too swiftly flown away

Yet now I’m standing here

My heart’s so full I can’t explain

Seeking faith and speaking words

I never thought I’d say

First of all, the language in this song is gorgeous. “Hope seems like the summer birds, too swiftly flown away.” What a beautiful way to describe that lack of hope you feel when you’re in a hopeless situation. These two stanzas speak to a really interesting sentiment: doubt. So many of them have had reason to doubt. They’ve been enslaved for years, and they’ve been praying for so long that for many, it felt like it might never come. For some, it never did. But after all this, they’re standing here, and their heart is so full of promise and fulfillment and anticipation and who knows what else. They’re on the road to freedom. Despite their doubts, their faith has paid off. Their shepherd came to deliver them to the promised land, and that he does.

All they had to do was believe.

 

Note: As always, I snagged my lyrics from ST Lyrics: http://www.stlyrics.com/p/princeofegypt.htm

 

I’m curious: what is your favorite Prince of Egypt song? And what other movies would you like to see us analyze the music of? Let us know in the comments!

You can follow Animated Meta on Twitter and Tumblr! Happy Tuesday, everybody! I hope it’s a good one!

Cheers,

M&M