Category Archives: songs

Songs for Dad: Animation Style

Standard

Tomorrow is Father’s Day so have a Dad Themed meta! What better way to express your love for Dad than with music? There are two Disney songs and one non-Disney song that are Dad centered. Let’s dive in!

Father and Son

In the third Aladdin movie, Aladdin finally met his long lost father. They have a strained relationship on account of Cassim being absent (and the fact that he’s The King of Thieves—minor detail). In this song, Genie tries to help them make some positive progress in their relationship.

aladdin king1aladdin king2

And boy do they need it…

This song is different than the ones we’re gonna talk about because it’s not the kid and parent singing. Instead it is someone else commenting on a father/son relationship.

It’s a big bright beautiful future

Thank you your lucky stars, you’re alive

You’ve got someone special to talk to

A friend that you can trust for life

I love the optimism here, the notion that any relationship can be fixed or mended. Sometimes families become estranged and there’s bad blood there forever, which is just really sad. But Genie is here to tell you that as long as you’re both alive, there’s always a chance things can get better.

The second line also literally relates to Aladdin and Cassim, since Aladdin did think his dad was dead for basically his whole life. Shame on Disney for killing family so often or keeping them alive and separating them.

Next, “special someone to talk to” is a really sweet line. Usually moms are the parent you’re supposed to turn to with your problems because women are more interested in sharing their feelings, but here, dads are friends and trustworthy and they’ll have your back forever. This is similar with the idea that no one will ever love you as much as your family.

You’ve been on your own with no family ties

But those solo days are done

You’ll be two of a kind

Spending quality time

Together as father and son

Again, this stanza starts with referencing the estrangement and this becomes more pronounced as the song goes on. Aladdin and Cassim have both been separated, alone, and while their reconciliation will make them two of a kind since they’ll be together, they already are. They’re both thieves (or, Aladdin was) and they’ve both been alone. They already have things in common. Once they spend some time together, they’ll be able to see how similar they are and become two peas in a pod, basically.

aladdin king cassim

Building model ships

Taking fishing trips

Working hand in hand

Painting the palace and moving the sand

First ten to go, with your daddy-o

Once you break the ice

You can postulate paternal advice

Here is a list of typical “Dad Things.” Building things, fishing, the visuals also show them playing football together. But then we’re back to the estrangement (“break the ice”) and that good can come out of it if they just work through it.

It’s a fine fantobulous future

I see fruit on the family tree

You’ll be great as the grumpy old grand-pa

Bouncing babies on your knee

You can fall asleep on the comfy couch

After playing one on one

Dreaming back to back

That you walloped the Shaq

Together as father and son

There’s a bunch going on here. The Shaq reference at the end again ties back to sports and things Aladdin and his dad can do together. But I like this idea of family continuing to expand and that one day, Aladdin and Jasmine will have kids so not only is Cassim gaining his son, he’s also gaining grandkids and a daughter-in-law and father-in-law. Cassim may have missed all of this with his son, but he gets to watch his son do what he couldn’t and be supportive and have a relationship with him now. Plus he gets to meet his adorable grandkids and love them. Estranged family members miss out on those big moments in life when they let things get in the way. The genie does not want that for Aladdin and Cassim.

Maybe a bumpy ride

We’ll make it side by side

Good afternoon, I’ll be your travel guide

Move over, laddie,

Make room for Daddy

Gotta whole new shoulder to cry on

“Bumpy ride” takes us back to the fact that this isn’t gonna happen overnight. There’s probably a lot of anger, resentment, and sadness to work through. All relationships take time. They’re messy. They’re hard and painful. But the benefits, like gaining someone to build model ships with. 😉

We talked about earlier how a father here gets to be someone you can talk to and in this stanza we also see he’s a shoulder you can cry on. That’s really nice, especially to tell boys. Our society conditions boys not to cry, which is really damaging. This song includes all the masculine things like sports and fishing and also says you can talk and you can cry and that’s perfectly normal. Props to you, Disney. You did something good.

Take a chance now give it a spin

You’ve had chums for palin’ around with

But you’ve never had a friend like him

Put your checkered past behind you now

No more living on the run

Face the big bright beautiful future

Together as father and son

We’ve reached the end! So let’s just start with the callback to movie one, Friend Like Me. The song purposefully classifies family and friends differently. We like to say friends are the family you choose for yourself, or friends feel like family, but there’s also the saying blood is thicker than water. And since this is a song about how awesome a relationship with your dad is, of course, they’re going with the latter.

aladdin king end

We end right back where we started, with the future and all the possibilities that lie ahead. The estrangement and isolation doesn’t need to be permanent. They just need to make the choice.

On My Father’s Wings

Our next song selection is from Quest for Camelot. This one is different from above since Kayley sings this just after her father has died. What you need to know is: Kayley adored her father. Her dad = who she wanted to be. So now her hero has literally died/been murdered. This is where Kayley affirms her mission to live up to the man her father was, to be like him, to remember him.

camelot 25

This song is very straightforward. The visuals are really what matters. Kayley goes back to the beach she used to visit her with dad. She draws the symbol of the knights, the three intertwined rings, and actually has a flashback to when they would play together.

camelot father's wings camelot father's wings2

Quest for Camelot is all about Kayley wanting to be a knight, but being told she can’t because she’s a girl. Her father was the only person that believed she could be a knight and when she loses him, she doesn’t know how to escape society’s expectations, but knows she still wants to.

camelot 27

And I will fly on my father’s wings

To places I have never been

There is so much I’ve never seen

And I can feel his heart beat still

And I will do great things

On my father’s wings

This world I’ll never see

My dreams that just won’t be

This horse’s stride, with one day’s ride

Will have covered more distance than me

Kayley still feels her father with her, which is a beautiful message about the people we love never leaving us.

Someday, with his spirit to guide me

And his memory beside me

I will be free

To fly on my father’s wings

To places I have never been

Kayley is trapped tending a farm, what she’s supposed to do. So she turns it into an adventure, using the pitchfork as pole vault, a jousting stick, and finally hitting the bulls eye with it. She uses a spoon and bucket cover as a sword and shield.

camelot father's wing

Kayley’s inspiration to be a knight stems from her father. If he wasn’t her father, she seriously would not be the person we see on film.

camelot 4camelot 5

This tells us that dads matter so much to the development of a child. Even Aladdin was affected by not having a father since earlier in the film he tells Jasmine that he feels like he comes from nowhere, like he just appeared out of thin air. Even in movie one he hated being referred to as a street rat, like he was worthless. He didn’t have a father in his life to take care of him or build up his self-esteem like Kayley did.

Nobody Else But You

Do you remember this Goofy Movie tune? I did not. (Props to Mel for reminding me!)

Before the song starts, Max and Goofy are mid-fight and they are really going at it. Max resent being treated like a kid, but to Goofy, Max is his kid. Goofy’s just trying to figure out what his role is now that Max is growing up and doesn’t want him around as much. Cue the sad feels.

goofy movie fight

But then the song starts and all the happy feels! They totally make peace and love each other to bits.

Max

There are times you drive me, shall we say, bananas

And your mind is missing, no offense, a screw

Still, whatever mess I land in

Who is always understandin’?

Nobody else but you

Goofy

Oh, your moodiness is now and then, bewilderin’

And your values may be, so to speak, askew

I love how it’s Max that makes the effort to go first and it takes him a few tries to get it going. Goofy and Max both have their differences, but none of that really matters in the long run. Family and dads in particular, are there for you when you mess up. Say you impersonate a pop star to get the girl and then tell her you know that pop star and will be on stage at his concert and give her a shout out and then have to highjack your father/son bonding trip to make it happen.

Goofy, for his part, is just dealing with what all parents do: that shift that happens when kids become teenagers. Parents have a hard game to play because they need to give their kids space to learn on their own, figure out who they are, and let them make their own choices. Teenage years are that inbetween phase and it’s hard for everyone involved.

goofy movie always my son

Nobody else but you

It’s just our luck

We’re stuck together

Nobody else but you

Is crazy enough to believe we’ll come through

Parents pretty much always have your back. Even when it doesn’t seem like it, sometimes my mom flat out has to tell me, “I’m always on your side.” We don’t get to pick our parents and parents do not get to pick their kid. It really is luck, pretty much, that got us here. That’s what family is. There are hard times and confusing times and sad times, but family are the people you’re always supposed to have in your corner. They’re automatically there for you.

Max

So your jokes are all, let’s face it, pre-historic 

Goofy

And your music sounds like monkeys in a zoo

Both

But when life becomes distressin’

Who’ll I be S.O.S’in? 

See, your automatic. They’re who you call when shit goes to hell. No matter what your differences, big or small, material or moral, you’re stuck with them so suck it up. No, kidding. But it’s nice. Sadly, not everyone does have their automatic. But adoptive parents and siblings and grandparents and aunts and uncles and even good friends can be that automatic, too. Because really, it was luck you got them, too.

goofy movie hug

Both

Hard times we’ve had a few

Goofy

Like we’re thrown in the drink

Max

Like we’re tossed outta town

Both

But when I start to sink, than I’d rather go down

With nobody else but Y-O-U!

The visuals here have them actually sinking since they get sucked in a whirlpool, which is a silly animation touch. This ending section is pretty much everything I’ve been saying. Like Aladdin and Cassim and their hard times, Goofy and Max have had something more akin to ‘normal problems’ but if all you have are ‘normal problems’ then well… they feel like big problems. But both pairs of fathers and sons were able to work it out in the end. Cause, family.

goofy movie dancing bigfoot

Conclusion

In what was probably the cheesiest meta in AM history…

No, but seriously. Okay all these songs are nice and all, but why are they all between fathers and sons? There are way more daughter/dad duos in animation. Especially in Disney with their KILL THE MOM fetish. That leaves so many princesses with fathers (Snow White, Ariel, Belle, Jasmine, & Pocahontas) (Aurora, Hercules, Mulan all had moms also, but their dads arguably played a much larger role in their stories.) The Lion King was also largely about Mufasa and Simba, while Sarabi had a very minor role. If you go the Pixar route, look at The Incredibles which yes, featured a family, but the dad had the biggest storyline.

Turn to Dreamworks and The Croods is about a family, but again largely revolves around the father character. Even in the Shrek franchise we meet Fiona’s dad and Shrek 2 is largely about Shrek and Fiona’s dad finding common ground. How to Train Your Dragon finds Hiccup without a mother, though this is rectified in part two (so amazing), but the dad so far has played a much larger role in the story. Maybe this will be different in movie 3 (if we get one/are we getting one?).

From other studios, we have Despicable Me, which focuses on a foster/adoptive father. Could Gru have been a woman? In The Swan Princess, Odette’s mother dies in the very beginning and though her father dies a bit later into the film, she was still raised by him and seemingly close. Look at how many more father figures feature prominently in animated movies. Anastasia is mostly about Anya and her grandma, but in the beginning, before it all goes to shit, Anya dances with her father and then imagines dancing with him again in Once Upon a December.

While I am unhappy with the lack of mom-rep, the amount of dad-rep is overwhelming. So why few songs about dad and family? Why does romance get all the best songs?

However, for the songs we do get, they’re all positive. It’s good. All is happy in animated-dad land. Unless you’re Kayley’s dad.

Happy Father’s Day.

Who is your fave animated dad?

Follow AM on Twitter and Tumblr.

Cheers,

M&M

Say the (Friend) Word

Standard

Say the Word was (and still is) one of my favorite songs. I was listening to it yesterday morning while I waited for the train and realized the song actually has a totally different meaning than I thought it did! Thus, let’s examine the famous Kim Possible song.

kp12

So maybe it’s just because I’ve never seriously thought about this song in any kind of ‘dissecting capacity’ (I’m sorry if that sounds very awkward), but listening to it recently made me realize some things. When I was little, I thought this song was all about how Kim was always there to save the world and was a general badass and all that wonderfulness.

But this song isn’t really about Kim saving the world whenever we say the word. It’s about saving her friends whenever they say the word. Maybe this was just my self absorbed 10 year old brain assuming she was talking about me and the rest of the world, but 20 year old (slightly less self absorbed) me actually paid attention to the words this time and learned something.

world cup omg reaction I know, right? My reaction, too.

Maybe we’re all Kim’s friends, which is why she saves anyone that needs her, but I think looking at this song in another lens, from Kim saving her “friends” in the traditional sense of the word (ie, people she knows), makes it more meaningful.

If you find your world is cavin’ in

You can bet you’re gonna need a friend

Someone to take those fears away

This is friendship. This is what it means to be a friend and this is what it means to have a friend. How many times do we turn to our friends for help and advice, especially when we feel like we’re alone? There’s ‘cavin’ in’ in the literal OMG ROCKS ARE FALLING ON ME FROM THIS DISASTER I AM IN that Kim could probably save you from because she is totally awesome that way. But there’s also an emotional ‘cavin’ in’ when good friends are important and totally help dig you out. And Kim would do that too for her friends. She’s not just a physical hero. She’s a person.

Make a call and I’ll be there

Anytime, anywhere

Have you heard

That I’m all about savin’ your world

All you have to do is say the word

The first two lines of this part of course reference how Kim is always on call when it comes to literal saving the world duties. But again, friends call on each other in the middle of the night, at sometimes the worst possible moment because that’s when they need to. That’s when the cavin’ in happens and you have to be ready.

I think it’s very important that that verse ends with ‘all you have to do is say the word’ because true friendships ask for nothing in return. And Kim isn’t either. Say the word is just letting someone in, admitting you need help. This song is freaking beautiful and profound, okay.

reaction i just have something in my eye

In trouble, in it deep

This is a promise that I can keep

Make it right, count on me

To be the best friend I can be

When your life is bending

Upside down

I’ll be the one to turn it around

What is happening to these people? Caves, trouble, deep, clearly things are in bad shape. Again, these could be literal – and refer Kim actually saving the world –  but they can also be symbolic. Whatever it is, Kim promises to do it. Kim is a class A friend and a class A superhero.

kp ron meeting LOOK AT THESE IDIOTS!

I think this song does a great job of being a tad ambiguous since it can clearly go either way. It represents the show really well.

The show never sacrificed character development for stakes or action. Kim and Ron and everyone else were just as important and so were all the relationships the show created.

Kim’s home life and school life and personal life carried as much weight as the saving the world arc of an episode. So it’s fitting this song is a perfect mix of saving your friends and saving the world.

**Eppp!! So sorry we forgot to post yesterday. This baby was sitting in the draft folder 😦

 

DON’T YOU JUST LOVE THIS SONG???????? CLASSIC.

Follow Animated Meta on Twitter and Tumblr.

Cheers,

M&M

Animation’s Feminist Anthems: A List

Standard

Hi, I’m Michella and I AM A FEMINIST! Pleased to meet you. Below, find a list of animated songs and reasons why I think they are badass feminist anthems that celebrate women and their agency, challenge gender roles, and are inspirational. And please don’t be scared off by the term “feminist.” We don’t bite and we’re all about accepting everyone and not judging and just living in groovy harmony and respect. Doesn’t that sound fun?

Like Other Girls—Mulan 2

This song is all about Mei, Su, and Ting-Ting feeling trapped in their roles and responsibilities and wanting just a little bit of freedom, like other girls have. It was the first song that popped into my head when I thought of this list because of how much these ladies admire other women. They’re not jealous or bitter, they just long. And what are they longing for? To play and climb trees, slouch, eat cake, be free to make choices, dance, no tight shoes! Yes, they want love, and that gets a line, but the repeated mantra is “no hands folded perfectly,” “no pinchy shoes,” “just to be free like other girls get to be.” It’s such a sweet, beautiful song that also challenges gender roles.

Who usually gets to play outside, get dirty, “be crazy?” Well… boys. Boys are expected to play sports and be physically active (though the song equates it to being a girl’s activity, which is great!). Girls are usually delicate and taught manners. Mei, Su, and Ting-Ting have to be elegant, use their fans, and are escorted everywhere, like they aren’t strong enough to walk on their own. In my Victorian Lit class we talked about how writers like Dickens and Thackery never have female characters that “walk.” They “trip” or “glide/float.” Breaking that down, trip: immature, young, clumsy, incapable, needing protection. Glide/float: angelic, not real, unearthly, perfect, elegant. Women can never just be normal people that “walk.”

One other point about this song, I love how “Like Other Girls” is a GOOD thing. “You don’t want to be that girl,” is oftentimes an insult. Being compared to other women isn’t a good thing in our society. To stay on the subject of literature, many times we see dialogue that says, “You’re not like other women.” Meaning, you’re not clingy or needy or “insert stereotype here.” Women are pitted against each other! But no. This song takes that and spins it in a positive light.

Belle (reprise)—Beauty and the Beast

We all know this song. I love the fury in Belle’s voice when she begins the song and then it turns to a desire. So this song made my list for a couple reasons.

The first might be the simplest: Belle rejects marriage in favor of adventure. Now, marriage is definitely its own adventure. But Belle is, what? 18? Belle wants to live. We know she loves to read and her favorite book (the one she reads in the opening song) has “far off places, daring swordfights, magic spells” and a sweeping love story (“Here’s where she meets Prince Charming, but she won’t discover that it’s him till chapter three”). Belle is not against love. Her song explicitly states it would be nice “to have someone understand.” Whether that’s in the form of romance or friendship, who knows, but she wants it in the context of an adventure. Not Gaston, who prizes her for her looks and is shallow. They have nothing in common. They would never be happy together, especially living in that small-minded town.

The second is that Belle also rejects the expectations of her society. The song ends with, “I want so much more than they’ve got planned.” They is not just Gaston. They is everyone. They is the pressure, the expectation, the town. They is anyone that tells Belle she is supposed to be this kind of person. And sadly, the entire opening song established there are a lot of people that have their own ideas about who Belle should be. This is a great song because Belle sometimes internalizes. She’s always kind, she said hello to everyone while they gossiped about her, but here is really the first time we see her stand up for who she wants to be, even if it is just to herself. It is hard to admit what you want. It is scary when there are a lot of people that are going to try to talk you out of it. And I think Belle is a great amazing feminist for that.

For a Moment—The Little Mermaid 2

I was hesitant to include this song even though it jumped out at me. As I thought about it, I realized I wanted to include it because it’s basically the only mother/daughter song Disney has ever produced. I also just love Ariel, Eric, and Melody to bits and we’ve talked about Part of Your World so much.

Even though this is a mother/daughter duet, our babies are apart from each other. Sad face. It’s very angsty. Ariel is so desperate to make amends and Melody is finally so happy, but also sad she can’t share that with her mom. Their relationship is really the heart of the movie since Ariel keeps this secret about Melody’s heritage and this song is where we get to dig into all those complicated emotions. A lot of times mom/daughter relationships are portrayed by the media as super close or the opposite. There is no middle ground, and like what I brought up with Dickens and Thackery, women aren’t allowed to be human. They don’t get to go through a full range of emotions compared to their male characters. And frequently, they don’t have complex stories and conflicts with other women. Many times their plot revolves around a man. For a Moment is a song about how two women are feeling.

Here Ariel is remorseful for her mistake, but determined to find her daughter, and make things right. Right before the song, she makes the choice to leave Eric, to do this on her own (or, separate, since Eric is still looking, too). Melody is just Ms. Happiness with her new fins. She stumbles a bit, getting situated, but for the most part, she’s a natural (which makes sense since she’s half mermaid!). The only disappointing part is that she can’t share this with her mom. She doesn’t think her mom will understand (“wish my mother could hear it” meaning she doesn’t and never will). But to juxtapose that, Ariel and Melody both use “song of the sea”/”sea is my song” which shows you just how in synch they are. They’re mother and daughter, after all! They both love the sea. Ariel may have chosen land, but that scene where she dips her feet in the water and her face is filled with an ache to return just tells you all you need to know.

On a totally non-girl power point: The visuals also kill me because Melody is just exploring and Ariel is retracing all her steps, hitting all those nostalgia buttons as we see the grotto and the rock bench from Under the Sea with grownup Ariel.

I Won’t Say I’m in Love—Hercules

So, like the Belle (reprise) I’m not picking this song because Meg rejects marriage. Feminism is not about rejecting marriage or looking down on housewives. I chose this song because Meg is so hurt. Meg is guarded because of her past, Meg is wary, Meg is so so so scared. I love that Disney gave us Meg because she’s someone trapped in a bad situation because of her choices and past trauma from a relationship. Sadly, most of us are scarred. We’re damaged. We don’t come with bows on us, unharmed. Meg represents that.

Furthermore, Meg is given the opportunity to be affected by her trauma. A lot of times women are discouraged from talking about their pasts—such as coming forward with sexual abuse claims years later. Or women are “overemotional.” If you’re not “better” within someone else’s expected timeframe, then you’re making too big a deal out of it.

Not Meg. Meg is not okay from her past relationship. She’s given the chance to argue with herself, to want something, but be afraid she wants it. She’s not one dimensional precisely for this reason. There are layers to Meg. At first she appears like a flirt, but that’s just a mask. This song is where Meg tries to lie to herself, to keep the mask on, but in the end Meg realizes that’s not possible. Like Belle, she admits what she wants to herself, which is the first step to going after it in reality.

And who is encouraging her to take a chance? The muses! Coincidentally, all women. More women cheering women on and supporting each other. What is more feminist than that? (Hint: The answer is nothing.)

Almost There—Princess and the Frog

Ah, this song! Such a great anthem. Tiana is filled with such a drive. She has this amazing goal and isn’t going to let anything get in her way. Tiana definitely had some things to learn, like being single-minded isn’t the way to go about being happy. But, taking this song out of the context of the movie, it’s a song about achieving your dream, something that is self-fulfilling. It has nothing to do with another person. It’s something Tiana is doing for herself. This is what I love most about Almost There.

It might be the first animated song where women are encouraged to be savvy business ladies. It’s okay to want a career. It’s a self-esteem booster, it just makes you feel good when you’re doing something you love and you do it well. Many times women are expected to be “humble” and “modest” and confidence can be misconstrued as cockiness or arrogance. But why shouldn’t we take pleasure from doing a good job?

Like some of the other songs, Almost There mentions expectations (“people down here think I’m crazy, but I don’t care”), because those pesky buggers are everywhere, sadly.

Let it Go—Frozen

Okay, everyone has heralded Let it Go as an anthem since it came out. It’s Elsa finally being true to herself, being brave, and loving that person. Let’s zero in on a very specific lyric: Don’t let them in, don’t let them see, be the good girl you always have to be, conceal don’t feel, don’t let them know. Wow, that’s a lot!

First, women are supposed to put on a mask in public. Like Meg hides from her trauma with a flirty persona, women should put on a good face. Smile. Be cordial. Be demure.  This goes right into “be the good girl” while boys will be boys. This is every gender role the previous songs have battled with. Su, Mei, and Ting-Ting want to climb trees and scrape their knees, but that’s for boys (even though the song presents it as something women can do, which is great!). Belle is expected to marry Gaston. Elsa shouldn’t be overemotional, she should keep her mouth shut and smile. Whereas boys can be hyperactive and do whatever they want because they’re boys and boys just have all these impulses that can’t be controlled. This way of thinking continues into adolescent and adulthood and is what makes rape culture so rife.

Next, we have “conceal, don’t feel,” which is actually really interesting and twisty. So we have this stereotype that girls want to talk about their feelings all the time, that girls cry, and so on. But, women are ridiculed when they do just that. “Cry like a girl” is an insult. I hate to keep using the “overemotional” card or the “needy, clingy” label, but that’s just the way it is. Women are expected to do these things, but if they do, they are scorned for it (because: good!). And maybe they don’t even do it in excess, but there’s such a low tolerance for women expressing themselves at all.

On the flip side, to keep talking about gender roles, boys are definitely taught the same thing. Boys aren’t supposed to have a soft side. They’re masculine! Strong! Testosterone! And boys are also made fun of if they don’t conform to this expectation. Many times, men also aren’t allowed to go through the full spectrum of emotions. This is wrong. This is just as wrong as the insane stereotypes surrounding women, even though we do not talk about this as much.

Let it Go has an important message and for obvious reasons, definitely is a feminist anthem.

I Whistle A Happy Tune–The King and I

I think this one is a lesser-known animated movie and I actually had forgotten about it till recently myself. I want to end on this note because this song is all about overcoming fear and that’s a great message to end on.

I think it also, sadly, feeds on the “conceal don’t feel” aspect of Let it Go and gender roles because some of the lyrics are: I strike a careless pose and whistle a happy tune and no one ever knows I’m afraid. At first glance it’s all about putting on that mask, of women not being able to express their feelings. But, as the song goes on, the meaning is that if you trick yourself into feeling brave, you may be as brave as you make believe you are.

So: things are scary. People get scared. But we are in control of how that fear affects us. Anna’s method, as she teaches her son in this song, is to whistle a happy tune “and the happiness in the tune convinces [him] that [he’s] not afraid.” Maybe she should teach him that it’s okay to be afraid and talk about his feelings, but it’s also important that we don’t let fear paralyze us. But, Anna doesn’t tell her son NOT to be afraid. She doesn’t tell him men are brave, that men don’t get scared. Instead of pushing that fear aside or pretending it doesn’t exist, she encourages him to feel it, and then essentially, fake it till he makes it.

Anna puts us in control of our fear. And isn’t that what fear is? We’re not in control in fearful situations. So whistling is a way of taking back the power.

I also wanted to end with this song since it puts a woman in a position of authority. She’s the leader, people are listening to what she has to say. And I can’t think of many animated songs where a woman is the head of a group. Women frequently have solos, but many times a male leads a group number. Look at: I’ll Make a Man Out of You (Shang), Be Our Guest (Lumiere), Kiss the Girl (Sebastian), and Topsy Turvy (Clopin). I do think He’s a Tramp from Lady and the Tramp and Dig a Little Deeper from Princess and the Frog are good examples of female led group numbers in addition to this, though even He’s a Tramp isn’t very groupish, but I’ll count it.

Conclusion

I just wanted to make a list of songs that celebrated girl power and wax poetically about them. Ta!

What’s your feminist anthem? How do you feel about these songs? GIVE ME ALL YOUR OPINIONS.

Follow Animated on Twitter and Tumblr.

Cheers,

M&M

Animated Love Songs (Part 2)

Standard

Happy Valentine’s Day!! Whether you’re single or in a relationship or unsure where you stand with someone, today is a made up holiday where the greeting card business gets a well needed boost. Or it’s, like, a day to tell everyone you know how much you love them. Okay! Let’s continue with our Animated Love Songs meta.

reaction owl fangirl hearts happy

Love is an Open Door – Frozen (Mel)

Ooh, I’ve been excited to talk about this one.

I’ll admit it: I have a lot of gripes with Frozen. But I can’t deny that “Love is an Open Door” is handled brilliantly, mainly because it’s a song where you can go back and find subtle foreshadowing. There were a lot of complaints about Hans’ villainy coming out of left field, but if you reexamine, you can see the small seeds planted for his antagonistic role.

“Love is an Open Door” is mainly about Anna and Hans, who have always been shut out and ignored by their siblings, and how their love for one another is an open door that gives them new possibilities. But what they want out of their relationship is completely different.

So let’s take a look at motivations.

Anna: All my life has been a series of doors in my face,

And then suddenly I bump into you

Hans: Yeah! It’s like,

I’ve been searching my whole life to find my own place

frozen series of doors1frozen series of doors2

Anna has always felt like she was alone in life. “Do You Want to Build a Snowman?” really cements her loneliness and her desire to have someone to talk to. When Hans waltzes into her life, she’s found someone who she feels confident enough to talk to. Hans doesn’t shut her out the way Elsa does: instead, he listens sympathetically, and understands her struggles perfectly.

frozen find my own place

For a way, it’s similar for Hans, but let’s hone in on his word choice. He specifically mentions that he wants to find his own place – and he glances at Arendelle when he says this. He isn’t referencing Anna – he’s referencing her kingdom. That’s really important, considering that we find out later that he wanted to marry her so he could rule Arendelle. To Anna, he is referencing her, and that’s where the double meaning comes in.

Anna (and the audience, on first viewing) assumes that Hans is on the same page as her. But Hans has a completely different agenda, which makes “Love is an Open Door” a very unique love song. Does it follow the love song formula? Yes. But this is the first love song where one half of the party is being duplicitous and outright manipulating the other party.

Anna: But with you

Hans: But with you, I’ve found my place

Anna: I see your face

Both: And it’s nothing like I’ve ever known before

Love is an open door

Notice the way that Hans’ lyrics are focused on Arendelle, while Anna’s lyrics are focused on Hans? I bet you didn’t pick up on that on your first watch. Neither did I, until I watched Frozen again and little alarm bells went off in my head.

Our mental synchronization can have but one explanation:

You – and I –were just meant to be

frozen mental synch

Here’s where some irony slips in, because they’re not really as synchronized as they think. Or rather, Anna thinks they’re on the same page, but Hans knows they’re not.

Say goodbye (say goodbye)

To the pain of the past

We don’t have to feel it anymore

frozen love is an open door

Anna and Hans have obviously both had some turbulent/lonely childhoods. I mean, your brothers pretending you don’t exist? It could be a lie, considering Hans has lied about a lot, but if it’s the truth, it explains a lot about Hans’ motivations. Hans has never had a place to call his own. With twelve older brothers, being brother thirteen means you’re virtually destined for nothingness, and the second that he met Anna, he saw an opportunity to marry into something that could be his. Why didn’t he hone in on Elsa, the future queen? Well, he might’ve thought she was more unapproachable, and there was the fact that he met Anna first, and more importantly, genuinely seemed to like her.

Frozen is oddly conflicting about Hans and Anna’s relationship. They show us instances that indicate that Hans really does have feelings for Anna (like the scene when she runs off and he’s staring after her with that silly smile on his face), but then they refute it at the end. The creators didn’t really make up their minds on whether Hans actually had some shred of feelings for Anna, or whether she was just an easy target. I like to think it was a mix of both. Therefore, I think there is a bit of truth in Hans’ song: he does like Anna, but the chilling part of Hans is that he likes power more. And when he’s given the opportunity to take Arendelle for himself, he’s willing to let Anna die to make it happen.

frozen punch hans

One last thing I want to talk about before we move on is the end of the song, and the repetition of a certain lyric:

Love is an open door, love is an open door

Life can be so much more

With you (with you) with you

Love is an open door

The title of the song is dropped a lot during the song. So what does “love is an open door” really mean? Well, it was multiple meanings. For Anna, her love for Hans is an open door in opposition to all of the doors that have been shut on her in the past. It’s a chance to be with someone and have someone who trusts her and will stick by her no matter what.

For Hans, he sees Anna’s love for him as an open door to find his own place on the throne of Arendelle. Whether he has genuine feelings for her or not, being with her gives him a shot at being king, and finally having something that is solely his.

So is this a love song?

frozen IT'S TRUE LOVE

In a way, yes. But it’s so much more than that. And that’s why it remains my favorite song from Frozen.

 

Looking Through Your Eyes (Quest for Camelot)—Mic

Ugh, this song is so sweet. It’s basically all about how beautiful and perfect the world is when you’re in love.

Look at the sky tell me what do you see

Just close your eyes and describe it to me

The heavens are sparkling with starlight tonight

That’s what I see through your eyes

Firstly, Garrett is blind. So part of him is actually asking Kayley to describe it to him. But, Garrett is also a cynic and a loner, so he would never say the ‘heavens are sparkling with starlight.’

tumblr_nf083zdDEb1rjquieo1_400

Love has changed him, opened him up and it wasn’t something he was looking for. Kayley wasn’t looking for love either, since she was on a hero’s quest to save Camelot (and hopefully become a knight).

It’s out of our hands, we can’t stop what we have begun

And love just took me by surprise, looking through your eyes

tumblr_n43iu7bxHN1sztujko7_250

To continue the same thread:

I see a world we’re meant to see together

And it is so much more than I remember

More than I remember

More than I have known 

Love has changed the way they see their surroundings and even what they want out of life. Nothing matters unless they’re together (And suddenly I know why life is worthwhile).

Visually, the sequence is also important. Garrett is trusting Kayley to be his eyes, but it’s not all on his side. He also brings her into his world and shows her how he uses his walking stick as a weapon.There’s newfound trust between them.

tumblr_midca8BfOY1rel180o1_250

Here in the night, I see the sun

Here in the dark, our two hearts are one 

tumblr_midca8BfOY1rel180o4_250

I’m reading Wuthering Heights right now (if you read my Oliver Twist & Company meta, you know I’m taking an Early Victorian Novels class) and Cathy and Heathcliff share a similar sentiment. They consider themselves one being and when Cathy dies, Heathcliff says something to the effect of, how can I live without my soul? That’s kind of the same sentiment here, though Kayley and Garrett are way healthier than Cathy and Heathcliff.

 

Bella Notte (Lady and the Tramp)—Mic

Bella Notte is Italian for “beautiful night.” This song basically backdrops the perfect first date and one of Disney’s most iconic scenes: the spaghetti kiss. It’s sung with a heavy Italian accent, at first, and plays up this very romantic vibe.

lady and the tramp kiss

Visually, the sequence is very simple. They have dinner together in an alley and don’t eat anything special: tomato sauce and meatballs is a straightforward dish. Anyone can make it. They don’t do anything particularly special. They walk around town, they go to the park, they’re just together. And it’s a beautiful night because they are together and they are in love.

lady and the tramp eye sex hehe

Side by side with your loved one,

You’ll find enchantment here.

The night will weave its magic spell,

When the one you love is near

lady and tramp pawprints

It’s not a beautiful night because it’s not raining or because it’s not too cold. It’s a beautiful night because Lady and Tramp are together.

Look at the skies, they have stars in their eyes

Skies don’t have eyes. It’s not about the sky.

lady and tramp stars in their eyes

It’s about Lady and Tramp and how totally mystified they are by other person (dog). It’s about how they feel about each other. It’s an allegory or something like that.

It’s not about the material things like a big fancy or dinner or a shiny car (doghouse). It’s about being with that other person (dog). That is what makes una bella notte.

Buongiorno! (Doggies did the deed.)

lady and the tramp day after

 

Kiss the Girl – The Little Mermaid (Mel)

“Kiss the Girl” is probably one of the most straightforward love songs Disney has: Sebastian wants Eric to go on and kiss the girl already.

little mermaid sebastian ear

“Kiss the Girl” is sung by Sebastian, and the first verse is basically Sebastian summing up Eric’s thoughts on Ariel:

There, you see her, sitting there across the way

She don’t got a lot to say, but there’s something about her

And you don’t know why, but you’re dying to try

You wanna kiss the girl

It’s pretty obvious at this point in the movie that Eric is interested in Ariel. Her fascination with the world around her and her lively nature draws him in. Even without her voice, Ariel’s body language and expressions convey her feelings and thoughts quite well. And while it’s clear Eric doesn’t know everything about her, he knows enough to like her – and possibly want to kiss her.

Yes, you want her;

Look at her, you know you do

Possible she wants you too;

There is one way to ask her

Here’s where Sebastian nudges Eric, trying to get him to notice Ariel’s obvious interest in him – or rather, the way she plays with her hair and tries to avoid his gaze until she realizes he’s looking at her the way she’s been looking at him.

little mermaid kiss the girl

Eric, of course, drives us crazy by being uncertain and not ready to kiss Ariel, because he’s still hung up on the chick that saved him. Of course, if he knew that was Ariel, this would make things smoother, but then we wouldn’t have much of a plot, would we? So we have Sebastian to goad him into kissing Ariel, because of what he might lose out on if he doesn’t.

Ain’t it sad, ain’t it a shame?

Too bad; he gonna miss the girl

Boy you better do it soon; no time will be better

She don’t say a word, and she won’t say a word

Until you kiss the girl

Eric doesn’t realize it, but the nag for Ariel to get her kiss is so that she can stay on land permanently, thus why there’s such a rush for Eric to kiss her in the lyrics. Of course, Eric doesn’t pick up on this.

little mermaid kiss the girl paddling

The nagging aspect of the song actually kind of bothered me, because while I understood the purpose of the time limit in story, the pressure put on Eric to “kiss the girl” was a bit annoying.

While Eric and Ariel don’t get that kiss by the end of the song, thanks to Ursula’s interference, they do at the end of the movie. Sometimes it takes a bit of time for someone to get up the nerve to kiss the girl, as evidenced by Eric’s long wait, and that’s perfectly alright. It’s also okay for a woman to take the lead, but I digress. Eventually, he got to kiss the girl, and it was worth the wait that both of them endured.

 

Something There (Beauty and the Beast)—Mic

Something There is a really sweet song about discovering those first inklings of a crush. It’s the first time Belle and Beast really start to see each other for who they are and begin to like that person.

The music actually begins sometime before the first lyric is sung and it’s when Belle and Beast are finally eating together. They both make concessions and compromise. Beast eats with his mouth, but attempts to use a spoon. He’s really bad at it after so many years, but Belle sees his effort and proposes a new way.

beauty something there dishes

When they go outside to feed the birds and she sings:

There’s something sweet and almost kind

But he was mean and he was coarse and unrefined

And now he’s dear and so unsure

beauty something there birds

She’s not just referring to him trying to feed the birds. She’s talking about what happened at dinner and what happened when he risked his life to save hers. It’s a combination of everything that has happened between them, building up to this awakening.

I wonder why I didn’t see it there before

Belle, dude, that’s because it was NOT there before. The beast had to learn. He was cursed because he was a vain brat. It’s not like he was kind before he was punished. So Beast has never actually known how to be “sweet” and “kind” or “dear.” His schemas are totally being rewritten by Belle.

And when we touched she didn’t shudder at my paw

No it can’t be, I’ll just ignore

But then she’s never looked at me that way before 

The beast was a jerk as a kid, but he also had it rough as a beast. He was feared, loathed. He also may not have been very friendly—we saw how he treated Maurice. We don’t how much was the beast assuming or how much was what he had learned. It certainly seems like he had negative experiences with people since he says to Belle’s father, “You’ve come to stare at the beast!” So when Belle comes, he’s not open to considering she may be different. He also doesn’t know how to break the curse. He has no real concept of love.

Belle touching his paw is important to him. It represents her not fearing his exterior, but let’s be real. She never did. Besides their first meeting, which, can you blame her? No one expects to see a walking, talking (yelling), horned animal thing. He had locked her father in a cell. He didn’t make a good first impression. The only time Belle feared him was when he yelled at her in the west wing. And he didn’t just yell. He popped out of the darkness and prowled around and then started breaking and throwing stuff.

Whatever the beast’s path is, it all plays into this now. He can’t even think that she may like him or feel the same way he does. Love is conditional for him. Love has to be beautiful. And he is not.

New and a bit alarming

Who’d have ever thought that this could be?

True that he’s no Prince Charming

But there’s something in him that I simply didn’t see

beauty something there reading

Belle kinda feels the same way he does. Well, they both feel exactly the same. They’re crushing and terrified. While Belle admits he’s not the typical romantic hero, Beast has no mention of Belle being the opposite of a princess. It contrasts with the way the town sees her as this outsider. She’s “peculiar” to them, but not to the Beast. Finally someone sees Belle the way she’s meant to be seen and he’s totally smitten by her.

The song then cuts to the observers:

And who’d have guessed they’d come together on their own?

It’s so peculiar.

Ah, there is that word again. Peculiar. Everything is peculiar if you don’t understand it.

Belle is peculiar because she does not fit into her society and the town shuns her for it. But one can never truly know someone, at least not by judging them and making assumptions. The town does that.

And if people are hard to understand, then love is even harder. Mrs. Potts and Lumiere and Cogsworth certainly can’t understand it. But they don’t have to. Only Belle and Beast do and it’s not peculiar to them. They never use that word.

 

Beauty and the Beast–Beauty and the Beast (Mel)

“Beauty and the Beast” (the song) touches on one of the oldest fictional clichés ever: the couple that starts out as adversaries, and then becomes something more. Mrs. Potts even spells out the trope for us at the start of the song:

Tale as old as time; true as it can be

Barely even friends, then somebody bends unexpectedly

beauty dancing

It sums up Belle and the Beast pretty well, doesn’t it? They started out as two people who could barely stand one another, and then somebody (in this case, the Beast) bends unexpectedly and surprises Belle.

Just a little change

Small, to say the least

Both a little scared

Neither one prepared

Beauty and the Beast

Beauty and the Beast has gotten flack by critics for the Beast’s attitude, and that Belle ending up with him could be a result of Stockholm Syndrome (since she starts out as his prisoner). But what a lot of its contenders forget is that Belle doesn’t even like the Beast as a person. In fact, she detests him and calls him out on his bad attitude. And when she does that, guess what? He realizes she was right, and then promptly changes his ways and treats her with respect and dignity, something she never got from her last suitor, Gaston.

The change aspect is something that was originally touched on in “Something There” and then reappears again. It’s the Beast’s change in attitude that makes Belle reevaluate him as a person, and later as a romantic prospect. I also like the “both a little scared, neither one prepared” sentiment, because both the Beast and Belle aren’t quite sure of what to make of their feelings for one another, and like most people in love, they’re uncertain of whether they should make the first move, or how to even handle their feelings.

Ever just the same; ever a surprise

Ever as before, and ever just as sure

As the sun will rise

This was a weird verse for me at first until I broke it down and realized that it was Mrs. Potts touching on the cliché again. We’ve seen this story a lot of times (“ever just the same”; “ever as before”) but we’re still surprised that these couples make it at times (“ever a surprise”). Still, it doesn’t come as much of a surprise when we realize that the couple is set up in such a way that it’s so obvious that they should be together.

It also relates to how the characters view the relationship. That last line – “ever just as sure as the sun will rise” – relates to the inevitability of Belle and the Beast’s relationship to the Beast’s staff. However, to Belle and the Beast, it’s a surprise to them, because they never expected to feel this way about one another.

Tale as old as time,

Tune as old as song,

Bittersweet and strange,

Finding you can change,

Learning you were wrong

beauty dancing2

Those last three lines right there sum up the relationship flawlessly. “Finding you can change” clearly relates to the Beast, who hadn’t realized his capacity for change until he finally attempted it. “Learning you were wrong” relates to both sides of the couple; they carried a lot of assumptions about one another, and it was only by coming together and learning about each other that they grew past the assumptions and saw the person beneath them. Their relationship at this point has been bittersweet and strange, but now they’re at a point where they finally understand one another. They’re on the same page, and they’re even on the same pace, as evidenced by their flawless dancing.

Last week, I mentioned how important it was that Anya let Dimitri lead during the Waltz Reprise, and how their dancing in sync related to them as a couple. Here, a similar occurrence happens with Belle and the Beast. Dancing takes a lot of trust. Much like how stubborn Anya lets Dimitri take the reins, the stubborn Beast lets Belle take control during their dance.  This represents the way their relationship has balanced out. Both sides trust one another, and both aren’t afraid to let the other take control. How’s that for an epic romance?

 

Can You Feel The Love Tonight (The Lion King)—Mic

Can You Feel The Love Tonight might make history for having the most number of narrators in a single love song: four! We start with Timon, who is so mad Simba and Nala have found each other. To him, this union will destroy his boys club.

But then we switch to Nala and she is happy. She’s probably happy for the first time in a long time considering she’s been under Scar’s dictatorship and thought her best friend died. Her line about the world being in perfect harmony is so great since she is finally at peace after experiencing the instability in the Pride Lands.

Another narrator change occurs and we get Simba’s perspective. He’s happy to see her too, but also scared she won’t understand what happened. He, himself, doesn’t understand what happened, which is why he’s been hiding with Timon and Pumba. Nala knows right away something is up with him—

He’s holding back, he’s hiding

But what, I can’t decide

She doesn’t know exactly, but she knows something is off. “I can’t decide” implies she has some theories since he is her best friend. They really are in perfect harmony.

Once again, we swap narrators and this time it’s this overarching third person POV. Simba and Nala were physically apart during the start of the song, on different sides of the water.

lion king apart drinking

Then they’re playing together and running around. They are together, falling into their old rhythm.

lion king like old times

This POV is like a narration.

Can you feel the love tonight?

You needn’t look too far

Stealing through the night’s uncertainties

Love is where they are

Timon saw clearly (I can see what’s happening), but Nala and Simba were both kinda stumbling around (and they don’t have a clue), their past stopping them from moving forward. But once they do admit their feelings (Nala licking Simba), the third person narrator lets us know that, yeah, they’re in love, and nothing, not even their pasts or the troubles ahead, can stop them.

lion king nala licks simba

Then we have one last change, back to the beginning, bookending with Timon and Pumba. It’s kind of symbolic, since Simba fled and became complacent with Timon and Pumba and then had to find the courage to leave and go back. They mark the shift in Simba’s story. Timon and Pumba open and close this song and by the end, Timon has convinced his friend that Simba having a lady friend will tear them apart.

And if he falls in love tonight

It can be assumed

His carefree days with us are history

In short, our pal is doomed

lion king our pall is doomed

lion king our pall is doomed

Nala coming back does represent a change for Simba. But it doesn’t really have anything to do with love. Simba chooses to go back because Nala reminded him of who he’d left behind and also told him what had happened in his absence. His carefree days are over because he goes back to be king, not because Nala has come to crash the party. And their pal is not doomed, since Timon and Pumba go with him and end up living in the Pride Lands. Everyone ends up in perfect harmony.

 

Let Me Be Your Wings (Thumbelina)—Mic

Let me tell you how much I loved this song when I was a kid: too much. I think it was because I had a giant crush on Cornelius, but whatever.

Let me be your wings

Let me be your only love

Let me take you far beyond the stars

thumbelina

Thumbelina is a story about fairies, so of course wings feature very heavily. Thumbelina is the size of a fairy, but she is not one. She has no wings. And she falls in love with the fairy prince.

Everyday I’ll take you higher

and I’ll never let you fall

Wings are safety, security. They are a means of travel and protection and all that stuff. Cornelius, le fairy prince, wants to be that for her. He is also literally talking about being her wings since he carries her everywhere during this sequence, or takes her for a joyride on his bumblebee.

thumbelina let me be your wings 3

But his words are deeper than that.

Leave behind the world you know

for another world of wondrous things

We’ll see the universe and dance on Saturns’s rings

Fly with me and I will be your wings

Leave behind being on your own, be with me. Come into the world of love, cheesy as that sounds. But all these love songs are about how love changes you or how love binds two people into one, or love is scary and thrilling. Cornelius is asking Thumbelina and promising to be everything for her. He will protect her and he will build her up and they will go on adventures together.

thumbelina let me be your wings2

Heaven isn’t too far.

Heaven is where you are,

Stay with me and let me be your wings 

Like Through Your Eyes, Bella Notte, Love, Can You Feel The Love Tonight, and many others, happiness and completeness only comes with the other person. Love is overpowering and encompassing and the music of animation takes that all and wraps into pretty music that we know every lyric to.

 

Happy Valentine’s Day everyone!

What is your favorite love song? Who is your OTP? What is your favorite romantic moment in Disney/non-Disney movies? SWOON BELOW!

Follow Animated Meta on Tumblr and Twitter.

Cheers,

M&M

Animated Love Songs (Part 1)

Standard

This week is Valentine’s Day, so we wanted to do something fun to change things up. This week is the week of Animated Love Songs, both Disney and non-Disney. Mic and I have decided to co-write, so we’ve marked each song to show who’s waxing poetic about it. I hope you guys enjoy this!

A Whole New World – Aladdin (Mel)

Aladdin is one of my absolute favorite Disney movies ever and I fangirl shamelessly about Aladdin and Jasmine’s relationship. They’re the definition of a badass power couple. Thus, I’m super excited to talk about “A Whole New World” – aka, their epic song.

We start with Aladdin’s awesome promise to show Jasmine the world:

I can show you the world: shining, shimmering, splendid

Tell me, princess, now when did you last let your heart decide?

He’s appealing to Jasmine’s sense of adventure and he brings up a great point. Jasmine’s never really had a chance to follow her heart because of her duties, and now, she’s getting a chance to listen to her heart and go for what she wants with Aladdin.

“A Whole New World” is interesting because Jasmine is in on the secret with the audience now: she knows that Aladdin = Prince Ali, and so there’s also a sense of glee that she’s found this boy she deeply cared for and worried about earlier in the story. Also, she doesn’t really fall for “Ali” until she realizes he’s Aladdin. Aladdin’s attempts to be something he’s not don’t really get him anywhere. It’s this song, where he opens up and shows his true self, where he wins her over. Because who would not want Aladdin?

aladdin flower

A whole new world

A new fantastic point of view

No one to tell us no, or where to go

Or say we’re only dreaming

Both Aladdin and Jasmine are tired of always being told what to do. Aladdin’s been kicked around for being a street rat and no one’s really appreciated who is he. He was born a street rat and he’ll die a street rat, but he’s defying that expectation. Meanwhile, Jasmine’s been harassed about getting married, and having to stay behind the palace walls, but she’s sick of that. This moment is a little taste of rebellion against everyone who’s ever told them they can’t be who they want to be, or go where they want to go.

Unbelievable sights, indescribable feelings

Soaring, tumbling, freewheeling

Through an endless diamond sky

This is probably one of my favorite bits of the song. Jasmine’s delight and awe at getting to see all of Agrabah, finally, is wonderful. All she ever really wanted was to get out of the palace and find someone she loved, and she’s accomplished both in one fell swoop.

I’m like a shooting star, I’ve come so far

I can’t go back to where I used to be

After all that she’s seen, and all she’s experienced with Aladdin, she can’t go back to the sheltered girl she was before. And honestly, she doesn’t want to.

Every turn a surprise,

Every moment red letter;

I’ll chase them anywhere,

There’s time to spare;

Let me share this whole new world with you

(Small note: I actually had a great debate about whether the second line was “red letter”/”gets better” with Mic earlier; it was fun.)

Anyway, basically, these two crazy kids are enjoying their whole new world, filled with adventure and excitement. They want to enjoy the moment (“there’s time to spare”) and share the new world they’ve discovered.

A whole new world (A whole new world)

That’s where we’ll be (that’s where we’ll be)

A thrilling chase, a wondrous place

For you and me

Jasmine’s found the adventure she wants, Aladdin’s found the respect he wants, and they’re both pretty happy with this whole new world they’ve uncovered. We even get some hand-holding and fireworks – that’s basically official couple status right there. 😉

 

Far Longer Than Forever – The Swan Princess (Mic)

The love song in The Swan Princess is interesting since it happens when the lovers are apart. This song is a way to connect them, to bridge the gap.

I close my eyes and I am where you are

And with your love I’ll never be alone

It’s also a very flowery song, comparing their love to the sun and how meant to be they are. Funny, considering they’ve been paired together their whole lives with the expectation they’ll marry, and Odette and Derek have rebelled against that notion their entire lives.

swan princess gross odetteswan princess derek kissing hand

“This is My Idea” is a montage of their adolescence full of scowling and pranking and “ughhh, dad, I don’t want to go see Derekkkk,” and then this is NOT my idea turns into this is my idea.

As sure as the dawn brings the sunrise

We’ve an unshakable bond

Destined to last for a lifetime and beyond

Look, I adore this song. I do, truly. It’s just that Odette rejects Derek when he wants to marry her because of her beauty and that’s not enough for her. Odette knows that’s not what love is. She leaves him, so they haven’t seen each other since, nor did they part on good terms.

swan princess is beauty all that matters to you

The rational part of me could buy a love song a little more understated that did not declare their love “as constant as a star,” since after all this had happened with zero follow up.

However, they have known each other since childhood, which is longer than most animated couples. Maybe a part of Odette knew Derek didn’t just love her pretty face—he was just too dumb to put words together—and she jumped on his idiocy to turn him down because she was afraid. Her change of heart is never addressed once he saves her. And neither is the deepening of Derek’s feelings.

But that’s the rational side of me. The fangirl part that adores this movie and thinks Odette is the prettiest thing and Derek is cute and “You should write a book: How to Offend Women in Five Syllables or Less,” is one of the best lines ever, loves this this song. The flowery language, the longing, the not feeling alone BECAUSE LOVE. I can’t get enough of it.

I also love how Odette wants to save herself.

 If I could break this spell

I’d run to him today

And somehow I know he’s on his way to me

Odette tried to escape. She had a big song about it with her puffin, turtle, and frog friends. It just didn’t work. And later, she is the one that finds Derek and leads him to her (since boy is clueless, okay?), but she can’t break the spell. But she takes solace in knowing her partner is trying to save her. Tis one less thing to worry about.

So, yes, is Far Longer Than Forever a tad over the top? Is it cheesy? Is it everything movies tell us about love? Yes, yes, and yes. Do I care? No, no, no.

 

I See the Light – Tangled (Mel)

tangled the lights

“I See the Light” has a gorgeous montage involving the lights. It’s a great song, because it’s not only a love song, but it’s also about realizing your dreams – and discovering new ones. One of the best parts of Tangled to me is its message  about dreams. When you achieve your dreams, you discover new ones. And sometimes, what you’ve dreamed of isn’t always what you expected it to be. Your dreams change and grow along with you, which we see very clearly in Rapunzel and Eugene’s lyrics. Let’s start with Rapunzel:

All these days, watching from the windows

All these years, outside looking in

All that time, never even knowing

Just how blind I’ve been

Rapunzel’s first verse actually has a dual-sided meaning. The obvious one is that Rapunzel is sheltered and she’s never really known much about the world outside her walls. Much like Quasimodo, Rapunzel’s grown up naïve and scared of venturing outside her comfort zone. But once she does, she realizes how blind she’s been – and how much the world has to offer her. The second, less obvious meaning, relates to her feelings for Eugene. She’s been blind to how she feels about him, until now anyway.

Now I’m here, blinking in the starlight

Now I’m here, suddenly I see

Standing here, it’s oh so clear

I’m where I’m meant to be

Here’s our triumphant “I got what I wanted” moment. Rapunzel wanted to see the lights, and now she understands that this is where she’s meant to be. She was meant to see them, and she feels accomplished. Again, since this is a love song, we can also tie that back to Eugene: she was meant to be here – with him.

tangled rapunzel lights

I’m going to come back to Rapunzel’s want/dream soon, but first I’m going to change stride and focus on Eugene’s verses. We’ll come back to the pretty chorus later.

All those days, chasing down a daydream

All those years, living in a blur

All that time, never truly seeing

Things the way they were

Remember what I said earlier, about how what you dream of isn’t really what you expect it to be? That applies perfectly to Eugene. He’s realizing now that his dream isn’t really all that it was cracked up to be. Just like he’s opened up Rapunzel’s perspective and shown her the truth about the world outside the walls of her tower, she’s opened him up to a world he never really imagined – and the love he never thought he wanted. In the interlude before his verse begins, Rapunzel offers him the bag with the crown in it, and while the Eugene at the start of the story would’ve snatched that right up, he doesn’t even bother looking inside. He doesn’t care about that anymore, because he’s realized there’s more to life than the life he had before, all thanks to Rapunzel.

tangled light 1tangled light 3

tangled light 2

Now she’s here, shining in the starlight

Now she’s here, and suddenly I know

If she’s here, it’s crystal clear

I’m where I’m meant to go

While his old dream isn’t really working out for him, he’s found a new dream in Rapunzel. She’s his guiding light, and he knows that she has led him to the path he needs to be on. Unlike Rapunzel’s “I’m where I’m meant to be,” which signifies the completion of her dream, Eugene’s “I’m where I’m meant to go” signifies the start of a brand new dream.

tangled rapunzel eugene lights

Now, let’s go back to that chorus:

And at last I see the light, and it’s like a fog has lifted

And at last I see the light, and it’s like the sky is new

And it’s warm and real and right,

And the world has somehow shifted

All at once, everything looks different

Now that I see you

tangled now that i see you

This is important: the chorus pops up twice.

The first time, it’s sung by solely Rapunzel, after her verses end. The “now that I see you” occurs just as she turns and sees Eugene. Now, why is that important? Well, Rapunzel’s completed her dream to see the lights. And now, she’s realizing she has a new dream: Eugene. Now that she sees him, it’s clear that she wants him, and that she’s realized the depth of her feelings for him.

The second time, it’s a true duet. The inner monologues end, and Rapunzel and Eugene come together to sing their feelings out like a true Disney couple. It shows that they’re not afraid to express how they feel about one another, and also that they’re on the same page about their feelings.

The chorus is all about what it’s like to gain perspective. “A fog has lifted.” “The sky is new.” These are lines that relate to that moment when everything becomes clear, and suddenly you realize what’s most important to you. For our protagonists, that’s them realizing their feelings for one another, and how important they are to each other. Now, everything is different. They’ve shed their past dreams and started a brand new dream, together.

 

So This Is Love – Cinderella (Mel)

cinderella and prince

I am such a sap about Cinderella, so prepare for lots of gushing about this song.

So This Is Love is Cinderella and Prince Charming’s love song, and it’s pretty adorable. It’s an interesting case where there’s a duet, but neither part is actually singing out loud. Instead, it’s internal monologue about how they feel about finding love.

So this is love -humming-

So this is love

So this is what makes life divine

It’s important to focus on the visuals here. We get to see a close up of Cinderella and the Prince’s radiant grins, and the way they stare at each other in awe as they dance. It’s easy to see how enthralled Cinderella is with the Prince, and vice versa. For Cinderella, who’s grown up without much love after her father’s death, finding love with someone like the Prince certainly “makes life divine.”

cinderella and her princey dancing

I’m all aglow -humming-

And now I know (and now I know)

The key to all heaven is mine

“The key to all heaven is mine” relates to their feelings for one another: meeting one another has unlocked all kinds of happiness that neither of them even knew existed. There’s a Katy Perry somewhere that says “they say you know when you know,” and Cinderella and Prince Charming certainly seem to know that this is love, and this is the love they need to find eternal happiness with one another.

My heart has wings -humming again-

And I can fly

I’ll touch every star in the sky

This part is really beautiful to me, because the wings and flying metaphor ties in so well for Cinderella, who’s always been grounded by the cruelty her stepfamily shows toward her. She always had the faith that she would get out of her situation and the determination to never give up on her dreams, but now she’s found someone who makes her heart soar, and gives her more hope than she had before. With the Prince, she sees a new route opening, and he could be exactly what she needs to get out of her grim living situation.

So this is the miracle that I’ve been dreaming of

So this is love

cinderella otp

We know that Cinderella’s been dreaming of miracles, but this also brings up the interesting point that the Prince has been looking for a wife, so he’s probably been dreaming that he’ll find someone that he loves deeply and wants to spend the rest of his life with. And while Cinderella’s found an escape in love, he’s found a future in his love for her as well. Ah, young love.

 

Once Upon a Dream – Sleeping Beauty (Mic)

sleeping beauty dance

This is a song that has about five lyrics repeated over and over again. It’s a very dreamy (get it?) perception of love and has touches of pre-destination in it. Like, they “met” in a dream, okay? There’s no depth to this song or this interpretation of love.

Mel would like to  add that the pre-destination feeling could be because they’ve met before, and can be why they’re so familiar to each other. Their original meeting feels like it happened once upon a dream.

I think, more so, this song speaks to us about Aurora and how alone she feels. Her only friends are some woodland creatures and she’s been raised by three fairies in the middle of nowhere.

sleeping beauty playing prince

We don’t really know what her relationship with them is like, but it doesn’t seem like the fairies are very adept at parenting since they still can’t do anything without magic after sixteen years.

sleeping beautiy cake candles life copy

So Aurora wants love and that makes sense.

Yet I know it’s true that visions are seldom all they seem

But if I know you, I know what you’ll do

You’ll love me at once, the way you did once upon a dream

I think this first line definitely shows us that she’s been let down in love (the fairies?) before. Or she’s heard stories. But this also goes back the fairy tale aspect of most Disney films. True Love, Happily Ever After, etc. Lots of people don’t believe in those, or think it’s cheesy. People get hurt, a lot of times it doesn’t work out. But this song is basically telling you not to be a cynic. Sure, things don’t work out, dreams don’t always come true, but this time…

Or it’s a song about a guy and a girl meeting in woods and admiring the gleam in each other’s eyes. I don’t know.

 

Learn to Do It (Waltz Reprise) – Anastasia (Mel)

anastasia dance

Anastasia’s love song is interesting, because not only is it a reprise, but it’s not sung from the perspective of either of the couple. In fact, it’s from the matchmaker’s perspective, as he realizes that he’s inadvertedly pushed Dimitri and Anastasia together in the midst of their scheme.

anastasia dimitri vlad

It’s one, two, three,

And suddenly, I see it at a glance

She’s radiant, and confident,

And born to take this chance

Here, Vladimir admires his handiwork; watching Anastasia dance proves to him that he made the right choice, choosing her for his con. By bringing out her confidence and teaching her about Anastasia’s life, he and Dimitri have gotten her ready for this. She’s “born to take this chance” – which fits in more ways than one, considering Anya actually is the lost Anastasia.

anastasia

The “it” Vladimir refers to could also refer to the romance between Dimitri and Anya, which he gets into here:

I taught her well, I planned it all,

I just forgot… romance

Vladimir may have planned out everything, but he forgot to plan for the unexpected. He didn’t realize that despite Dimitri and Anya’s initial distaste for each other, they might end up falling in love. And here’s where he’s bittersweet about the whole thing.

anastasia shock copy

Obviously, he wants Dimitri to be happy, considering how close they are, but the emotional attachment might cause issues for them, and he doesn’t want his best friend to get hurt. At this point, he’s also grown fond of Anya, so he’s worried about them both. He scolds himself, saying:

Vlad, how could you do this?

How will we get through this?

I should have never let them dance

But unfortunately for Vladimir, it’s a little too late to sulk about it, so he’s just going to have to deal with the fact that Dimitri and Anya are falling for one another. (And lucky for him, and them, it ends up working out in the end.)

anastasia kiss

One interesting thing I noticed when I watched this scene was the way that Dimitri and Anya move in perfect harmony when they waltz. It shows their connection, and how normally stubborn Anya lets Dimitri take the lead, trusting him not to screw things up. I thought that was a nice touch to foreshadow this romance, and how opening up to one another and trusting each other is ultimately what strengthens a relationship. You can’t have a relationship without trust, after all.

 

Love – Robin Hood (Mic)

Love is a super short song in Robin Hood. The singer has this very dreamy quality to her voice that emphasizes this idea that love changes you, everything happens in a bubble:

Once we watched a lazy world go by

Now the days seem to fly

robin hood hug

While this song talks about love surpassing death and going on forever and being more precious than life, it also personifies love. That really threw me off.

Love

It seems like only yesterday

You were just a child at play

Now you’re all grown up inside of me

robin hood ring so cute

At first I was like, “Umm… okay weird.” But the more I thought about it, the more sense it made. Yes, we all have the capacity to love as children. Love has always been… inside us… but it’s not until we grow up that we learn how to really love another person romantically. We start out loving our family and ourselves–and most of the time we have to learn how to love ourselves, too. Sadly, it’s not innate. As we make friends, we learn how to love them and be good friends in return. In the same fashion, we also stumble around in the dark when it comes to romantic love.

robin hood love

Love matures as we mature. I think that’s a great message to send.

 

If I Never Knew You – Pocahontas (Mel)

If I Never Knew You is interesting because it was originally a deleted scene that they cut from the theatrical release due to it making the film drag a bit. Fun fact: they did add it back in on the 10th year anniversary when it was rereleased on DVD. It’s also that song in the credits of Pocahontas, so you’ve likely heard it before if you’ve see the movie all the way through.

lion gross sobbing reaction

Anyway, this scene is really sweet, and builds off the dialogue Pocahontas and John Smith share, when she visits him the night before her father is going to execute him. She tells him that she thinks it would be better if they’d never met, and he tells her: “I would rather die tomorrow than live a hundred years without knowing you.”

One of the most important things about this song is the fact that it makes a really excellent point. Who would John Smith be if he’d never met Pocahontas?

pocahontas you think the only people who are people

There are two really great sets of lines where he muses about this:

If I never knew you, if I never felt this love

I would have no inkling of how precious life can be

(AND)

If I never knew you, I’d be safe but half as real

Without Pocahontas, John Smith wouldn’t be the man that he is now. At this point, he’s come a long way from the man who thinks of the New World as “a land I can claim, a land I can tame.”

pocahontas with stick

Pocahontas’ influence has shown him a whole new perspective. Without her to push him and challenge his views, he may have never gained that perspective.

(That sound you hear is Mic sobbing uncontrollably.)

I really, really love that second line in there: “I’d be safe but half as real.” There’s a saying that you’ve probably heard: ignorance is bliss. If John Smith had never met Pocahontas, he would be safe, since he probably wouldn’t even be in this situation, about to be executed. His former beliefs would also be safe from scrutiny. But, again, he’d only be “half as real.” He gets a nice dose of reality from Pocahontas in “Colors of the Wind,” and that’s ultimately what forces him to take a look at himself and how he views the world. He values what he’s gained from knowing her, and even though he knows he would be safer not knowing her, he also wouldn’t be the man that he is now, so it wouldn’t really be worth it.

pocahontas if i never knew you 5pocahontas if i never knew you 6

In this world so full of fear,

Full of rage and lies,

I can see the truth so clear

In your eyes

I thought this was actually a really interesting stanza to include, considering that this song takes place right in between Savages Parts 1 and 2. “Savages” is all about the misconceptions both sides carry about one another, and the lies that they believe about one another. Both sides are filled with rage and fear toward each other. But Pocahontas and John Smith have moved past the misconceptions and seen the truth in one another.

I thought our love would be beautiful

Somehow we’d make the whole world bright

I never knew that fear and hate could be so strong

Here, Pocahontas is realizing that love can’t always conquer all; they never thought that their love could make things worse, and that fear and hatred could overcome everything they were working to prevent.

But still my heart is singing, we were right

But, despite the hardships, they know that they’re in the right. Because they are in love, and because they’re taken the time to understand each other’s side and learn about one another, they have a clearer view of one another and they know their truth. They just have to prove it to everyone else (which they end up doing).

There are also some really great callbacks to other songs earlier on in the movie. We get flashbacks of Colors of the Wind. That song references how they’re all connected to each other “in a circle, in a hoop that never ends,” and the two of them are intertwined throughout the song.

pocahontas if i never knew you 3

Compare that to here:

pocahontas and john smith 4

And in a callback to “Just Around the Riverbend,” Pocahontas sees herself and John Smith reflected in the water, and John Smith disappears, much like Kocoum did.

pocahontas should i marry kocoum

But this time, John Smith is the one letting go of her hand, while Pocahontas was the one who let Kocoum go. It’s symbolic of how they know that tomorrow, he will be gone, and his goodbye to her, in a way.

pocahontas farewell 1pocahontas farewell 2

Also, note the way that John Smith looks up from the darkness and turns his face to the light when he’s alone at the end of the song. Even though his situation is dark and grim, he has hope, all because he knew her.

reaction owl fangirl hearts happy

We’ll be back with more songs on Saturday! What are your favorite animated love songs? And who are your favorite animated couples? Let us know what you think in the comments.

You can follow Animated Meta on Tumblr and Twitter! I hope you guys have a lovely Tuesday!

Cheers!

M&M

Disney Villain Songs: Part Two

Standard

Welcome back to the Disney Villain Songs Meta. We tackled five songs last week and this time we have four more, plus some other films to discuss.

Last week I told you that Villain Songs didn’t really become a thing until the Renaissance era films, when the storytelling took a shift. The post-Renaissance films have been an odd mix. Some of them sway more Renaissance, while others lean back to more traditional Disney films, where the villain is a deeper theme.

After Pocahontas in 1995, we got The Hunchback of Notre Dame, Hercules, Mulan, Tarzan, The Emperor’s New Groove, Lilo & Stitch, The Princess & The Frog, Tangled, and Frozen. Out of those films only Hunchback, Emperor, Frog, and Tangled have Villain Songs.

Hades is definitely a villain of Hercules, constantly trying to keep the son of Zeus from regaining his god status. But the true villain of the film is Hercules’ isolation. He grows up believing he’s a human, where his extreme strength distances him from everyone—dude, he’s like the original Elsa!

hercules alone no one can hurt you

Meg is, too!

When he finds out who he is, that’s when things begin to change and he wants to regain his place among the gods, where he thinks he will belong. The immediate threat to this plan is Hades, so he becomes the physical villain. It’s not until Hercules rescues Meg from the underworld that he truly wins and becomes a hero and realizes he belongs with her and with his friends.

hercules punch hades

You can’t give isolation a song (though Frozen certainly tried, I guess).

Hercules’ need to belong is what is given a song. He gets an I Want song! “Sometimes I feel like I really don’t belong here, like I’m supposed to be someplace else,” he says, just before the song begins. This is the true threat to him. It makes him leave home (“You’re the greatest parents anyone can have, but I gotta know.”) And once he thinks knows where he belongs, he succeeds. He trains and he beats every monster Hades throws at him, trying to fulfill his role as a god. But when Meg gets hurt and is ripped away from him, he knows he belongs with her. That is when he really wins and even attains the status he was looking for.

In Mulan, the physical villain is the army of Huns and their leader. But really, Mulan is about gender roles and what a woman should and shouldn’t do.

mulan reflection

The Huns are always the background threat, driving the plot. Mulan’s storyline is deeper, its villains a society, a way of thinking. Even when Mulan saves the day and is confronted the emperor, she is afraid of his reaction, expecting to be berated for her heroism. I mean, and her destruction of the palace, but details.

mulan fuck you mulan reaction

When Mulan is the sole person that knows the Huns were not defeated, she is scoffed at because she brings the news as a woman. The antagonist of Mulan was never solely the Huns and that is why there is no Villain song.

Tarzan! I love the music in this film so much. I used to play Son of Man on repeat for hours. I loved the growing up montage; it amused me to no end. There’s no Villain Song here since it’s kind of a re-vamp of The Jungle Book. Both films are about boys that grew up away from humanity and are more comfortable with animals. While Mowgli had little interest in man, Tarzan is fascinated with the strangers that look like him.

tarzan man

I’m not sure what I’d call the villain of this film. Kerchak is an obstacle to Tarzan. Clayton is definitely a piece of work and his hunting of the gorillas is horrible. The message is, of course, pro-nature, but I think there’s also something to be said about the notion of home. Once Tarzan learns he’s human and there’s a whole world out there he should be in, he thinks he should leave the jungle. He’s in love, so that also plays a part in his decision. But as Jane finds out, home does not have to be what society expects. Home can be the jungle. I don’t know that I’d call Tarzan a film about finding the strength to be yourself and be open to change, but it certainly plays itself that way.

tarzan and jane swinging

Lilo & Stitch, precious film that it is, is not a musical, though it has some lovely songs in it. So there’s no Villain Song here because of its structure. But if it was a musical, it could easily devote a comedic song to Jumba and Pleakley attempting to catch Stitch. However, as you’re probably tired of hearing, the deeper villain here ties very closely into Tarzan. Stitch finds a home on earth with Lilo. Lilo also aligns very much with Hercules, struggling to figure out where she belongs, feeling isolated from the other girls in her hula class. Nani and Lilo are also grieving for their parents and trying to find a way to relate to each other.

lilo and stich hands

There’s so much more at play beneath the surface of silly alien hunting.

Frozen is erm… we all know Frozen is really about isolation and fear and not loving yourself. I don’t need to spell that out for you. Hence, Hans and his treachery don’t get a song. As Mel eloquently put it to me once, Let it Go is an odd Villain/Empowerment Song.

frozen strugglebus reaction

It speaks to Elsa’s fears and seeks to overcome them, but it really doesn’t since she’s still not in control of her powers. If everything was solved then, we wouldn’t have a movie. Frozen is hard for me to talk about because as I was watching it the first time, I adored it. But the more I think about it, there are things that don’t quite work, didn’t need to be there, etc. Hans is one of them. But the deeper themes of Frozen do not need to be contested and thus, there is no true Villain Song.

Now, onto the films that DO have Villain Songs!

Hellfire

Mel already did an analysis of Hellfire when she wrote about Hunchback and Religion. Let’s switch gears and look at it through the lens of villainy. It’s similar to Gaston, where Frollo sees himself as having done no wrong. Like Ursula did in Poor Unfortunate Souls, he tries to present himself as a saint.

Beata Maria
You know I am a righteous man
Of my virtue I am justly proud

Sorry, Frollo. You are not a righteous dude. And you should not be proud.

peter pan no me gusta reaction

You know I’m so much purer than
The common, vulgar, weak, licentious crowd

You’re also not in a place to be insulting people.

Hellfire is Frollo’s confession. He’s torn between his… urges for Esmeralda (I could not say “feelings” because that feels too innocent) and the strict doctrine of his religion. He tries to justify his actions, his burning of Paris to apprehend her. Villains hardly ever see themselves as in the wrong, a case made clear here.

hunchback me or the fire

Frollo has a lot of internal conflict to deal with, perhaps more so than any other Disney villain. His journey is as complex as a hero’s. His beliefs are challenged and instead of shedding his ignorance and hatred, he does not. If Frollo had, he could have easily become the protagonist of this film. Hunchback could have been about a man finding mercy within himself, about seeing how his negative interpretation of religion led to so many horrible crimes. Two roads were set before Frollo in a way no other villain has gotten. Frollo chose wrong.

Like fire
Hellfire
This fire in my skin
This burning
Desire
Is turning me to sin
It’s not my fault

Frollo cannot accept blame or responsibility. If he admits he wants Esmeralda, a sinner, then what does that make him? He is no longer a righteous man (he never was, but whatever). So it becomes Esmeralda’s crime. She is the villain. She IS the devil, tempting him.

hunchback frollo witchcraft

Protect me, Maria
Don’t let this siren cast her spell
Don’t let her fire sear my flesh and bone
Destroy Esmeralda
And let her taste the fires of hell
Or else let her be mine and mine alone
Hellfire
Dark fire
Now gypsy, it’s your turn
Choose me or
Your pyre
Be mine or you will burn

Frollo turns to his beliefs for strength. He also turns to them for justification of what he’s about to do.

hunchback hellfire, dark fire

Hellfire is so interesting because it again questions sexism by placing the responsibility on the woman. If a man wants a woman, she has no choice. And if she tempts him, that’s her fault, too. It also represents a deep-rooted inner conflict none of the villains ever had to contend with. Frollo here is clearly torn between what he wants to do. He’s in distress, a quality we’ve never witnessed before. His inner conflict makes him so compelling to watch.

Snuff out the Light

I wouldn’t be surprised if most of you didn’t know The Emperor’s New Groove had a Villain Song in it. That’s because it was deleted and what a mistake! I know why they did—the song is so freakishly amazing and deep it would change the tone of the film. The Emperor’s New Groove is not deep. Snuff out the Light is. I wanted to include this deleted song in the meta because it is wonderful and it’s my meta, so I can.

follow your dreams reactiong

Yzma wants power, like Scar and many villains before her. Unlike most villains, though, Yzma is old, a fact Kuzco can never forget. It seems to diminish her in his eyes. His voiceover when the audience meets her is, “This is Yzma… living proof that dinosaurs once roamed the earth.” Later: “Wow, look at these wrinkles. What is holding this woman together?”
Oh, and here’s the best. When he fires her:

Yzma: But your highness, I have been nothing if not loyal to the empire for many, many years.
Kuzco: Hey everybody hits their stride. You just hit yours fifty years ago.

really?

Kuzco is vain (remember when he had potential wives line up for him?) and Yzma is old and not pretty, so she has to go. Ageism at its finest, folks! Sure, she wasn’t doing a good job, evidenced by her having zero compassion for the peasant that comes to lament about the lack of food, but that is not why she was fired.

With that in mind, lets turn to Snuff out the Light. Listen HERE.

When a woman acquires a certain age
And the men who adored you no longer swoon
It pays to avoid the sunlit days
And live by the light of the kindly moon
But the moon grows old
Just like us all
And her beautiful years are done
So now she prays through endless days
To take her revenge on the sun

This is a song about beauty, the importance of looks, and revenge.

In similar fashion to Villain Songs before, Snuff out the Light provides backstory.

When I was a girl at my daddy’s side
Papa, the royal mortician
Revealed to me in secret signs
The mark of a magician

Yzma’s father was an intelligent man and she learned from him. She prided herself on her knowledge, seeking to one day discover a way to stay young and pretty.

I studied well I learnt the trade
I thought my looks would never fade
If I could find that recipe
To give eternal youth to me

It was always my ambition
To use Papa’s tuition
And gain some small remission
From the vagaries of time

But clearly that has failed her now. She never found it and Kuzco fired her because she reached “a certain age.” She is no longer adored. Like Poor Unfortunate Souls, a woman’s role is again questioned. Is her worth defined by her beauty?

little mermaid the human world is a mess

I’ve really stopped at nothing
Murder, treachery, and lying
Whatever it takes to keep my looks
You really can’t blame a girl for trying

To Yzma, it is. Beauty is everything. I love how Disney always presents these false, negative, and pervasive ideas of womanhood to us in a Villain Song. Ursula thinks it, and as we’ll see, Mother Gothel thinks it. Gaston certainly cares about beauty, it’s the main reason he fixated on Belle (“The most beautiful girl in town! That makes her the best.”). The Evil Queen is obsessed with being the fairest of them all and once a mirror tells her that someone else is the fairest in the land, she flies into a jealous rage.

This song also touches on something I mentioned in Hellfire. Villains don’t see themselves as such. They’re not self-aware. Yzma is very self-aware here. She admits that she’s murdered and lied, so she can’t go back now. She’s in too deep and does not see a way out. That’s such an interesting facet of her character that’s lost by cutting this song.

Friends on the Other Side

This song from The Princess and the Frog reminds me most of Poor Unfortunate Souls. It’s manipulative, meant to coax someone into doing exactly what Dr. Facilier wants.

On you little man, I don’t want to waste much time
You been pushed around all your life
You been pushed around by your mother and your sister and your brother.
And if you was married…
You’d be pushed around by your wife
But in your future, the you I see
Is exactly the man you always wanted to be!

Just like Ariel was putty in Ursula’s hands, Lawrence can’t resist. It’s also interesting to see Lawrence be the one to fall for it since he was staunchly against Naveen going for a reading. Whereas, in The Little Mermaid, Ariel was fully intending to get help from Ursula from the start.

Perhaps one reason The Princess & The Frog isn’t quite as loved is because it feels too safe. We’ve already seen this ploy before. Every previous song has changed the game in some way. Ursula’s was the first, Gaston’s introduced victim-blaming, Jafar’s was a victory song, Scar’s was a plotting song, Ratcliffe’s set up the eventual conflict of the film and featured a cameo by someone considered a hero, Frollo’s was just fucked up, and Yzma’s calls out ageism and those obsessed with beauty. Friends on the Other Side is an intimidation song.

princess and the frog reaction i will end you

Sit down at my table
Put your minds at ease
If you relax it will enable me to do anything I please
I can read your future
I can change it ’round some, too
I’ll look deep into your heart and soul
(you do have a soul, don’t you, Lawrence?)
Make your wildest dreams come true!

I got voodoo
I got hoodoo
I got things I ain’t even tried!
And I got friends on the other side

Massive Ursula vibes, okay! This is basically the male Poor Unfortunate Souls.

And I fortunately know a little magic
It’s a talent that I always have possessed
And here lately, please don’t laugh
I use it on behalf
Of the miserable, lonely, and depressed pathetic

Poor unfortunate souls
In pain, in need
This one longing to be thinner
That one wants to get the girl
And do I help them?
Yes, indeed

Dr. Facilier and Ursula both prattling about their magic? Check.
Dr. Facilier and Ursula both talking up their skills? Check.
Dr. Facilier and Ursula both promising to help? Check.

little mermaid ursula lips

Both villains are trying to coerce someone into doing something. They both follow the same structure and involve a transformation, coincidentally. If you’ve noticed Villain Songs have not followed this pattern. They usually involve the villain alone or with their minions lamenting some crime that has been done to them. As a result, Friends on the Other Side is stale and not as memorable as its predecessors.

Mother Knows Best

Finally we come to the last Villain Song. I’m kinda sad, guys. Lets meta the shit out of it.

This song also has lots in common with Poor Unfortunate Souls. It’s a manipulation and an intimidation song, but it stands apart simply because of who the characters are. We have our first abusive parent relationship here. There’s a history between these characters that hasn’t been seen since Frollo and Quasi (the parent/child relationship except the “parent” totally lied to them their whole lives and is not their real parent).

The manipulation tactic here is different, too. Where Ursula and Dr. Facilier both talked up themselves, Mother Gothel talks down to Rapunzel.

Look at you, as fragile as a flower
Still a little sapling, just a sprout
You know why we stay up in this tower
(I know but)
That’s right, to keep you safe and sound, dear

She makes Rapunzel fear her own supposed inability.

tangled fear

She makes Rapunzel feel vulnerable, like she needs Mother Gothel for her own protection.

Mother’s right here
Mother will protect you

Mother is the source of all your problems—I mean—

She uses her position of authority over Rapunzel. There’s an imbalance in the power dynamic between them. Gothel, as the parent, should be seen as a source of love and protection, and she abuses that. Rapunzel trusts her. And like all parent relationships, sometimes guilt is an easy tactic to use to discourage an action:

Go ahead, get mugged and left for dead
Me, I’m just your mother, what do I know?
I only bathed and changed and nursed you

Go ahead and leave me, I deserve it
Let me die alone here, be my guest
When it’s too late, you’ll see, just wait
Mother knows best

She talks down to Rapunzel and then also uses a guilt trip. I think we know who deserves an award for Mum of the Year.

tangled gothel

Where Pocahontas made a daring move and included John Smith in Ratcliffe’s song, Tangled goes ahead and gives Mother Knows Best a reprise! TWO VILLAIN SONGS PEOPLE. TWO. IT ONLY TOOK 9 MOVIES TO DO IT.

Gothel tries to use the same tactics here:

This is why you never should have left
Dear, this whole romance that you’ve invented
Just proves you’re too naive to be here

Again she tries to make Rapunzel doubt herself and talks down to her. But when Rapunzel recoils, she drops the charade.

Oh, I see;
Rapunzel knows best,
Rapunzel’s so mature now,
Such a clever grown-up miss

If we saw her as patronizing before, man, that’s nothing on how she acts now. Her demeanor is haughty, and she’s done talking sweet. She pats her on the head like a pet, spins her around harshly, snaps at her, invades her personal space. The mothering pretense is gone, and now Mother Gothel is just angry that she’s lost control of Rapunzel.

If he’s lying
Don’t come crying
Mother knows best…

Deep down, Gothel is not a mother. She’s not equipped to raise a child, shown here when Rapunzel takes her first steps into independence. Like Gaston, she sees Rapunzel as on object she can possess.

mine reaction

Conclusion

Over the last two posts we’ve looked at a myriad of films. I loved looking at each song and seeing how the Villain Song grew and changed. Even the nature of villains, really, evolved with every film. There were lots of similarities between them, common elements that Disney holds onto, which is why these songs have become classics.

What’s your favorite Disney villain? Do you have a favorite Villain Song? What do you think about villains being people vs ideas? Do you think one is stronger than the other?

Follow Animated Meta on Tumblr and Twitter!

Cheers,
-M&M!

Disney Villain Songs: Part One

Standard

Not too long ago, Mel did an amazing series where she analyzed Disney Princess “I Want” songs. Let’s start 2015 by spotlighting the villains we love to hate and hate to love.

Disney is most famous for their animated musicals and fairy tales, but the Villain Song only really came to fruition with Disney’s Renaissance and the creation of The Little Mermaid. Think about it, Snow White had an I Want song, but The Evil Queen didn’t. Cinderella had an I Want song, but The Evil Stepmother (Lady Tremaine) didn’t. Disney villains got much more fleshed out with every movie—including their names (come on, Evil Queen? Were they even trying?).

kiss the girl shrug

I don’t know either, Ariel.

Many Disney movies don’t have clean cut villains like The Evil Queen, but even she represents something deeper. The Evil Queen is symbolic of jealousy, while other films like the Jungle Book are about the danger man poses to animals and nature. The Aristocats is more so about what greed can drive someone to do. How do you give that a song? The nature of how Disney tells their stories has changed, with the Renaissance films focusing more on individual characters and growth. By that logic, the villains needed to evolve to cause a threat to the main character. The villains had to become less abstract.

Pre-Renaissance Songs

There are two slight exceptions to this pre-Renaissance rule, however. Peter Pan and 101 Dalmatians both feature Disney villains in the pre-Renaissance era that have songs sung ABOUT them.

tumblr_n2sp2tItRw1s2cn8no1_500

Peter Pan has A Pirate’s Life and The Elegant Captain Hook, which are kind of one song, but whatever. Hook has his own boy band singing his praise and it totally works since all the Lost Boys, John, and Michael are ready to sign up to a life of piracy in seconds. Hook himself only gets about a chorus where he threatens everyone’s life:

A special offer today I’ll tell you what I’ll do
All those who sign without delay will get a free tattoo
Why it’s like money in the bank
Come on, join up and I’ll be frank
Unless you do, you’ll walk the plank
The choice is up to you

Definitely villain song material—and I’ve never seen one done so elegantly. This is the first Disney film where the antagonist sings and it’s typical MUAHAHA villainy.

tumblr_n9sifygcCH1qltme0o6_250

Similar to Hook, except she doesn’t sing at all because who has time for that, Cruella De Vil has a song about her in 101 Dalmatians. The song heralds her arrival and tells the audience how we’re supposed to feel about her. I mean, “devil woman,” and “if she doesn’t scare you, no evil thing will,” speak for themselves.

Cruella is also framed in the doorway very creepily and Roger’s ominous tone continue to lead the audience. It’s not like Cruella makes a much better first impression when we finally meet her, blowing smoke everywhere, searching like a madwoman for the puppies, her holier than thou attitude.

101 blast this pen101 this wretched pen

Once she leaves, the song continues and Roger has many more insults to spew, which the audience is probably agreeing with at this point.

Now, onto the Disney Renaissance, which gave us music and dastardly foes!

frozen blank anna copy

Poor Unfortunate Souls

Ursula’s song in The Little Mermaid gives us so much to think about. First we get a little of her backstory:

…in the past I’ve been a nasty
They weren’t kidding when they called me, well, a witch

tumblr_nf76jnqB1M1ropfsfo7_500

Ursula tries to paint herself as a saint now. She uses magic (“a talent [she’s] always possessed”) to help the “miserable, lonely, and depressed.” Of course she can’t hide her true nature and whispers to her cronies that she finds her clients “pathetic.” Or she finds exploiting Ariel too easy it’s just pathetic. I love double meanings.

pathetic copy

She’s manipulating Ariel with a false version of herself, claiming she helps so many people and makes their lives better. She’s promising Ariel the same thing.

The next facet of the song is men’s views of women, something we’ve covered briefly in our other Little Mermaid meta.

You’ll have your looks, your pretty face.
And don’t underestimate the importance of body language, ha!

tumblr_nf7o075Nz11r2k2rno4_500

The men up there don’t like a lot of blabber
They think a girl who gossips is a bore!
Yes on land it’s much preferred for ladies not to say a word
And after all dear, what is idle prattle for?
Come on, they’re not all that impressed with conversation
True gentlemen avoid it when they can
But they dote and swoon and fawn
On a lady who’s withdrawn
It’s she who holds her tongue who get’s a man

Today, this is vastly considered an outdated, wrong opinion to have. But it is so ingrained in our society that some people don’t even realize they still have these views. Women are encouraged to have a career, to use their voice, but women still earn less than a man, they do not hold as many positions of leadership, and many times their ideas are not taken seriously until a male colleague suggests it.

A woman’s looks are still very important, too. There are unrealistic standards women are expected to live up to. Everyone knows how the media warps and twists things, but what about women in power? There are countless articles about what Hilary Clinton, Michelle Obama, the Duchess of Cambridge are wearing, their make-up, or their hair instead of what these women are actually doing. Even when a woman uses her voice and has power, she is brought down by the media and reduced to her looks.

To have a Disney song tackle this issue and use it as a “scare tactic” essentially from Ursula to Ariel gives the song a great, complex layer. She’s basically saying, “You’re worried you won’t have your voice? Don’t worry, I’m actually doing you a favor by taking it. He won’t want it.” Poor Unfortunate Souls is a twisty-turny, manipulative song and is a fantastic start to the inception of Villain Songs!

my body is ready

Gaston

What could be more vain and villainous than to name a song about yourself?

hercules like a boss

Like Poor Unfortunate Souls, this song also sheds some light onto Gaston for us. We learn he’s always been obsessed with his looks (“when I was a lad I ate four dozen eggs”), he’s always had gross macho tastes (“I use antlers in all of my decorating”), and he loves to spit (“I’m especially good at expectorating!”).

But really, this song shows us how Gaston feels entitled to Belle, how he sees her as property he should be able to own because he wants her and it doesn’t matter how she feels.

Who does she think she is?
That girl has tangled with the wrong man.
No one says ‘no’ to Gaston
Dismissed! Rejected!
Publicly humiliated! Why, it’s more than I can bear

First, you tangled with her, dude. Belle did not want to tangle with you and made that very clear. Second, man has some deep entitlement issues. Third, his pride was wounded when Belle rejected him in front of everyone, so that’s really what he’s most angry about. He never cared about Belle. He cared about the image she was: the pretty girl in town. She was an enigma to everyone. No one quite knew what to make of her. By claiming her, Gaston would have won the prize, essentially.

This song is representative of larger issues that plague us today, like when young athletes do not get properly punished for raping girls. The media laments their promising career, caring nothing about the victim. This song is the entire town coming together to make Gaston feel better, to tell him how much they all adore him and how perfect he is. Gaston hasn’t done anything wrong in this song.

Gaston did not rape Belle, but the scene where he proposes in her home certainly has elements of rape culture in them. He goes to her home. He pushes himself through the doorway when everything about Belle is radiating “I do not want you here.” And Belle has that right. She can not want to be around someone. She can not want them inside her home. A woman does not have to verbally say “no”— her body language can convey that, the tone of her voice, even. And Belle conveys that she is in a situation she does not want to be in.

beauty and the beast do not want

A sampling of the things he says in that scene: “There’s not a girl in town who wouldn’t love to be in your shoes.” And: “This is the day your dreams come true.”

Basically: “I am God’s gift to women, worship me.”

He’s literally forcing himself on her even as she’s trying to say no. She is pressed against the door and ducking away from him as he tries to kiss her. That is forcing himself on her. This scene directly leads to the angst ridden Gaston we meet during his Villain Song moment. He feels unjustly rejected.

Like Poor Unfortunate Souls, the song gives some insight into our villains and also looks at what men expect from women. In Ursula’s case, the woman was supposed to be pretty and quiet and not cause trouble. For Gaston, women should be mindless and worship him. They cannot say no.

Prince Ali (reprise)

Jafar’s villain song in Aladdin doesn’t come until the end of story when he thinks he’s won. It’s very different from the other two because it is a victory song. It has its roots in Hook singing about threatening children since here, Jafar is carrying out his master plan in song. Man, what a great evil laugh.

Jafar blows Aladdin’s masquerade and banishes him. He’s got control of the genie; Jasmine and the sultan are powerless. This song vastly differs in tone from the other two. Ursula is trying to get her plan in motion and succeeds by the end of the song. Gaston is in a “Woe Is Me” mood and in the man-dumps. Not Jafar. No way, this guy is winning. And he’s insulting people:

His personality flaws,
give me adequate cause
to send him packing on a one-way trip

aladdin and jafar slap

If personality flaws are all we need, I think there’s a lovely trip waiting for Jafar, too.

Jafar’s villain song is really short, but it changes the game for all villain songs that follow.

Be Prepared

Scar is plotting in The Lion King. He’s got big plans to murder his brother and take over as king. This song combines all the elements we’ve seen in the previous ones: bit of backstory, thinks he’s the best thing since sliced bread, and insults galore.

bitch i'm fabulous

We all joke about Scar and “what was Scar’s name before he got the scar?” But the truth is, we don’t know much about Mufasa and Scar. We know they’re brothers and Mufasa was older so he became king. We know Scar resents this. We can infer that maybe Scar didn’t get enough love as a cub. One of the final lines in the song is “Be king undisputed, respected, saluted, and seen for the wonder I am.” From this, I’m guessing our speculation is true. Scar was always seen as second to Mufasa, a fast he’s always resented.

oh, goody

Like Ursula, Scar is still figuring out how to put his plans into motion. His previous attempts at assassinating his brother have failed. Like Gaston, he puts himself above everyone, including the hyenas that are trying to help him take power. And like Jafar, he’s got plenty of insults to go around. And by the end of the song, he’s reveling in his sure to come victory.

This particular villain’s song treads the darker side of an I Want song. Scar wants power, in fact, he deserves power (“justice deliciously squared”). While Ursula wants Ariel’s voice, and Gaston wants Belle, and Jafar doesn’t want anything because he’s already winning, those songs all have a bit of other meanings buried beneath them. Whereas, Be Prepared, is really Scar’s I Want song, and This is How I’m Gonna Get it And It’s Gonna Be Amazing song.

lion kingbe prepared evil laugh copy 2

Mine, Mine, Mine

Ratcliffe’s song in Pocahontas is really interesting. I think Pocahontas is one of Disney’s most underrated films and I have no idea why because it is AMAZING. There are a lot of layers to it.

The gold of Cortes
The jewels of Pizarro
Will seem like mere trinkets
By this time tomorrow
The gold we find here
Will dwarf them by far
Oh, with all ya got in ya, boys
Dig up Virginia, boys

This is essentially the conflict between the English settlers and the Native Americans. Ratcliffe and his men expect to become rich, richer than Cortes and his successful expeditions (ie: rape and genocide and disease). The stories of wealth from the New World are what they’re chasing. Ratcliffe doesn’t care about preserving the land or the homes of the people that already live there. From the first verse of this song, we know that Ratcliffe expects nothing less than vast riches. This villain song sets up the rest of the film. If Ratcliffe doesn’t find the gold, then he’s going to assume the Natives have hoarded it all for themselves and thus we have conflict.

tumblr_nblomoULYP1tyyi56o8_250

“Dig up Virginia, boys” is such a chilling line to me. It shows zero compassion. It reduces the Powhatan tribe to nothing, basically. They do not matter. And land is nothing more than a commodity.

Next, in a familiar trend, Ratcliffe’s song gives us a peek into his backstory, too.

My rivals back home
It’s not that I’m bitter
But think how they’ll squirm
When they see how I glitter!
The ladies at court
Will be all a-twitter

Ratcliffe wants fame and fortune, but he also wants to be better than his rivals. We don’t know much more than this, but it shows us he’s trying to prove himself. He’s competitive. He wants a story to beat Cortes’. He probably wants other people to eventually sing about finding more gold than him—but of course that’ll never happen because Virginia is the richest of them all.

Make the mounds big, boys
I’d help you to dig, boys
But I’ve got this crick in me spine

This provides another look into Ratcliffe. He expects the gold will earn him favor with the king (“My dear friend King Jimmy will probably build me a shrine” and “The king will reward me, he’ll knight me, no lord me”), but he also already treats himself as a king. He orders his sailors around, he has them do all the digging. They do the work and he gets the reward.

Keep on working, lads
Don’t be shirking, lads
Mine, boys, mind
Mine ME that gold
Beautiful gold

I love that part, where all the pretense is gone. The “I have a bad back” is transparent enough, but for a moment Ratcliffe is totally consumed by his want/greed that he can’t even remember to try and mask his villainy.

tumblr_n977iePL5r1rcmk8po3_250

But in a very different move, this song also features John Smith, the central male character of the film and also the love interest. He partly shares Ratcliffe’s views in that he sees the land as something he can take and “claim,” in his own words. He’s misguided like Ratcliffe, but he’s not there for the gold. He’s there for “adventure,” and to find “danger.” John Smith’s character arc entwines itself with Ratcliffe and then they run parallel to each other, both Englishmen going on separate journeys. They both traveled to Virginia because of land and they both share this song. Smith distances himself from the other settlers both visually (to the audience) and emotionally (he can’t see what Ratcliffe is doing, the destruction is not real to him) by not being part of the digging party. He’s already gone off to explore the new land.

It was an interesting and bold move to craft the song this way. This is the first villain song to include a non-villain character in it. Pocahontas is one of those films that has so many deeper meanings and Ratcliffe and Smith are both complex characters that prove this.

Conclusion

Next week I’ll tackle the deleted song from The Emperor’s New Grooze, Snuff out the Light. We’ll also wrap up with the final Villain Songs: Hellfire, Friends on the Other Side, and Mother Knows Best. I’ll also discuss the films Hercules, Mulan, Tarzan, Lilo & Stitch, and Frozen by exploring why these films lack Villain Songs.

Happy 2015! Sending wicked vibes your way for a good one.
Follow Animated Meta on Twitter and Tumblr!

What do you think of the Disney Villain Songs? Do you have a favorite?

Cheers!
-M&M