Category Archives: song lyrics

Songs for Dad: Animation Style

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Tomorrow is Father’s Day so have a Dad Themed meta! What better way to express your love for Dad than with music? There are two Disney songs and one non-Disney song that are Dad centered. Let’s dive in!

Father and Son

In the third Aladdin movie, Aladdin finally met his long lost father. They have a strained relationship on account of Cassim being absent (and the fact that he’s The King of Thieves—minor detail). In this song, Genie tries to help them make some positive progress in their relationship.

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And boy do they need it…

This song is different than the ones we’re gonna talk about because it’s not the kid and parent singing. Instead it is someone else commenting on a father/son relationship.

It’s a big bright beautiful future

Thank you your lucky stars, you’re alive

You’ve got someone special to talk to

A friend that you can trust for life

I love the optimism here, the notion that any relationship can be fixed or mended. Sometimes families become estranged and there’s bad blood there forever, which is just really sad. But Genie is here to tell you that as long as you’re both alive, there’s always a chance things can get better.

The second line also literally relates to Aladdin and Cassim, since Aladdin did think his dad was dead for basically his whole life. Shame on Disney for killing family so often or keeping them alive and separating them.

Next, “special someone to talk to” is a really sweet line. Usually moms are the parent you’re supposed to turn to with your problems because women are more interested in sharing their feelings, but here, dads are friends and trustworthy and they’ll have your back forever. This is similar with the idea that no one will ever love you as much as your family.

You’ve been on your own with no family ties

But those solo days are done

You’ll be two of a kind

Spending quality time

Together as father and son

Again, this stanza starts with referencing the estrangement and this becomes more pronounced as the song goes on. Aladdin and Cassim have both been separated, alone, and while their reconciliation will make them two of a kind since they’ll be together, they already are. They’re both thieves (or, Aladdin was) and they’ve both been alone. They already have things in common. Once they spend some time together, they’ll be able to see how similar they are and become two peas in a pod, basically.

aladdin king cassim

Building model ships

Taking fishing trips

Working hand in hand

Painting the palace and moving the sand

First ten to go, with your daddy-o

Once you break the ice

You can postulate paternal advice

Here is a list of typical “Dad Things.” Building things, fishing, the visuals also show them playing football together. But then we’re back to the estrangement (“break the ice”) and that good can come out of it if they just work through it.

It’s a fine fantobulous future

I see fruit on the family tree

You’ll be great as the grumpy old grand-pa

Bouncing babies on your knee

You can fall asleep on the comfy couch

After playing one on one

Dreaming back to back

That you walloped the Shaq

Together as father and son

There’s a bunch going on here. The Shaq reference at the end again ties back to sports and things Aladdin and his dad can do together. But I like this idea of family continuing to expand and that one day, Aladdin and Jasmine will have kids so not only is Cassim gaining his son, he’s also gaining grandkids and a daughter-in-law and father-in-law. Cassim may have missed all of this with his son, but he gets to watch his son do what he couldn’t and be supportive and have a relationship with him now. Plus he gets to meet his adorable grandkids and love them. Estranged family members miss out on those big moments in life when they let things get in the way. The genie does not want that for Aladdin and Cassim.

Maybe a bumpy ride

We’ll make it side by side

Good afternoon, I’ll be your travel guide

Move over, laddie,

Make room for Daddy

Gotta whole new shoulder to cry on

“Bumpy ride” takes us back to the fact that this isn’t gonna happen overnight. There’s probably a lot of anger, resentment, and sadness to work through. All relationships take time. They’re messy. They’re hard and painful. But the benefits, like gaining someone to build model ships with. 😉

We talked about earlier how a father here gets to be someone you can talk to and in this stanza we also see he’s a shoulder you can cry on. That’s really nice, especially to tell boys. Our society conditions boys not to cry, which is really damaging. This song includes all the masculine things like sports and fishing and also says you can talk and you can cry and that’s perfectly normal. Props to you, Disney. You did something good.

Take a chance now give it a spin

You’ve had chums for palin’ around with

But you’ve never had a friend like him

Put your checkered past behind you now

No more living on the run

Face the big bright beautiful future

Together as father and son

We’ve reached the end! So let’s just start with the callback to movie one, Friend Like Me. The song purposefully classifies family and friends differently. We like to say friends are the family you choose for yourself, or friends feel like family, but there’s also the saying blood is thicker than water. And since this is a song about how awesome a relationship with your dad is, of course, they’re going with the latter.

aladdin king end

We end right back where we started, with the future and all the possibilities that lie ahead. The estrangement and isolation doesn’t need to be permanent. They just need to make the choice.

On My Father’s Wings

Our next song selection is from Quest for Camelot. This one is different from above since Kayley sings this just after her father has died. What you need to know is: Kayley adored her father. Her dad = who she wanted to be. So now her hero has literally died/been murdered. This is where Kayley affirms her mission to live up to the man her father was, to be like him, to remember him.

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This song is very straightforward. The visuals are really what matters. Kayley goes back to the beach she used to visit her with dad. She draws the symbol of the knights, the three intertwined rings, and actually has a flashback to when they would play together.

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Quest for Camelot is all about Kayley wanting to be a knight, but being told she can’t because she’s a girl. Her father was the only person that believed she could be a knight and when she loses him, she doesn’t know how to escape society’s expectations, but knows she still wants to.

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And I will fly on my father’s wings

To places I have never been

There is so much I’ve never seen

And I can feel his heart beat still

And I will do great things

On my father’s wings

This world I’ll never see

My dreams that just won’t be

This horse’s stride, with one day’s ride

Will have covered more distance than me

Kayley still feels her father with her, which is a beautiful message about the people we love never leaving us.

Someday, with his spirit to guide me

And his memory beside me

I will be free

To fly on my father’s wings

To places I have never been

Kayley is trapped tending a farm, what she’s supposed to do. So she turns it into an adventure, using the pitchfork as pole vault, a jousting stick, and finally hitting the bulls eye with it. She uses a spoon and bucket cover as a sword and shield.

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Kayley’s inspiration to be a knight stems from her father. If he wasn’t her father, she seriously would not be the person we see on film.

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This tells us that dads matter so much to the development of a child. Even Aladdin was affected by not having a father since earlier in the film he tells Jasmine that he feels like he comes from nowhere, like he just appeared out of thin air. Even in movie one he hated being referred to as a street rat, like he was worthless. He didn’t have a father in his life to take care of him or build up his self-esteem like Kayley did.

Nobody Else But You

Do you remember this Goofy Movie tune? I did not. (Props to Mel for reminding me!)

Before the song starts, Max and Goofy are mid-fight and they are really going at it. Max resent being treated like a kid, but to Goofy, Max is his kid. Goofy’s just trying to figure out what his role is now that Max is growing up and doesn’t want him around as much. Cue the sad feels.

goofy movie fight

But then the song starts and all the happy feels! They totally make peace and love each other to bits.

Max

There are times you drive me, shall we say, bananas

And your mind is missing, no offense, a screw

Still, whatever mess I land in

Who is always understandin’?

Nobody else but you

Goofy

Oh, your moodiness is now and then, bewilderin’

And your values may be, so to speak, askew

I love how it’s Max that makes the effort to go first and it takes him a few tries to get it going. Goofy and Max both have their differences, but none of that really matters in the long run. Family and dads in particular, are there for you when you mess up. Say you impersonate a pop star to get the girl and then tell her you know that pop star and will be on stage at his concert and give her a shout out and then have to highjack your father/son bonding trip to make it happen.

Goofy, for his part, is just dealing with what all parents do: that shift that happens when kids become teenagers. Parents have a hard game to play because they need to give their kids space to learn on their own, figure out who they are, and let them make their own choices. Teenage years are that inbetween phase and it’s hard for everyone involved.

goofy movie always my son

Nobody else but you

It’s just our luck

We’re stuck together

Nobody else but you

Is crazy enough to believe we’ll come through

Parents pretty much always have your back. Even when it doesn’t seem like it, sometimes my mom flat out has to tell me, “I’m always on your side.” We don’t get to pick our parents and parents do not get to pick their kid. It really is luck, pretty much, that got us here. That’s what family is. There are hard times and confusing times and sad times, but family are the people you’re always supposed to have in your corner. They’re automatically there for you.

Max

So your jokes are all, let’s face it, pre-historic 

Goofy

And your music sounds like monkeys in a zoo

Both

But when life becomes distressin’

Who’ll I be S.O.S’in? 

See, your automatic. They’re who you call when shit goes to hell. No matter what your differences, big or small, material or moral, you’re stuck with them so suck it up. No, kidding. But it’s nice. Sadly, not everyone does have their automatic. But adoptive parents and siblings and grandparents and aunts and uncles and even good friends can be that automatic, too. Because really, it was luck you got them, too.

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Both

Hard times we’ve had a few

Goofy

Like we’re thrown in the drink

Max

Like we’re tossed outta town

Both

But when I start to sink, than I’d rather go down

With nobody else but Y-O-U!

The visuals here have them actually sinking since they get sucked in a whirlpool, which is a silly animation touch. This ending section is pretty much everything I’ve been saying. Like Aladdin and Cassim and their hard times, Goofy and Max have had something more akin to ‘normal problems’ but if all you have are ‘normal problems’ then well… they feel like big problems. But both pairs of fathers and sons were able to work it out in the end. Cause, family.

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Conclusion

In what was probably the cheesiest meta in AM history…

No, but seriously. Okay all these songs are nice and all, but why are they all between fathers and sons? There are way more daughter/dad duos in animation. Especially in Disney with their KILL THE MOM fetish. That leaves so many princesses with fathers (Snow White, Ariel, Belle, Jasmine, & Pocahontas) (Aurora, Hercules, Mulan all had moms also, but their dads arguably played a much larger role in their stories.) The Lion King was also largely about Mufasa and Simba, while Sarabi had a very minor role. If you go the Pixar route, look at The Incredibles which yes, featured a family, but the dad had the biggest storyline.

Turn to Dreamworks and The Croods is about a family, but again largely revolves around the father character. Even in the Shrek franchise we meet Fiona’s dad and Shrek 2 is largely about Shrek and Fiona’s dad finding common ground. How to Train Your Dragon finds Hiccup without a mother, though this is rectified in part two (so amazing), but the dad so far has played a much larger role in the story. Maybe this will be different in movie 3 (if we get one/are we getting one?).

From other studios, we have Despicable Me, which focuses on a foster/adoptive father. Could Gru have been a woman? In The Swan Princess, Odette’s mother dies in the very beginning and though her father dies a bit later into the film, she was still raised by him and seemingly close. Look at how many more father figures feature prominently in animated movies. Anastasia is mostly about Anya and her grandma, but in the beginning, before it all goes to shit, Anya dances with her father and then imagines dancing with him again in Once Upon a December.

While I am unhappy with the lack of mom-rep, the amount of dad-rep is overwhelming. So why few songs about dad and family? Why does romance get all the best songs?

However, for the songs we do get, they’re all positive. It’s good. All is happy in animated-dad land. Unless you’re Kayley’s dad.

Happy Father’s Day.

Who is your fave animated dad?

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Cheers,

M&M

Say the (Friend) Word

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Say the Word was (and still is) one of my favorite songs. I was listening to it yesterday morning while I waited for the train and realized the song actually has a totally different meaning than I thought it did! Thus, let’s examine the famous Kim Possible song.

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So maybe it’s just because I’ve never seriously thought about this song in any kind of ‘dissecting capacity’ (I’m sorry if that sounds very awkward), but listening to it recently made me realize some things. When I was little, I thought this song was all about how Kim was always there to save the world and was a general badass and all that wonderfulness.

But this song isn’t really about Kim saving the world whenever we say the word. It’s about saving her friends whenever they say the word. Maybe this was just my self absorbed 10 year old brain assuming she was talking about me and the rest of the world, but 20 year old (slightly less self absorbed) me actually paid attention to the words this time and learned something.

world cup omg reaction I know, right? My reaction, too.

Maybe we’re all Kim’s friends, which is why she saves anyone that needs her, but I think looking at this song in another lens, from Kim saving her “friends” in the traditional sense of the word (ie, people she knows), makes it more meaningful.

If you find your world is cavin’ in

You can bet you’re gonna need a friend

Someone to take those fears away

This is friendship. This is what it means to be a friend and this is what it means to have a friend. How many times do we turn to our friends for help and advice, especially when we feel like we’re alone? There’s ‘cavin’ in’ in the literal OMG ROCKS ARE FALLING ON ME FROM THIS DISASTER I AM IN that Kim could probably save you from because she is totally awesome that way. But there’s also an emotional ‘cavin’ in’ when good friends are important and totally help dig you out. And Kim would do that too for her friends. She’s not just a physical hero. She’s a person.

Make a call and I’ll be there

Anytime, anywhere

Have you heard

That I’m all about savin’ your world

All you have to do is say the word

The first two lines of this part of course reference how Kim is always on call when it comes to literal saving the world duties. But again, friends call on each other in the middle of the night, at sometimes the worst possible moment because that’s when they need to. That’s when the cavin’ in happens and you have to be ready.

I think it’s very important that that verse ends with ‘all you have to do is say the word’ because true friendships ask for nothing in return. And Kim isn’t either. Say the word is just letting someone in, admitting you need help. This song is freaking beautiful and profound, okay.

reaction i just have something in my eye

In trouble, in it deep

This is a promise that I can keep

Make it right, count on me

To be the best friend I can be

When your life is bending

Upside down

I’ll be the one to turn it around

What is happening to these people? Caves, trouble, deep, clearly things are in bad shape. Again, these could be literal – and refer Kim actually saving the world –  but they can also be symbolic. Whatever it is, Kim promises to do it. Kim is a class A friend and a class A superhero.

kp ron meeting LOOK AT THESE IDIOTS!

I think this song does a great job of being a tad ambiguous since it can clearly go either way. It represents the show really well.

The show never sacrificed character development for stakes or action. Kim and Ron and everyone else were just as important and so were all the relationships the show created.

Kim’s home life and school life and personal life carried as much weight as the saving the world arc of an episode. So it’s fitting this song is a perfect mix of saving your friends and saving the world.

**Eppp!! So sorry we forgot to post yesterday. This baby was sitting in the draft folder 😦

 

DON’T YOU JUST LOVE THIS SONG???????? CLASSIC.

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Cheers,

M&M

Animation’s Feminist Anthems: A List

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Hi, I’m Michella and I AM A FEMINIST! Pleased to meet you. Below, find a list of animated songs and reasons why I think they are badass feminist anthems that celebrate women and their agency, challenge gender roles, and are inspirational. And please don’t be scared off by the term “feminist.” We don’t bite and we’re all about accepting everyone and not judging and just living in groovy harmony and respect. Doesn’t that sound fun?

Like Other Girls—Mulan 2

This song is all about Mei, Su, and Ting-Ting feeling trapped in their roles and responsibilities and wanting just a little bit of freedom, like other girls have. It was the first song that popped into my head when I thought of this list because of how much these ladies admire other women. They’re not jealous or bitter, they just long. And what are they longing for? To play and climb trees, slouch, eat cake, be free to make choices, dance, no tight shoes! Yes, they want love, and that gets a line, but the repeated mantra is “no hands folded perfectly,” “no pinchy shoes,” “just to be free like other girls get to be.” It’s such a sweet, beautiful song that also challenges gender roles.

Who usually gets to play outside, get dirty, “be crazy?” Well… boys. Boys are expected to play sports and be physically active (though the song equates it to being a girl’s activity, which is great!). Girls are usually delicate and taught manners. Mei, Su, and Ting-Ting have to be elegant, use their fans, and are escorted everywhere, like they aren’t strong enough to walk on their own. In my Victorian Lit class we talked about how writers like Dickens and Thackery never have female characters that “walk.” They “trip” or “glide/float.” Breaking that down, trip: immature, young, clumsy, incapable, needing protection. Glide/float: angelic, not real, unearthly, perfect, elegant. Women can never just be normal people that “walk.”

One other point about this song, I love how “Like Other Girls” is a GOOD thing. “You don’t want to be that girl,” is oftentimes an insult. Being compared to other women isn’t a good thing in our society. To stay on the subject of literature, many times we see dialogue that says, “You’re not like other women.” Meaning, you’re not clingy or needy or “insert stereotype here.” Women are pitted against each other! But no. This song takes that and spins it in a positive light.

Belle (reprise)—Beauty and the Beast

We all know this song. I love the fury in Belle’s voice when she begins the song and then it turns to a desire. So this song made my list for a couple reasons.

The first might be the simplest: Belle rejects marriage in favor of adventure. Now, marriage is definitely its own adventure. But Belle is, what? 18? Belle wants to live. We know she loves to read and her favorite book (the one she reads in the opening song) has “far off places, daring swordfights, magic spells” and a sweeping love story (“Here’s where she meets Prince Charming, but she won’t discover that it’s him till chapter three”). Belle is not against love. Her song explicitly states it would be nice “to have someone understand.” Whether that’s in the form of romance or friendship, who knows, but she wants it in the context of an adventure. Not Gaston, who prizes her for her looks and is shallow. They have nothing in common. They would never be happy together, especially living in that small-minded town.

The second is that Belle also rejects the expectations of her society. The song ends with, “I want so much more than they’ve got planned.” They is not just Gaston. They is everyone. They is the pressure, the expectation, the town. They is anyone that tells Belle she is supposed to be this kind of person. And sadly, the entire opening song established there are a lot of people that have their own ideas about who Belle should be. This is a great song because Belle sometimes internalizes. She’s always kind, she said hello to everyone while they gossiped about her, but here is really the first time we see her stand up for who she wants to be, even if it is just to herself. It is hard to admit what you want. It is scary when there are a lot of people that are going to try to talk you out of it. And I think Belle is a great amazing feminist for that.

For a Moment—The Little Mermaid 2

I was hesitant to include this song even though it jumped out at me. As I thought about it, I realized I wanted to include it because it’s basically the only mother/daughter song Disney has ever produced. I also just love Ariel, Eric, and Melody to bits and we’ve talked about Part of Your World so much.

Even though this is a mother/daughter duet, our babies are apart from each other. Sad face. It’s very angsty. Ariel is so desperate to make amends and Melody is finally so happy, but also sad she can’t share that with her mom. Their relationship is really the heart of the movie since Ariel keeps this secret about Melody’s heritage and this song is where we get to dig into all those complicated emotions. A lot of times mom/daughter relationships are portrayed by the media as super close or the opposite. There is no middle ground, and like what I brought up with Dickens and Thackery, women aren’t allowed to be human. They don’t get to go through a full range of emotions compared to their male characters. And frequently, they don’t have complex stories and conflicts with other women. Many times their plot revolves around a man. For a Moment is a song about how two women are feeling.

Here Ariel is remorseful for her mistake, but determined to find her daughter, and make things right. Right before the song, she makes the choice to leave Eric, to do this on her own (or, separate, since Eric is still looking, too). Melody is just Ms. Happiness with her new fins. She stumbles a bit, getting situated, but for the most part, she’s a natural (which makes sense since she’s half mermaid!). The only disappointing part is that she can’t share this with her mom. She doesn’t think her mom will understand (“wish my mother could hear it” meaning she doesn’t and never will). But to juxtapose that, Ariel and Melody both use “song of the sea”/”sea is my song” which shows you just how in synch they are. They’re mother and daughter, after all! They both love the sea. Ariel may have chosen land, but that scene where she dips her feet in the water and her face is filled with an ache to return just tells you all you need to know.

On a totally non-girl power point: The visuals also kill me because Melody is just exploring and Ariel is retracing all her steps, hitting all those nostalgia buttons as we see the grotto and the rock bench from Under the Sea with grownup Ariel.

I Won’t Say I’m in Love—Hercules

So, like the Belle (reprise) I’m not picking this song because Meg rejects marriage. Feminism is not about rejecting marriage or looking down on housewives. I chose this song because Meg is so hurt. Meg is guarded because of her past, Meg is wary, Meg is so so so scared. I love that Disney gave us Meg because she’s someone trapped in a bad situation because of her choices and past trauma from a relationship. Sadly, most of us are scarred. We’re damaged. We don’t come with bows on us, unharmed. Meg represents that.

Furthermore, Meg is given the opportunity to be affected by her trauma. A lot of times women are discouraged from talking about their pasts—such as coming forward with sexual abuse claims years later. Or women are “overemotional.” If you’re not “better” within someone else’s expected timeframe, then you’re making too big a deal out of it.

Not Meg. Meg is not okay from her past relationship. She’s given the chance to argue with herself, to want something, but be afraid she wants it. She’s not one dimensional precisely for this reason. There are layers to Meg. At first she appears like a flirt, but that’s just a mask. This song is where Meg tries to lie to herself, to keep the mask on, but in the end Meg realizes that’s not possible. Like Belle, she admits what she wants to herself, which is the first step to going after it in reality.

And who is encouraging her to take a chance? The muses! Coincidentally, all women. More women cheering women on and supporting each other. What is more feminist than that? (Hint: The answer is nothing.)

Almost There—Princess and the Frog

Ah, this song! Such a great anthem. Tiana is filled with such a drive. She has this amazing goal and isn’t going to let anything get in her way. Tiana definitely had some things to learn, like being single-minded isn’t the way to go about being happy. But, taking this song out of the context of the movie, it’s a song about achieving your dream, something that is self-fulfilling. It has nothing to do with another person. It’s something Tiana is doing for herself. This is what I love most about Almost There.

It might be the first animated song where women are encouraged to be savvy business ladies. It’s okay to want a career. It’s a self-esteem booster, it just makes you feel good when you’re doing something you love and you do it well. Many times women are expected to be “humble” and “modest” and confidence can be misconstrued as cockiness or arrogance. But why shouldn’t we take pleasure from doing a good job?

Like some of the other songs, Almost There mentions expectations (“people down here think I’m crazy, but I don’t care”), because those pesky buggers are everywhere, sadly.

Let it Go—Frozen

Okay, everyone has heralded Let it Go as an anthem since it came out. It’s Elsa finally being true to herself, being brave, and loving that person. Let’s zero in on a very specific lyric: Don’t let them in, don’t let them see, be the good girl you always have to be, conceal don’t feel, don’t let them know. Wow, that’s a lot!

First, women are supposed to put on a mask in public. Like Meg hides from her trauma with a flirty persona, women should put on a good face. Smile. Be cordial. Be demure.  This goes right into “be the good girl” while boys will be boys. This is every gender role the previous songs have battled with. Su, Mei, and Ting-Ting want to climb trees and scrape their knees, but that’s for boys (even though the song presents it as something women can do, which is great!). Belle is expected to marry Gaston. Elsa shouldn’t be overemotional, she should keep her mouth shut and smile. Whereas boys can be hyperactive and do whatever they want because they’re boys and boys just have all these impulses that can’t be controlled. This way of thinking continues into adolescent and adulthood and is what makes rape culture so rife.

Next, we have “conceal, don’t feel,” which is actually really interesting and twisty. So we have this stereotype that girls want to talk about their feelings all the time, that girls cry, and so on. But, women are ridiculed when they do just that. “Cry like a girl” is an insult. I hate to keep using the “overemotional” card or the “needy, clingy” label, but that’s just the way it is. Women are expected to do these things, but if they do, they are scorned for it (because: good!). And maybe they don’t even do it in excess, but there’s such a low tolerance for women expressing themselves at all.

On the flip side, to keep talking about gender roles, boys are definitely taught the same thing. Boys aren’t supposed to have a soft side. They’re masculine! Strong! Testosterone! And boys are also made fun of if they don’t conform to this expectation. Many times, men also aren’t allowed to go through the full spectrum of emotions. This is wrong. This is just as wrong as the insane stereotypes surrounding women, even though we do not talk about this as much.

Let it Go has an important message and for obvious reasons, definitely is a feminist anthem.

I Whistle A Happy Tune–The King and I

I think this one is a lesser-known animated movie and I actually had forgotten about it till recently myself. I want to end on this note because this song is all about overcoming fear and that’s a great message to end on.

I think it also, sadly, feeds on the “conceal don’t feel” aspect of Let it Go and gender roles because some of the lyrics are: I strike a careless pose and whistle a happy tune and no one ever knows I’m afraid. At first glance it’s all about putting on that mask, of women not being able to express their feelings. But, as the song goes on, the meaning is that if you trick yourself into feeling brave, you may be as brave as you make believe you are.

So: things are scary. People get scared. But we are in control of how that fear affects us. Anna’s method, as she teaches her son in this song, is to whistle a happy tune “and the happiness in the tune convinces [him] that [he’s] not afraid.” Maybe she should teach him that it’s okay to be afraid and talk about his feelings, but it’s also important that we don’t let fear paralyze us. But, Anna doesn’t tell her son NOT to be afraid. She doesn’t tell him men are brave, that men don’t get scared. Instead of pushing that fear aside or pretending it doesn’t exist, she encourages him to feel it, and then essentially, fake it till he makes it.

Anna puts us in control of our fear. And isn’t that what fear is? We’re not in control in fearful situations. So whistling is a way of taking back the power.

I also wanted to end with this song since it puts a woman in a position of authority. She’s the leader, people are listening to what she has to say. And I can’t think of many animated songs where a woman is the head of a group. Women frequently have solos, but many times a male leads a group number. Look at: I’ll Make a Man Out of You (Shang), Be Our Guest (Lumiere), Kiss the Girl (Sebastian), and Topsy Turvy (Clopin). I do think He’s a Tramp from Lady and the Tramp and Dig a Little Deeper from Princess and the Frog are good examples of female led group numbers in addition to this, though even He’s a Tramp isn’t very groupish, but I’ll count it.

Conclusion

I just wanted to make a list of songs that celebrated girl power and wax poetically about them. Ta!

What’s your feminist anthem? How do you feel about these songs? GIVE ME ALL YOUR OPINIONS.

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Cheers,

M&M

Animated Love Songs (Part 2)

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Happy Valentine’s Day!! Whether you’re single or in a relationship or unsure where you stand with someone, today is a made up holiday where the greeting card business gets a well needed boost. Or it’s, like, a day to tell everyone you know how much you love them. Okay! Let’s continue with our Animated Love Songs meta.

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Love is an Open Door – Frozen (Mel)

Ooh, I’ve been excited to talk about this one.

I’ll admit it: I have a lot of gripes with Frozen. But I can’t deny that “Love is an Open Door” is handled brilliantly, mainly because it’s a song where you can go back and find subtle foreshadowing. There were a lot of complaints about Hans’ villainy coming out of left field, but if you reexamine, you can see the small seeds planted for his antagonistic role.

“Love is an Open Door” is mainly about Anna and Hans, who have always been shut out and ignored by their siblings, and how their love for one another is an open door that gives them new possibilities. But what they want out of their relationship is completely different.

So let’s take a look at motivations.

Anna: All my life has been a series of doors in my face,

And then suddenly I bump into you

Hans: Yeah! It’s like,

I’ve been searching my whole life to find my own place

frozen series of doors1frozen series of doors2

Anna has always felt like she was alone in life. “Do You Want to Build a Snowman?” really cements her loneliness and her desire to have someone to talk to. When Hans waltzes into her life, she’s found someone who she feels confident enough to talk to. Hans doesn’t shut her out the way Elsa does: instead, he listens sympathetically, and understands her struggles perfectly.

frozen find my own place

For a way, it’s similar for Hans, but let’s hone in on his word choice. He specifically mentions that he wants to find his own place – and he glances at Arendelle when he says this. He isn’t referencing Anna – he’s referencing her kingdom. That’s really important, considering that we find out later that he wanted to marry her so he could rule Arendelle. To Anna, he is referencing her, and that’s where the double meaning comes in.

Anna (and the audience, on first viewing) assumes that Hans is on the same page as her. But Hans has a completely different agenda, which makes “Love is an Open Door” a very unique love song. Does it follow the love song formula? Yes. But this is the first love song where one half of the party is being duplicitous and outright manipulating the other party.

Anna: But with you

Hans: But with you, I’ve found my place

Anna: I see your face

Both: And it’s nothing like I’ve ever known before

Love is an open door

Notice the way that Hans’ lyrics are focused on Arendelle, while Anna’s lyrics are focused on Hans? I bet you didn’t pick up on that on your first watch. Neither did I, until I watched Frozen again and little alarm bells went off in my head.

Our mental synchronization can have but one explanation:

You – and I –were just meant to be

frozen mental synch

Here’s where some irony slips in, because they’re not really as synchronized as they think. Or rather, Anna thinks they’re on the same page, but Hans knows they’re not.

Say goodbye (say goodbye)

To the pain of the past

We don’t have to feel it anymore

frozen love is an open door

Anna and Hans have obviously both had some turbulent/lonely childhoods. I mean, your brothers pretending you don’t exist? It could be a lie, considering Hans has lied about a lot, but if it’s the truth, it explains a lot about Hans’ motivations. Hans has never had a place to call his own. With twelve older brothers, being brother thirteen means you’re virtually destined for nothingness, and the second that he met Anna, he saw an opportunity to marry into something that could be his. Why didn’t he hone in on Elsa, the future queen? Well, he might’ve thought she was more unapproachable, and there was the fact that he met Anna first, and more importantly, genuinely seemed to like her.

Frozen is oddly conflicting about Hans and Anna’s relationship. They show us instances that indicate that Hans really does have feelings for Anna (like the scene when she runs off and he’s staring after her with that silly smile on his face), but then they refute it at the end. The creators didn’t really make up their minds on whether Hans actually had some shred of feelings for Anna, or whether she was just an easy target. I like to think it was a mix of both. Therefore, I think there is a bit of truth in Hans’ song: he does like Anna, but the chilling part of Hans is that he likes power more. And when he’s given the opportunity to take Arendelle for himself, he’s willing to let Anna die to make it happen.

frozen punch hans

One last thing I want to talk about before we move on is the end of the song, and the repetition of a certain lyric:

Love is an open door, love is an open door

Life can be so much more

With you (with you) with you

Love is an open door

The title of the song is dropped a lot during the song. So what does “love is an open door” really mean? Well, it was multiple meanings. For Anna, her love for Hans is an open door in opposition to all of the doors that have been shut on her in the past. It’s a chance to be with someone and have someone who trusts her and will stick by her no matter what.

For Hans, he sees Anna’s love for him as an open door to find his own place on the throne of Arendelle. Whether he has genuine feelings for her or not, being with her gives him a shot at being king, and finally having something that is solely his.

So is this a love song?

frozen IT'S TRUE LOVE

In a way, yes. But it’s so much more than that. And that’s why it remains my favorite song from Frozen.

 

Looking Through Your Eyes (Quest for Camelot)—Mic

Ugh, this song is so sweet. It’s basically all about how beautiful and perfect the world is when you’re in love.

Look at the sky tell me what do you see

Just close your eyes and describe it to me

The heavens are sparkling with starlight tonight

That’s what I see through your eyes

Firstly, Garrett is blind. So part of him is actually asking Kayley to describe it to him. But, Garrett is also a cynic and a loner, so he would never say the ‘heavens are sparkling with starlight.’

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Love has changed him, opened him up and it wasn’t something he was looking for. Kayley wasn’t looking for love either, since she was on a hero’s quest to save Camelot (and hopefully become a knight).

It’s out of our hands, we can’t stop what we have begun

And love just took me by surprise, looking through your eyes

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To continue the same thread:

I see a world we’re meant to see together

And it is so much more than I remember

More than I remember

More than I have known 

Love has changed the way they see their surroundings and even what they want out of life. Nothing matters unless they’re together (And suddenly I know why life is worthwhile).

Visually, the sequence is also important. Garrett is trusting Kayley to be his eyes, but it’s not all on his side. He also brings her into his world and shows her how he uses his walking stick as a weapon.There’s newfound trust between them.

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Here in the night, I see the sun

Here in the dark, our two hearts are one 

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I’m reading Wuthering Heights right now (if you read my Oliver Twist & Company meta, you know I’m taking an Early Victorian Novels class) and Cathy and Heathcliff share a similar sentiment. They consider themselves one being and when Cathy dies, Heathcliff says something to the effect of, how can I live without my soul? That’s kind of the same sentiment here, though Kayley and Garrett are way healthier than Cathy and Heathcliff.

 

Bella Notte (Lady and the Tramp)—Mic

Bella Notte is Italian for “beautiful night.” This song basically backdrops the perfect first date and one of Disney’s most iconic scenes: the spaghetti kiss. It’s sung with a heavy Italian accent, at first, and plays up this very romantic vibe.

lady and the tramp kiss

Visually, the sequence is very simple. They have dinner together in an alley and don’t eat anything special: tomato sauce and meatballs is a straightforward dish. Anyone can make it. They don’t do anything particularly special. They walk around town, they go to the park, they’re just together. And it’s a beautiful night because they are together and they are in love.

lady and the tramp eye sex hehe

Side by side with your loved one,

You’ll find enchantment here.

The night will weave its magic spell,

When the one you love is near

lady and tramp pawprints

It’s not a beautiful night because it’s not raining or because it’s not too cold. It’s a beautiful night because Lady and Tramp are together.

Look at the skies, they have stars in their eyes

Skies don’t have eyes. It’s not about the sky.

lady and tramp stars in their eyes

It’s about Lady and Tramp and how totally mystified they are by other person (dog). It’s about how they feel about each other. It’s an allegory or something like that.

It’s not about the material things like a big fancy or dinner or a shiny car (doghouse). It’s about being with that other person (dog). That is what makes una bella notte.

Buongiorno! (Doggies did the deed.)

lady and the tramp day after

 

Kiss the Girl – The Little Mermaid (Mel)

“Kiss the Girl” is probably one of the most straightforward love songs Disney has: Sebastian wants Eric to go on and kiss the girl already.

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“Kiss the Girl” is sung by Sebastian, and the first verse is basically Sebastian summing up Eric’s thoughts on Ariel:

There, you see her, sitting there across the way

She don’t got a lot to say, but there’s something about her

And you don’t know why, but you’re dying to try

You wanna kiss the girl

It’s pretty obvious at this point in the movie that Eric is interested in Ariel. Her fascination with the world around her and her lively nature draws him in. Even without her voice, Ariel’s body language and expressions convey her feelings and thoughts quite well. And while it’s clear Eric doesn’t know everything about her, he knows enough to like her – and possibly want to kiss her.

Yes, you want her;

Look at her, you know you do

Possible she wants you too;

There is one way to ask her

Here’s where Sebastian nudges Eric, trying to get him to notice Ariel’s obvious interest in him – or rather, the way she plays with her hair and tries to avoid his gaze until she realizes he’s looking at her the way she’s been looking at him.

little mermaid kiss the girl

Eric, of course, drives us crazy by being uncertain and not ready to kiss Ariel, because he’s still hung up on the chick that saved him. Of course, if he knew that was Ariel, this would make things smoother, but then we wouldn’t have much of a plot, would we? So we have Sebastian to goad him into kissing Ariel, because of what he might lose out on if he doesn’t.

Ain’t it sad, ain’t it a shame?

Too bad; he gonna miss the girl

Boy you better do it soon; no time will be better

She don’t say a word, and she won’t say a word

Until you kiss the girl

Eric doesn’t realize it, but the nag for Ariel to get her kiss is so that she can stay on land permanently, thus why there’s such a rush for Eric to kiss her in the lyrics. Of course, Eric doesn’t pick up on this.

little mermaid kiss the girl paddling

The nagging aspect of the song actually kind of bothered me, because while I understood the purpose of the time limit in story, the pressure put on Eric to “kiss the girl” was a bit annoying.

While Eric and Ariel don’t get that kiss by the end of the song, thanks to Ursula’s interference, they do at the end of the movie. Sometimes it takes a bit of time for someone to get up the nerve to kiss the girl, as evidenced by Eric’s long wait, and that’s perfectly alright. It’s also okay for a woman to take the lead, but I digress. Eventually, he got to kiss the girl, and it was worth the wait that both of them endured.

 

Something There (Beauty and the Beast)—Mic

Something There is a really sweet song about discovering those first inklings of a crush. It’s the first time Belle and Beast really start to see each other for who they are and begin to like that person.

The music actually begins sometime before the first lyric is sung and it’s when Belle and Beast are finally eating together. They both make concessions and compromise. Beast eats with his mouth, but attempts to use a spoon. He’s really bad at it after so many years, but Belle sees his effort and proposes a new way.

beauty something there dishes

When they go outside to feed the birds and she sings:

There’s something sweet and almost kind

But he was mean and he was coarse and unrefined

And now he’s dear and so unsure

beauty something there birds

She’s not just referring to him trying to feed the birds. She’s talking about what happened at dinner and what happened when he risked his life to save hers. It’s a combination of everything that has happened between them, building up to this awakening.

I wonder why I didn’t see it there before

Belle, dude, that’s because it was NOT there before. The beast had to learn. He was cursed because he was a vain brat. It’s not like he was kind before he was punished. So Beast has never actually known how to be “sweet” and “kind” or “dear.” His schemas are totally being rewritten by Belle.

And when we touched she didn’t shudder at my paw

No it can’t be, I’ll just ignore

But then she’s never looked at me that way before 

The beast was a jerk as a kid, but he also had it rough as a beast. He was feared, loathed. He also may not have been very friendly—we saw how he treated Maurice. We don’t how much was the beast assuming or how much was what he had learned. It certainly seems like he had negative experiences with people since he says to Belle’s father, “You’ve come to stare at the beast!” So when Belle comes, he’s not open to considering she may be different. He also doesn’t know how to break the curse. He has no real concept of love.

Belle touching his paw is important to him. It represents her not fearing his exterior, but let’s be real. She never did. Besides their first meeting, which, can you blame her? No one expects to see a walking, talking (yelling), horned animal thing. He had locked her father in a cell. He didn’t make a good first impression. The only time Belle feared him was when he yelled at her in the west wing. And he didn’t just yell. He popped out of the darkness and prowled around and then started breaking and throwing stuff.

Whatever the beast’s path is, it all plays into this now. He can’t even think that she may like him or feel the same way he does. Love is conditional for him. Love has to be beautiful. And he is not.

New and a bit alarming

Who’d have ever thought that this could be?

True that he’s no Prince Charming

But there’s something in him that I simply didn’t see

beauty something there reading

Belle kinda feels the same way he does. Well, they both feel exactly the same. They’re crushing and terrified. While Belle admits he’s not the typical romantic hero, Beast has no mention of Belle being the opposite of a princess. It contrasts with the way the town sees her as this outsider. She’s “peculiar” to them, but not to the Beast. Finally someone sees Belle the way she’s meant to be seen and he’s totally smitten by her.

The song then cuts to the observers:

And who’d have guessed they’d come together on their own?

It’s so peculiar.

Ah, there is that word again. Peculiar. Everything is peculiar if you don’t understand it.

Belle is peculiar because she does not fit into her society and the town shuns her for it. But one can never truly know someone, at least not by judging them and making assumptions. The town does that.

And if people are hard to understand, then love is even harder. Mrs. Potts and Lumiere and Cogsworth certainly can’t understand it. But they don’t have to. Only Belle and Beast do and it’s not peculiar to them. They never use that word.

 

Beauty and the Beast–Beauty and the Beast (Mel)

“Beauty and the Beast” (the song) touches on one of the oldest fictional clichés ever: the couple that starts out as adversaries, and then becomes something more. Mrs. Potts even spells out the trope for us at the start of the song:

Tale as old as time; true as it can be

Barely even friends, then somebody bends unexpectedly

beauty dancing

It sums up Belle and the Beast pretty well, doesn’t it? They started out as two people who could barely stand one another, and then somebody (in this case, the Beast) bends unexpectedly and surprises Belle.

Just a little change

Small, to say the least

Both a little scared

Neither one prepared

Beauty and the Beast

Beauty and the Beast has gotten flack by critics for the Beast’s attitude, and that Belle ending up with him could be a result of Stockholm Syndrome (since she starts out as his prisoner). But what a lot of its contenders forget is that Belle doesn’t even like the Beast as a person. In fact, she detests him and calls him out on his bad attitude. And when she does that, guess what? He realizes she was right, and then promptly changes his ways and treats her with respect and dignity, something she never got from her last suitor, Gaston.

The change aspect is something that was originally touched on in “Something There” and then reappears again. It’s the Beast’s change in attitude that makes Belle reevaluate him as a person, and later as a romantic prospect. I also like the “both a little scared, neither one prepared” sentiment, because both the Beast and Belle aren’t quite sure of what to make of their feelings for one another, and like most people in love, they’re uncertain of whether they should make the first move, or how to even handle their feelings.

Ever just the same; ever a surprise

Ever as before, and ever just as sure

As the sun will rise

This was a weird verse for me at first until I broke it down and realized that it was Mrs. Potts touching on the cliché again. We’ve seen this story a lot of times (“ever just the same”; “ever as before”) but we’re still surprised that these couples make it at times (“ever a surprise”). Still, it doesn’t come as much of a surprise when we realize that the couple is set up in such a way that it’s so obvious that they should be together.

It also relates to how the characters view the relationship. That last line – “ever just as sure as the sun will rise” – relates to the inevitability of Belle and the Beast’s relationship to the Beast’s staff. However, to Belle and the Beast, it’s a surprise to them, because they never expected to feel this way about one another.

Tale as old as time,

Tune as old as song,

Bittersweet and strange,

Finding you can change,

Learning you were wrong

beauty dancing2

Those last three lines right there sum up the relationship flawlessly. “Finding you can change” clearly relates to the Beast, who hadn’t realized his capacity for change until he finally attempted it. “Learning you were wrong” relates to both sides of the couple; they carried a lot of assumptions about one another, and it was only by coming together and learning about each other that they grew past the assumptions and saw the person beneath them. Their relationship at this point has been bittersweet and strange, but now they’re at a point where they finally understand one another. They’re on the same page, and they’re even on the same pace, as evidenced by their flawless dancing.

Last week, I mentioned how important it was that Anya let Dimitri lead during the Waltz Reprise, and how their dancing in sync related to them as a couple. Here, a similar occurrence happens with Belle and the Beast. Dancing takes a lot of trust. Much like how stubborn Anya lets Dimitri take the reins, the stubborn Beast lets Belle take control during their dance.  This represents the way their relationship has balanced out. Both sides trust one another, and both aren’t afraid to let the other take control. How’s that for an epic romance?

 

Can You Feel The Love Tonight (The Lion King)—Mic

Can You Feel The Love Tonight might make history for having the most number of narrators in a single love song: four! We start with Timon, who is so mad Simba and Nala have found each other. To him, this union will destroy his boys club.

But then we switch to Nala and she is happy. She’s probably happy for the first time in a long time considering she’s been under Scar’s dictatorship and thought her best friend died. Her line about the world being in perfect harmony is so great since she is finally at peace after experiencing the instability in the Pride Lands.

Another narrator change occurs and we get Simba’s perspective. He’s happy to see her too, but also scared she won’t understand what happened. He, himself, doesn’t understand what happened, which is why he’s been hiding with Timon and Pumba. Nala knows right away something is up with him—

He’s holding back, he’s hiding

But what, I can’t decide

She doesn’t know exactly, but she knows something is off. “I can’t decide” implies she has some theories since he is her best friend. They really are in perfect harmony.

Once again, we swap narrators and this time it’s this overarching third person POV. Simba and Nala were physically apart during the start of the song, on different sides of the water.

lion king apart drinking

Then they’re playing together and running around. They are together, falling into their old rhythm.

lion king like old times

This POV is like a narration.

Can you feel the love tonight?

You needn’t look too far

Stealing through the night’s uncertainties

Love is where they are

Timon saw clearly (I can see what’s happening), but Nala and Simba were both kinda stumbling around (and they don’t have a clue), their past stopping them from moving forward. But once they do admit their feelings (Nala licking Simba), the third person narrator lets us know that, yeah, they’re in love, and nothing, not even their pasts or the troubles ahead, can stop them.

lion king nala licks simba

Then we have one last change, back to the beginning, bookending with Timon and Pumba. It’s kind of symbolic, since Simba fled and became complacent with Timon and Pumba and then had to find the courage to leave and go back. They mark the shift in Simba’s story. Timon and Pumba open and close this song and by the end, Timon has convinced his friend that Simba having a lady friend will tear them apart.

And if he falls in love tonight

It can be assumed

His carefree days with us are history

In short, our pal is doomed

lion king our pall is doomed

lion king our pall is doomed

Nala coming back does represent a change for Simba. But it doesn’t really have anything to do with love. Simba chooses to go back because Nala reminded him of who he’d left behind and also told him what had happened in his absence. His carefree days are over because he goes back to be king, not because Nala has come to crash the party. And their pal is not doomed, since Timon and Pumba go with him and end up living in the Pride Lands. Everyone ends up in perfect harmony.

 

Let Me Be Your Wings (Thumbelina)—Mic

Let me tell you how much I loved this song when I was a kid: too much. I think it was because I had a giant crush on Cornelius, but whatever.

Let me be your wings

Let me be your only love

Let me take you far beyond the stars

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Thumbelina is a story about fairies, so of course wings feature very heavily. Thumbelina is the size of a fairy, but she is not one. She has no wings. And she falls in love with the fairy prince.

Everyday I’ll take you higher

and I’ll never let you fall

Wings are safety, security. They are a means of travel and protection and all that stuff. Cornelius, le fairy prince, wants to be that for her. He is also literally talking about being her wings since he carries her everywhere during this sequence, or takes her for a joyride on his bumblebee.

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But his words are deeper than that.

Leave behind the world you know

for another world of wondrous things

We’ll see the universe and dance on Saturns’s rings

Fly with me and I will be your wings

Leave behind being on your own, be with me. Come into the world of love, cheesy as that sounds. But all these love songs are about how love changes you or how love binds two people into one, or love is scary and thrilling. Cornelius is asking Thumbelina and promising to be everything for her. He will protect her and he will build her up and they will go on adventures together.

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Heaven isn’t too far.

Heaven is where you are,

Stay with me and let me be your wings 

Like Through Your Eyes, Bella Notte, Love, Can You Feel The Love Tonight, and many others, happiness and completeness only comes with the other person. Love is overpowering and encompassing and the music of animation takes that all and wraps into pretty music that we know every lyric to.

 

Happy Valentine’s Day everyone!

What is your favorite love song? Who is your OTP? What is your favorite romantic moment in Disney/non-Disney movies? SWOON BELOW!

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Cheers,

M&M

Animated Love Songs (Part 1)

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This week is Valentine’s Day, so we wanted to do something fun to change things up. This week is the week of Animated Love Songs, both Disney and non-Disney. Mic and I have decided to co-write, so we’ve marked each song to show who’s waxing poetic about it. I hope you guys enjoy this!

A Whole New World – Aladdin (Mel)

Aladdin is one of my absolute favorite Disney movies ever and I fangirl shamelessly about Aladdin and Jasmine’s relationship. They’re the definition of a badass power couple. Thus, I’m super excited to talk about “A Whole New World” – aka, their epic song.

We start with Aladdin’s awesome promise to show Jasmine the world:

I can show you the world: shining, shimmering, splendid

Tell me, princess, now when did you last let your heart decide?

He’s appealing to Jasmine’s sense of adventure and he brings up a great point. Jasmine’s never really had a chance to follow her heart because of her duties, and now, she’s getting a chance to listen to her heart and go for what she wants with Aladdin.

“A Whole New World” is interesting because Jasmine is in on the secret with the audience now: she knows that Aladdin = Prince Ali, and so there’s also a sense of glee that she’s found this boy she deeply cared for and worried about earlier in the story. Also, she doesn’t really fall for “Ali” until she realizes he’s Aladdin. Aladdin’s attempts to be something he’s not don’t really get him anywhere. It’s this song, where he opens up and shows his true self, where he wins her over. Because who would not want Aladdin?

aladdin flower

A whole new world

A new fantastic point of view

No one to tell us no, or where to go

Or say we’re only dreaming

Both Aladdin and Jasmine are tired of always being told what to do. Aladdin’s been kicked around for being a street rat and no one’s really appreciated who is he. He was born a street rat and he’ll die a street rat, but he’s defying that expectation. Meanwhile, Jasmine’s been harassed about getting married, and having to stay behind the palace walls, but she’s sick of that. This moment is a little taste of rebellion against everyone who’s ever told them they can’t be who they want to be, or go where they want to go.

Unbelievable sights, indescribable feelings

Soaring, tumbling, freewheeling

Through an endless diamond sky

This is probably one of my favorite bits of the song. Jasmine’s delight and awe at getting to see all of Agrabah, finally, is wonderful. All she ever really wanted was to get out of the palace and find someone she loved, and she’s accomplished both in one fell swoop.

I’m like a shooting star, I’ve come so far

I can’t go back to where I used to be

After all that she’s seen, and all she’s experienced with Aladdin, she can’t go back to the sheltered girl she was before. And honestly, she doesn’t want to.

Every turn a surprise,

Every moment red letter;

I’ll chase them anywhere,

There’s time to spare;

Let me share this whole new world with you

(Small note: I actually had a great debate about whether the second line was “red letter”/”gets better” with Mic earlier; it was fun.)

Anyway, basically, these two crazy kids are enjoying their whole new world, filled with adventure and excitement. They want to enjoy the moment (“there’s time to spare”) and share the new world they’ve discovered.

A whole new world (A whole new world)

That’s where we’ll be (that’s where we’ll be)

A thrilling chase, a wondrous place

For you and me

Jasmine’s found the adventure she wants, Aladdin’s found the respect he wants, and they’re both pretty happy with this whole new world they’ve uncovered. We even get some hand-holding and fireworks – that’s basically official couple status right there. 😉

 

Far Longer Than Forever – The Swan Princess (Mic)

The love song in The Swan Princess is interesting since it happens when the lovers are apart. This song is a way to connect them, to bridge the gap.

I close my eyes and I am where you are

And with your love I’ll never be alone

It’s also a very flowery song, comparing their love to the sun and how meant to be they are. Funny, considering they’ve been paired together their whole lives with the expectation they’ll marry, and Odette and Derek have rebelled against that notion their entire lives.

swan princess gross odetteswan princess derek kissing hand

“This is My Idea” is a montage of their adolescence full of scowling and pranking and “ughhh, dad, I don’t want to go see Derekkkk,” and then this is NOT my idea turns into this is my idea.

As sure as the dawn brings the sunrise

We’ve an unshakable bond

Destined to last for a lifetime and beyond

Look, I adore this song. I do, truly. It’s just that Odette rejects Derek when he wants to marry her because of her beauty and that’s not enough for her. Odette knows that’s not what love is. She leaves him, so they haven’t seen each other since, nor did they part on good terms.

swan princess is beauty all that matters to you

The rational part of me could buy a love song a little more understated that did not declare their love “as constant as a star,” since after all this had happened with zero follow up.

However, they have known each other since childhood, which is longer than most animated couples. Maybe a part of Odette knew Derek didn’t just love her pretty face—he was just too dumb to put words together—and she jumped on his idiocy to turn him down because she was afraid. Her change of heart is never addressed once he saves her. And neither is the deepening of Derek’s feelings.

But that’s the rational side of me. The fangirl part that adores this movie and thinks Odette is the prettiest thing and Derek is cute and “You should write a book: How to Offend Women in Five Syllables or Less,” is one of the best lines ever, loves this this song. The flowery language, the longing, the not feeling alone BECAUSE LOVE. I can’t get enough of it.

I also love how Odette wants to save herself.

 If I could break this spell

I’d run to him today

And somehow I know he’s on his way to me

Odette tried to escape. She had a big song about it with her puffin, turtle, and frog friends. It just didn’t work. And later, she is the one that finds Derek and leads him to her (since boy is clueless, okay?), but she can’t break the spell. But she takes solace in knowing her partner is trying to save her. Tis one less thing to worry about.

So, yes, is Far Longer Than Forever a tad over the top? Is it cheesy? Is it everything movies tell us about love? Yes, yes, and yes. Do I care? No, no, no.

 

I See the Light – Tangled (Mel)

tangled the lights

“I See the Light” has a gorgeous montage involving the lights. It’s a great song, because it’s not only a love song, but it’s also about realizing your dreams – and discovering new ones. One of the best parts of Tangled to me is its message  about dreams. When you achieve your dreams, you discover new ones. And sometimes, what you’ve dreamed of isn’t always what you expected it to be. Your dreams change and grow along with you, which we see very clearly in Rapunzel and Eugene’s lyrics. Let’s start with Rapunzel:

All these days, watching from the windows

All these years, outside looking in

All that time, never even knowing

Just how blind I’ve been

Rapunzel’s first verse actually has a dual-sided meaning. The obvious one is that Rapunzel is sheltered and she’s never really known much about the world outside her walls. Much like Quasimodo, Rapunzel’s grown up naïve and scared of venturing outside her comfort zone. But once she does, she realizes how blind she’s been – and how much the world has to offer her. The second, less obvious meaning, relates to her feelings for Eugene. She’s been blind to how she feels about him, until now anyway.

Now I’m here, blinking in the starlight

Now I’m here, suddenly I see

Standing here, it’s oh so clear

I’m where I’m meant to be

Here’s our triumphant “I got what I wanted” moment. Rapunzel wanted to see the lights, and now she understands that this is where she’s meant to be. She was meant to see them, and she feels accomplished. Again, since this is a love song, we can also tie that back to Eugene: she was meant to be here – with him.

tangled rapunzel lights

I’m going to come back to Rapunzel’s want/dream soon, but first I’m going to change stride and focus on Eugene’s verses. We’ll come back to the pretty chorus later.

All those days, chasing down a daydream

All those years, living in a blur

All that time, never truly seeing

Things the way they were

Remember what I said earlier, about how what you dream of isn’t really what you expect it to be? That applies perfectly to Eugene. He’s realizing now that his dream isn’t really all that it was cracked up to be. Just like he’s opened up Rapunzel’s perspective and shown her the truth about the world outside the walls of her tower, she’s opened him up to a world he never really imagined – and the love he never thought he wanted. In the interlude before his verse begins, Rapunzel offers him the bag with the crown in it, and while the Eugene at the start of the story would’ve snatched that right up, he doesn’t even bother looking inside. He doesn’t care about that anymore, because he’s realized there’s more to life than the life he had before, all thanks to Rapunzel.

tangled light 1tangled light 3

tangled light 2

Now she’s here, shining in the starlight

Now she’s here, and suddenly I know

If she’s here, it’s crystal clear

I’m where I’m meant to go

While his old dream isn’t really working out for him, he’s found a new dream in Rapunzel. She’s his guiding light, and he knows that she has led him to the path he needs to be on. Unlike Rapunzel’s “I’m where I’m meant to be,” which signifies the completion of her dream, Eugene’s “I’m where I’m meant to go” signifies the start of a brand new dream.

tangled rapunzel eugene lights

Now, let’s go back to that chorus:

And at last I see the light, and it’s like a fog has lifted

And at last I see the light, and it’s like the sky is new

And it’s warm and real and right,

And the world has somehow shifted

All at once, everything looks different

Now that I see you

tangled now that i see you

This is important: the chorus pops up twice.

The first time, it’s sung by solely Rapunzel, after her verses end. The “now that I see you” occurs just as she turns and sees Eugene. Now, why is that important? Well, Rapunzel’s completed her dream to see the lights. And now, she’s realizing she has a new dream: Eugene. Now that she sees him, it’s clear that she wants him, and that she’s realized the depth of her feelings for him.

The second time, it’s a true duet. The inner monologues end, and Rapunzel and Eugene come together to sing their feelings out like a true Disney couple. It shows that they’re not afraid to express how they feel about one another, and also that they’re on the same page about their feelings.

The chorus is all about what it’s like to gain perspective. “A fog has lifted.” “The sky is new.” These are lines that relate to that moment when everything becomes clear, and suddenly you realize what’s most important to you. For our protagonists, that’s them realizing their feelings for one another, and how important they are to each other. Now, everything is different. They’ve shed their past dreams and started a brand new dream, together.

 

So This Is Love – Cinderella (Mel)

cinderella and prince

I am such a sap about Cinderella, so prepare for lots of gushing about this song.

So This Is Love is Cinderella and Prince Charming’s love song, and it’s pretty adorable. It’s an interesting case where there’s a duet, but neither part is actually singing out loud. Instead, it’s internal monologue about how they feel about finding love.

So this is love -humming-

So this is love

So this is what makes life divine

It’s important to focus on the visuals here. We get to see a close up of Cinderella and the Prince’s radiant grins, and the way they stare at each other in awe as they dance. It’s easy to see how enthralled Cinderella is with the Prince, and vice versa. For Cinderella, who’s grown up without much love after her father’s death, finding love with someone like the Prince certainly “makes life divine.”

cinderella and her princey dancing

I’m all aglow -humming-

And now I know (and now I know)

The key to all heaven is mine

“The key to all heaven is mine” relates to their feelings for one another: meeting one another has unlocked all kinds of happiness that neither of them even knew existed. There’s a Katy Perry somewhere that says “they say you know when you know,” and Cinderella and Prince Charming certainly seem to know that this is love, and this is the love they need to find eternal happiness with one another.

My heart has wings -humming again-

And I can fly

I’ll touch every star in the sky

This part is really beautiful to me, because the wings and flying metaphor ties in so well for Cinderella, who’s always been grounded by the cruelty her stepfamily shows toward her. She always had the faith that she would get out of her situation and the determination to never give up on her dreams, but now she’s found someone who makes her heart soar, and gives her more hope than she had before. With the Prince, she sees a new route opening, and he could be exactly what she needs to get out of her grim living situation.

So this is the miracle that I’ve been dreaming of

So this is love

cinderella otp

We know that Cinderella’s been dreaming of miracles, but this also brings up the interesting point that the Prince has been looking for a wife, so he’s probably been dreaming that he’ll find someone that he loves deeply and wants to spend the rest of his life with. And while Cinderella’s found an escape in love, he’s found a future in his love for her as well. Ah, young love.

 

Once Upon a Dream – Sleeping Beauty (Mic)

sleeping beauty dance

This is a song that has about five lyrics repeated over and over again. It’s a very dreamy (get it?) perception of love and has touches of pre-destination in it. Like, they “met” in a dream, okay? There’s no depth to this song or this interpretation of love.

Mel would like to  add that the pre-destination feeling could be because they’ve met before, and can be why they’re so familiar to each other. Their original meeting feels like it happened once upon a dream.

I think, more so, this song speaks to us about Aurora and how alone she feels. Her only friends are some woodland creatures and she’s been raised by three fairies in the middle of nowhere.

sleeping beauty playing prince

We don’t really know what her relationship with them is like, but it doesn’t seem like the fairies are very adept at parenting since they still can’t do anything without magic after sixteen years.

sleeping beautiy cake candles life copy

So Aurora wants love and that makes sense.

Yet I know it’s true that visions are seldom all they seem

But if I know you, I know what you’ll do

You’ll love me at once, the way you did once upon a dream

I think this first line definitely shows us that she’s been let down in love (the fairies?) before. Or she’s heard stories. But this also goes back the fairy tale aspect of most Disney films. True Love, Happily Ever After, etc. Lots of people don’t believe in those, or think it’s cheesy. People get hurt, a lot of times it doesn’t work out. But this song is basically telling you not to be a cynic. Sure, things don’t work out, dreams don’t always come true, but this time…

Or it’s a song about a guy and a girl meeting in woods and admiring the gleam in each other’s eyes. I don’t know.

 

Learn to Do It (Waltz Reprise) – Anastasia (Mel)

anastasia dance

Anastasia’s love song is interesting, because not only is it a reprise, but it’s not sung from the perspective of either of the couple. In fact, it’s from the matchmaker’s perspective, as he realizes that he’s inadvertedly pushed Dimitri and Anastasia together in the midst of their scheme.

anastasia dimitri vlad

It’s one, two, three,

And suddenly, I see it at a glance

She’s radiant, and confident,

And born to take this chance

Here, Vladimir admires his handiwork; watching Anastasia dance proves to him that he made the right choice, choosing her for his con. By bringing out her confidence and teaching her about Anastasia’s life, he and Dimitri have gotten her ready for this. She’s “born to take this chance” – which fits in more ways than one, considering Anya actually is the lost Anastasia.

anastasia

The “it” Vladimir refers to could also refer to the romance between Dimitri and Anya, which he gets into here:

I taught her well, I planned it all,

I just forgot… romance

Vladimir may have planned out everything, but he forgot to plan for the unexpected. He didn’t realize that despite Dimitri and Anya’s initial distaste for each other, they might end up falling in love. And here’s where he’s bittersweet about the whole thing.

anastasia shock copy

Obviously, he wants Dimitri to be happy, considering how close they are, but the emotional attachment might cause issues for them, and he doesn’t want his best friend to get hurt. At this point, he’s also grown fond of Anya, so he’s worried about them both. He scolds himself, saying:

Vlad, how could you do this?

How will we get through this?

I should have never let them dance

But unfortunately for Vladimir, it’s a little too late to sulk about it, so he’s just going to have to deal with the fact that Dimitri and Anya are falling for one another. (And lucky for him, and them, it ends up working out in the end.)

anastasia kiss

One interesting thing I noticed when I watched this scene was the way that Dimitri and Anya move in perfect harmony when they waltz. It shows their connection, and how normally stubborn Anya lets Dimitri take the lead, trusting him not to screw things up. I thought that was a nice touch to foreshadow this romance, and how opening up to one another and trusting each other is ultimately what strengthens a relationship. You can’t have a relationship without trust, after all.

 

Love – Robin Hood (Mic)

Love is a super short song in Robin Hood. The singer has this very dreamy quality to her voice that emphasizes this idea that love changes you, everything happens in a bubble:

Once we watched a lazy world go by

Now the days seem to fly

robin hood hug

While this song talks about love surpassing death and going on forever and being more precious than life, it also personifies love. That really threw me off.

Love

It seems like only yesterday

You were just a child at play

Now you’re all grown up inside of me

robin hood ring so cute

At first I was like, “Umm… okay weird.” But the more I thought about it, the more sense it made. Yes, we all have the capacity to love as children. Love has always been… inside us… but it’s not until we grow up that we learn how to really love another person romantically. We start out loving our family and ourselves–and most of the time we have to learn how to love ourselves, too. Sadly, it’s not innate. As we make friends, we learn how to love them and be good friends in return. In the same fashion, we also stumble around in the dark when it comes to romantic love.

robin hood love

Love matures as we mature. I think that’s a great message to send.

 

If I Never Knew You – Pocahontas (Mel)

If I Never Knew You is interesting because it was originally a deleted scene that they cut from the theatrical release due to it making the film drag a bit. Fun fact: they did add it back in on the 10th year anniversary when it was rereleased on DVD. It’s also that song in the credits of Pocahontas, so you’ve likely heard it before if you’ve see the movie all the way through.

lion gross sobbing reaction

Anyway, this scene is really sweet, and builds off the dialogue Pocahontas and John Smith share, when she visits him the night before her father is going to execute him. She tells him that she thinks it would be better if they’d never met, and he tells her: “I would rather die tomorrow than live a hundred years without knowing you.”

One of the most important things about this song is the fact that it makes a really excellent point. Who would John Smith be if he’d never met Pocahontas?

pocahontas you think the only people who are people

There are two really great sets of lines where he muses about this:

If I never knew you, if I never felt this love

I would have no inkling of how precious life can be

(AND)

If I never knew you, I’d be safe but half as real

Without Pocahontas, John Smith wouldn’t be the man that he is now. At this point, he’s come a long way from the man who thinks of the New World as “a land I can claim, a land I can tame.”

pocahontas with stick

Pocahontas’ influence has shown him a whole new perspective. Without her to push him and challenge his views, he may have never gained that perspective.

(That sound you hear is Mic sobbing uncontrollably.)

I really, really love that second line in there: “I’d be safe but half as real.” There’s a saying that you’ve probably heard: ignorance is bliss. If John Smith had never met Pocahontas, he would be safe, since he probably wouldn’t even be in this situation, about to be executed. His former beliefs would also be safe from scrutiny. But, again, he’d only be “half as real.” He gets a nice dose of reality from Pocahontas in “Colors of the Wind,” and that’s ultimately what forces him to take a look at himself and how he views the world. He values what he’s gained from knowing her, and even though he knows he would be safer not knowing her, he also wouldn’t be the man that he is now, so it wouldn’t really be worth it.

pocahontas if i never knew you 5pocahontas if i never knew you 6

In this world so full of fear,

Full of rage and lies,

I can see the truth so clear

In your eyes

I thought this was actually a really interesting stanza to include, considering that this song takes place right in between Savages Parts 1 and 2. “Savages” is all about the misconceptions both sides carry about one another, and the lies that they believe about one another. Both sides are filled with rage and fear toward each other. But Pocahontas and John Smith have moved past the misconceptions and seen the truth in one another.

I thought our love would be beautiful

Somehow we’d make the whole world bright

I never knew that fear and hate could be so strong

Here, Pocahontas is realizing that love can’t always conquer all; they never thought that their love could make things worse, and that fear and hatred could overcome everything they were working to prevent.

But still my heart is singing, we were right

But, despite the hardships, they know that they’re in the right. Because they are in love, and because they’re taken the time to understand each other’s side and learn about one another, they have a clearer view of one another and they know their truth. They just have to prove it to everyone else (which they end up doing).

There are also some really great callbacks to other songs earlier on in the movie. We get flashbacks of Colors of the Wind. That song references how they’re all connected to each other “in a circle, in a hoop that never ends,” and the two of them are intertwined throughout the song.

pocahontas if i never knew you 3

Compare that to here:

pocahontas and john smith 4

And in a callback to “Just Around the Riverbend,” Pocahontas sees herself and John Smith reflected in the water, and John Smith disappears, much like Kocoum did.

pocahontas should i marry kocoum

But this time, John Smith is the one letting go of her hand, while Pocahontas was the one who let Kocoum go. It’s symbolic of how they know that tomorrow, he will be gone, and his goodbye to her, in a way.

pocahontas farewell 1pocahontas farewell 2

Also, note the way that John Smith looks up from the darkness and turns his face to the light when he’s alone at the end of the song. Even though his situation is dark and grim, he has hope, all because he knew her.

reaction owl fangirl hearts happy

We’ll be back with more songs on Saturday! What are your favorite animated love songs? And who are your favorite animated couples? Let us know what you think in the comments.

You can follow Animated Meta on Tumblr and Twitter! I hope you guys have a lovely Tuesday!

Cheers!

M&M

The Music of: Mulan

Standard

The last time I talked about Mulan, it was in the context of my People of Color in Animation meta. Today I went to delve into Mulan a bit more and shift the focus to its amazing music. The music of Mulan exemplifies the gender roles and key conflicts of the film. And it’s freaking awesome, okay? I know every lyric.

Honor to us All

This song is so disturbing, I can’t even. Okay, so this is the film’s big opening number and the gender roles are out of control. We all know how this sequence goes, Mulan shows up late and there’s an amusing make-over scene and she gets a cricket and then the women parade to the matchmaker and all hell breaks loose.

The second verse of this song is where I want to start:

We’ll have you washed and dried
Primped and polished
till you glow with pride
Trust me recipe for instant bride
You’ll bring honor to us all

Lets start with what is supposed to give women pride: their looks. As the sequence shows us, Mulan’s face is powdered, her lips painted red, her waist squeezed and that’s really all she’s there for. But more so, she should not feel proud of her looks to boost her self-confidence, but rather so she can snatch up a man and become a wife. Instant bride is what’s promised to the prettiest woman. She’s nothing more than a pretty trophy for the man.

Boys will gladly go to war for you
With good fortune
And a great hairdo
You’ll bring honor to us all

These lines continue to put the emphasis on the physical. Boys will only go to war for you if you make them weak in the knees with your pretty physique. Never mind having ideas and opinions or a kind heart. None of those are valuable.

However, I do love that the writing in that verse kind of foreshadows A Girl Worth Fighting For and the even more pressing gender roles there, but that is songs away, so back to Honor.

So much is placed on the woman to be beautiful and bring honor to her family. The fate of the family rests on her shoulders and at first glance it doesn’t seem like she’s being asked to do anything strenuous or hard. But so much pressure is heaped upon women to look a certain way and meet man-made standards. The phrase “Beauty is pain?” Um, yeah, it is.

Next, the song fleshes out that there is a bit more than beauty to go along with striking a good match:

Men want girls with good taste
Calm
Obedient
Who work fast-paced
With good breeding
And a tiny waist
You’ll bring honor to us all

“Tiny waist” ties right back into beauty and is so damaging to a girl’s sense of worth and esteem, but we get the words calm, obedient, good work ethic, and breeding. Lets break each of those down.

Reading between the lines, calm probably means a woman is not allowed to challenge her husband. She cannot have differing opinions and she definitely can’t voice them. She can’t raise her voice for any reason, she can’t be angry, she can’t be sad, she must always be calm and collected. Obedient for sure relates to her having the opinions. She must listen to her husband at all times. It’s like she has no free will. “Work fast-paced” to get all cooking, cleaning, and childcare duties done in a timely fashion. Oh, man, good breeding just gets me, though. Wrap that all up and women exist to be pretty, clean the house, cook, reproduce, and not have one original thought.

Gender roles are bad enough today and we’re already better off compared to our ancestors and even other parts of the world. But this idea, especially the pretty facet, resonates so strongly even today.

We all must serve our Emperor
Who guards us from the Huns
A man by bearing arms
A girl by bearing sons

This is just great, though. I never noticed this part as a kid. It’s sung really high and in the background of Mulan racing to join the others, so my attention was always elsewhere. Even if I had noticed, though, the gravity wouldn’t have registered for me. But man, this just makes everything so clear. Mulan has one role and it is to have a son that can go off to war and protect his country and then he needs to marry a beautiful woman who can bear more sons and the cycle goes on and on. There are gender roles for both sexes: men must be warriors and women must be reproductively fit. But that’s SUCH a double standard because reproduction is literally 50/50 and yet women were mostly the ones who got all the shit if a couple had a difficulty conceiving. This was because the science wasn’t really understood but it doesn’t change the fact that women were made scapegoats the moment the opportunity presented itself.

When we’re through
You can’t fail
Like a lotus blossom
Soft and pale
How could any fellow
Say “No Sale”
You’ll bring honor to us all

Here’s another verse I never understood as a kid. No sale. NO SALE.

Women were reduced to a commodity. Something men could buy—like they were looking for the newest car model. No one was buying cars in Mulan’s time, but that’s essentially it. You want a car that works fast paced, one that is obedient (ie the radio works, windshield wipers turn on when you turn them on), a sexy car.

And finally, finally, we hear from our heroine:

Ancestors
Hear my plea
Help me not to make a
fool of me
And to not uproot
my family tree
Keep my father standing tall

Mulan’s focus is on pleasing her family. She plays her part because she loves them and she’s so scared of disappointing/failing them. All she wants is for this day to not end horribly. Spoiler alert: it does.

Scarier than the undertaker
We are meeting our matchmaker
Destiny
Guard our girls
And our future
as it fast unfurls
Please look kindly on
these cultured pearls
Each a perfect porcelain doll

As we reach the end of the song, Honor to Us All finally uses the word it has artfully avoided until now: doll.

Ibsen’s play “A Doll’s House” is all about a woman trapped in a marriage that adheres to strict gender roles. She is treated like a doll and their home is her her husband’s doll house where he gets to manipulate every scenario. Mulan and all women of this time were treated no better than dolls. They were expected to have no minds and be pretty accessories that bore children and nothing else. But this is not the story we watch. Instead, Mulan bucks against these gender roles. She has nothing against marriage and neither do I or Disney. What Disney seeks to show us how wrong GENDER ROLES are. This is not about marriage. Marriage is fantastic when done out of love and by two willing parties. But Honor to Us All is not about a woman meeting her soul mate. It is about her conforming to a patriarchy and submitting. Mulan does not submit.

Reflection

This song is so amazing and totally flies in the face of Honor and all its harsh gender roles. This song is Mulan’s response, Mulan’s inner conflict. She is torn between what everyone expects her to be and who she is and who she wants to be.

I will never pass for a perfect bride, or a perfect daughter.
Can it be,
I’m not meant to play this part?

Part. Gender role. She knows she doesn’t get a choice in what she does with the rest of her life, but she doesn’t know if she’ll be able to do it. She is a daughter and she’s supposed to become a bride and Mulan feels like she’s already failing one and she’ll most probably fail the next one.

Now I see, that if I were truly to be myself, I would break my family’s heart.
Who is that girl I see, staring straight, back at me?
Why is my reflection someone I don’t know?

She’s so disappointed in herself. All she wanted was to please her family, even if it meant not being true to herself, and she failed. This song is for anyone that as ever felt alone and like they could not be their true selves.

Somehow I cannot hide, who I am, though I’ve tried.
When will my reflection show, who I am inside?

This song is beautiful. It is an anthem against gender roles, about looking in the mirror and seeing yourself and being happy. It is Mulan’s I Want song because she wants to make her family proud, she doesn’t know how. She wants to be herself, she just doesn’t know how. This is Mulan’s quest, her character arc, and it comes full circle (a really great message by Disney, really, to fight for your right to be yourself).

I’ll Make a Man Out of You

The epic training montage! Obligatory, really. But, okay, here we go!

Did they send me daughters
When I asked for sons?

Right away, it values men over women. Worse, it uses “daughters” as an insult. It’s akin to saying, “Crying like a girl,” “Running like a girl,” and all the other phrases that make being a girl an insult.

But you can bet
Before we’re through
Mister, I’ll make a man
out of you

That implies that already physically men are not, in fact, real men. And that baffles me so much. It’s still a thing we say today: Be a man, grow some balls, man up, don’t be a pussy, etc. Let me tell you something world, if you have a penis, you are already a man. This, of course, does not go for people with male body parts that do not identify as male. But for people that have a penis and identify as male, they don’t need to BE a man, because they ARE men.

I’m never gonna catch
my breath
Say goodbye to those
who knew me
Boy, was I a fool in school
for cutting gym

I really liked how we saw guys struggling with the training, too, and not just Mulan. It really shows that they’re not training to be MEN, they’re training to be SOLDIERS—something not inherently masculine, though it is treated that way.

(To Be a man)
We must be swift as
the coursing river
(Be a man)
With all the force
of a great typhoon
( To Be a man)
With all the strength
of a raging fire
Mysterious as the
dark side of the moon

Just like we saw what makes a good wife, we also see what makes a man. I like that we get both sides of the gender roles. Most of them all relate to how to be a good fighter: fast, strong, more strength, and someone mysterious. Looking at the war aspect of Mulan, it could mean someone that can be stealthy and covert, maybe even go behind enemy lines if need be. But you could also look at it in the context of “being a man” (whatever that means) and how men are typically encouraged to keep their emotions bottled up.

The lyrics kind of repeat here, once Mulan gets sent home but then stays and triumphs. Once again, a song deeply rooted in gender roles, something Mulan excels so well at portraying.

A Girl Worth Fighting For

And here we have our final song.

I love that Mulan’s music has embraced the world-building aspect of the story, setting the society’s values in black and white. There is no love song because it would alter the tone of the music. If anything it could have had a Reflection reprise to show the growth achieved by the time we reach the end. Nevertheless, we journey forth.

I want her paler than the
moon with eyes that
shine like stars
My girl will marvel at
my strength, adore my
battle scars
I couldn’t care less what she’ll
wear or what she looks like
It all depends on what
she cooks like
Beef, pork, chicken

So: beauty, obedient, and work fast-paced. Three different guys with three different wants. When Mulan suggests an intelligent woman, the guys scoff. These are the three male characters we’re supposed to like, Mulan’s friends! And they’re just as ignorant. Everyone in Mulan is flawed and it’s great. We all know, of course, that they help her in the end, before even her lover boy Shang does. But right now they too fall prey to the harsh restrictions of their culture.

But even the title has interesting implications because it defines who is WORTH fighting for. Not every life apparently matters. Not every girl is worth fantasizing about:

Our aching feet aren’t
easy to ignore
Hey, think of instead
A girl worth fighting for

&

You can guess what we
have missed the most
Since we went off to war
What do we want?
A girl worth fighting for

And that girl is, of course, one who is pretty, etc, etc.

But when we come home
in victory they’ll line up
at the door
What do we want?
A girl worth fighting for

This final stanza plays to both gender roles. Men must be macho and warriors because it is the only way a woman will want him. And women, well, women are supposed to just want men. Their whole lives revolve around marriage. She is there to please the man. She needs to be WORTH the man’s attention by powdering her face and watching her weight and keeping her lips shut.

Conclusion

I never actually realized the weight the songs in Mulan carry. Breaking them down and examining the lyrics was really an eye opening experience for me. Mulan was a brave film that had A LOT of barriers to tackle. What we got, of course, was an amazing film. This is straying away from the music, but I love how Mulan didn’t want to bend to her gender role, but then had to completely reject her femininity to masquerade as a boy and in the end, saves China as a woman. She uses her brains and a fan, the first something a woman was not encouraged to use, and second, a fan, something more traditionally associated with women. Mulan celebrates feminism and being one’s true self. It rejects gender roles. The music of Mulan is a vital piece of the film.

Have a Happy Sunday, guys! Sorry this one’s up late a day late. You can follow Animated Meta on Tumblr and Twitter.

Cheers!

M&M