Category Archives: aladdin

Songs for Dad: Animation Style

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Tomorrow is Father’s Day so have a Dad Themed meta! What better way to express your love for Dad than with music? There are two Disney songs and one non-Disney song that are Dad centered. Let’s dive in!

Father and Son

In the third Aladdin movie, Aladdin finally met his long lost father. They have a strained relationship on account of Cassim being absent (and the fact that he’s The King of Thieves—minor detail). In this song, Genie tries to help them make some positive progress in their relationship.

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And boy do they need it…

This song is different than the ones we’re gonna talk about because it’s not the kid and parent singing. Instead it is someone else commenting on a father/son relationship.

It’s a big bright beautiful future

Thank you your lucky stars, you’re alive

You’ve got someone special to talk to

A friend that you can trust for life

I love the optimism here, the notion that any relationship can be fixed or mended. Sometimes families become estranged and there’s bad blood there forever, which is just really sad. But Genie is here to tell you that as long as you’re both alive, there’s always a chance things can get better.

The second line also literally relates to Aladdin and Cassim, since Aladdin did think his dad was dead for basically his whole life. Shame on Disney for killing family so often or keeping them alive and separating them.

Next, “special someone to talk to” is a really sweet line. Usually moms are the parent you’re supposed to turn to with your problems because women are more interested in sharing their feelings, but here, dads are friends and trustworthy and they’ll have your back forever. This is similar with the idea that no one will ever love you as much as your family.

You’ve been on your own with no family ties

But those solo days are done

You’ll be two of a kind

Spending quality time

Together as father and son

Again, this stanza starts with referencing the estrangement and this becomes more pronounced as the song goes on. Aladdin and Cassim have both been separated, alone, and while their reconciliation will make them two of a kind since they’ll be together, they already are. They’re both thieves (or, Aladdin was) and they’ve both been alone. They already have things in common. Once they spend some time together, they’ll be able to see how similar they are and become two peas in a pod, basically.

aladdin king cassim

Building model ships

Taking fishing trips

Working hand in hand

Painting the palace and moving the sand

First ten to go, with your daddy-o

Once you break the ice

You can postulate paternal advice

Here is a list of typical “Dad Things.” Building things, fishing, the visuals also show them playing football together. But then we’re back to the estrangement (“break the ice”) and that good can come out of it if they just work through it.

It’s a fine fantobulous future

I see fruit on the family tree

You’ll be great as the grumpy old grand-pa

Bouncing babies on your knee

You can fall asleep on the comfy couch

After playing one on one

Dreaming back to back

That you walloped the Shaq

Together as father and son

There’s a bunch going on here. The Shaq reference at the end again ties back to sports and things Aladdin and his dad can do together. But I like this idea of family continuing to expand and that one day, Aladdin and Jasmine will have kids so not only is Cassim gaining his son, he’s also gaining grandkids and a daughter-in-law and father-in-law. Cassim may have missed all of this with his son, but he gets to watch his son do what he couldn’t and be supportive and have a relationship with him now. Plus he gets to meet his adorable grandkids and love them. Estranged family members miss out on those big moments in life when they let things get in the way. The genie does not want that for Aladdin and Cassim.

Maybe a bumpy ride

We’ll make it side by side

Good afternoon, I’ll be your travel guide

Move over, laddie,

Make room for Daddy

Gotta whole new shoulder to cry on

“Bumpy ride” takes us back to the fact that this isn’t gonna happen overnight. There’s probably a lot of anger, resentment, and sadness to work through. All relationships take time. They’re messy. They’re hard and painful. But the benefits, like gaining someone to build model ships with. 😉

We talked about earlier how a father here gets to be someone you can talk to and in this stanza we also see he’s a shoulder you can cry on. That’s really nice, especially to tell boys. Our society conditions boys not to cry, which is really damaging. This song includes all the masculine things like sports and fishing and also says you can talk and you can cry and that’s perfectly normal. Props to you, Disney. You did something good.

Take a chance now give it a spin

You’ve had chums for palin’ around with

But you’ve never had a friend like him

Put your checkered past behind you now

No more living on the run

Face the big bright beautiful future

Together as father and son

We’ve reached the end! So let’s just start with the callback to movie one, Friend Like Me. The song purposefully classifies family and friends differently. We like to say friends are the family you choose for yourself, or friends feel like family, but there’s also the saying blood is thicker than water. And since this is a song about how awesome a relationship with your dad is, of course, they’re going with the latter.

aladdin king end

We end right back where we started, with the future and all the possibilities that lie ahead. The estrangement and isolation doesn’t need to be permanent. They just need to make the choice.

On My Father’s Wings

Our next song selection is from Quest for Camelot. This one is different from above since Kayley sings this just after her father has died. What you need to know is: Kayley adored her father. Her dad = who she wanted to be. So now her hero has literally died/been murdered. This is where Kayley affirms her mission to live up to the man her father was, to be like him, to remember him.

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This song is very straightforward. The visuals are really what matters. Kayley goes back to the beach she used to visit her with dad. She draws the symbol of the knights, the three intertwined rings, and actually has a flashback to when they would play together.

camelot father's wings camelot father's wings2

Quest for Camelot is all about Kayley wanting to be a knight, but being told she can’t because she’s a girl. Her father was the only person that believed she could be a knight and when she loses him, she doesn’t know how to escape society’s expectations, but knows she still wants to.

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And I will fly on my father’s wings

To places I have never been

There is so much I’ve never seen

And I can feel his heart beat still

And I will do great things

On my father’s wings

This world I’ll never see

My dreams that just won’t be

This horse’s stride, with one day’s ride

Will have covered more distance than me

Kayley still feels her father with her, which is a beautiful message about the people we love never leaving us.

Someday, with his spirit to guide me

And his memory beside me

I will be free

To fly on my father’s wings

To places I have never been

Kayley is trapped tending a farm, what she’s supposed to do. So she turns it into an adventure, using the pitchfork as pole vault, a jousting stick, and finally hitting the bulls eye with it. She uses a spoon and bucket cover as a sword and shield.

camelot father's wing

Kayley’s inspiration to be a knight stems from her father. If he wasn’t her father, she seriously would not be the person we see on film.

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This tells us that dads matter so much to the development of a child. Even Aladdin was affected by not having a father since earlier in the film he tells Jasmine that he feels like he comes from nowhere, like he just appeared out of thin air. Even in movie one he hated being referred to as a street rat, like he was worthless. He didn’t have a father in his life to take care of him or build up his self-esteem like Kayley did.

Nobody Else But You

Do you remember this Goofy Movie tune? I did not. (Props to Mel for reminding me!)

Before the song starts, Max and Goofy are mid-fight and they are really going at it. Max resent being treated like a kid, but to Goofy, Max is his kid. Goofy’s just trying to figure out what his role is now that Max is growing up and doesn’t want him around as much. Cue the sad feels.

goofy movie fight

But then the song starts and all the happy feels! They totally make peace and love each other to bits.

Max

There are times you drive me, shall we say, bananas

And your mind is missing, no offense, a screw

Still, whatever mess I land in

Who is always understandin’?

Nobody else but you

Goofy

Oh, your moodiness is now and then, bewilderin’

And your values may be, so to speak, askew

I love how it’s Max that makes the effort to go first and it takes him a few tries to get it going. Goofy and Max both have their differences, but none of that really matters in the long run. Family and dads in particular, are there for you when you mess up. Say you impersonate a pop star to get the girl and then tell her you know that pop star and will be on stage at his concert and give her a shout out and then have to highjack your father/son bonding trip to make it happen.

Goofy, for his part, is just dealing with what all parents do: that shift that happens when kids become teenagers. Parents have a hard game to play because they need to give their kids space to learn on their own, figure out who they are, and let them make their own choices. Teenage years are that inbetween phase and it’s hard for everyone involved.

goofy movie always my son

Nobody else but you

It’s just our luck

We’re stuck together

Nobody else but you

Is crazy enough to believe we’ll come through

Parents pretty much always have your back. Even when it doesn’t seem like it, sometimes my mom flat out has to tell me, “I’m always on your side.” We don’t get to pick our parents and parents do not get to pick their kid. It really is luck, pretty much, that got us here. That’s what family is. There are hard times and confusing times and sad times, but family are the people you’re always supposed to have in your corner. They’re automatically there for you.

Max

So your jokes are all, let’s face it, pre-historic 

Goofy

And your music sounds like monkeys in a zoo

Both

But when life becomes distressin’

Who’ll I be S.O.S’in? 

See, your automatic. They’re who you call when shit goes to hell. No matter what your differences, big or small, material or moral, you’re stuck with them so suck it up. No, kidding. But it’s nice. Sadly, not everyone does have their automatic. But adoptive parents and siblings and grandparents and aunts and uncles and even good friends can be that automatic, too. Because really, it was luck you got them, too.

goofy movie hug

Both

Hard times we’ve had a few

Goofy

Like we’re thrown in the drink

Max

Like we’re tossed outta town

Both

But when I start to sink, than I’d rather go down

With nobody else but Y-O-U!

The visuals here have them actually sinking since they get sucked in a whirlpool, which is a silly animation touch. This ending section is pretty much everything I’ve been saying. Like Aladdin and Cassim and their hard times, Goofy and Max have had something more akin to ‘normal problems’ but if all you have are ‘normal problems’ then well… they feel like big problems. But both pairs of fathers and sons were able to work it out in the end. Cause, family.

goofy movie dancing bigfoot

Conclusion

In what was probably the cheesiest meta in AM history…

No, but seriously. Okay all these songs are nice and all, but why are they all between fathers and sons? There are way more daughter/dad duos in animation. Especially in Disney with their KILL THE MOM fetish. That leaves so many princesses with fathers (Snow White, Ariel, Belle, Jasmine, & Pocahontas) (Aurora, Hercules, Mulan all had moms also, but their dads arguably played a much larger role in their stories.) The Lion King was also largely about Mufasa and Simba, while Sarabi had a very minor role. If you go the Pixar route, look at The Incredibles which yes, featured a family, but the dad had the biggest storyline.

Turn to Dreamworks and The Croods is about a family, but again largely revolves around the father character. Even in the Shrek franchise we meet Fiona’s dad and Shrek 2 is largely about Shrek and Fiona’s dad finding common ground. How to Train Your Dragon finds Hiccup without a mother, though this is rectified in part two (so amazing), but the dad so far has played a much larger role in the story. Maybe this will be different in movie 3 (if we get one/are we getting one?).

From other studios, we have Despicable Me, which focuses on a foster/adoptive father. Could Gru have been a woman? In The Swan Princess, Odette’s mother dies in the very beginning and though her father dies a bit later into the film, she was still raised by him and seemingly close. Look at how many more father figures feature prominently in animated movies. Anastasia is mostly about Anya and her grandma, but in the beginning, before it all goes to shit, Anya dances with her father and then imagines dancing with him again in Once Upon a December.

While I am unhappy with the lack of mom-rep, the amount of dad-rep is overwhelming. So why few songs about dad and family? Why does romance get all the best songs?

However, for the songs we do get, they’re all positive. It’s good. All is happy in animated-dad land. Unless you’re Kayley’s dad.

Happy Father’s Day.

Who is your fave animated dad?

Follow AM on Twitter and Tumblr.

Cheers,

M&M

Fear and Love at First Sight: An Examination of Disney Princesses and Their Princes

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Ariel and Eric are probably my Disney OTP (besides Esmeralda/Phoebus and Jane/Tarzan and Jasmine/Aladdin and Pocahontas/John Smith *cough*). I, and I’m sure many of you, have wanted to meet our Prince Charming with a perfect Love at First Sight moment we frequently associate with Disney. But I took a closer look at all the Princess/Prince meetings and um… well… I noticed a lot of trends that don’t really sit well with me. Let’s explore!

Pre-Renaissance Films
The Pre-Renaissance princess movies are Snow White, Cinderella, and Sleeping Beauty. All three meetings are a very typical ‘love at first sight’  storybook scene. However, in the case of Snow White and Aurora, their prince appears out of nowhere, drawn by their voice and startling them. Snow White actually runs into her castle because she’s so scared, while Aurora pulls away. The meeting in Cinderella is less creepy since it happens at a party, where one would expect to meet new people.

Though Cinderella isn’t singing like the other two princesses are when they meet their princes, music is still an important element in their meeting. Cinderella is the first film where dancing is introduced as both an important storytelling and romantic element.

cinderella and her princey dancing

There is also a song, and though it is sung with the impression it is Cinderella and her prince, they’re not actually singing in the scene. Instead, their meeting has a narrator of sorts, the Duke. In contrast, Snow White and Aurora are both singing alone and then have a duet with the prince (Snow White’s doesn’t last very long though, since she runs off when the prince startles her).

Snow White and Sleeping Beauty have many elements of their meetings in common. Firstly, both princes are on horseback. Animals are involved in both, with Aurora dancing with her owl friend and her other critters watching. In Snow White, Snow is singing to the doves. While Cinderella has mice friends and they did take her to the ball, they’re not present in this scene.

The settings for all three meetings are also similar. Snow White and Cinderella both happen in a castle and while Sleeping Beauty happens in the woods, they both stare at the castle in the distance afterwards.

sleeping beauty cuddling

The audience knows that castle is Aurora’s home, where she should be. Where Philip will have to battle his way to her and free her from Maleficent so they can be reunited. Cinderella meets the prince in his castle, where she ultimately belongs because she’s so good. It’s her escape from her stepmother. And while Snow White runs from the prince into the castle, at the end she leaves with him.

Setting is a theme we’re going to see repeated as well as some other points I made above.

To recap the pre-Renaissance Love at First Sight moments: running away, music, instant attraction, and castles.

star wars uhh reaction

Renaissance Films
We skip ahead a bunch of years and come to The Little Mermaid. TLM is the first film where we have a sort of ‘two meetings’ thing happen (it’ll make sense as we go on).

The first difference, and my favorite, is what draws Ariel and Eric together. Where Prince Charming and Philip were drawn by the sound of a mysterious voice and that’s how they find their princess, Ariel goes to the surface simply because she wants to see the ship.

little mermaid we're out to discover Exactly, Scuttle.

Then, she notices the fireworks and her curiosity skyrockets. For the first time in Disney Princess History, neither of them were looking for/drawn to each other. However, the only piece of Ariel Eric has is her voice, thus the trend does live on. We’ll come back to this.

Music too is involved here, though neither of them is singing. Eric is playing a flute, while crewmembers dance and play instruments. Another common theme is the presence of animals: Max (Eric’s dog), and Scuttle. Scuttle also marks the first meeting where a princess has a friend present. Aurora is with her forest buddies, but they’re just passively watching everything happening. Scuttle is actively involved, talking with Ariel throughout. If only Ariel could have had another mermaid as a friend, or maybe even one of her sisters. (Princesses need friends, too!)

Ariel watches Eric, much like Philip and Charming watched Aurora and Snow. It’s love at first sight for her. However, I give her a pass because she actually sees Eric acting like a decent human being. She sees that he has the same lust for adventure she does (when Grimsby tries to tell him he needs to marry and he’s not having it), she sees that he’s humble (disgusted by the giant statue of himself), creative/artistic (the flute), AND is a total sweetheart when it comes to his dog. Please tell me who would not turn to mush at a real life Eric?

my body is ready reaction my body is ready hook reaction my body is ready copy reaction

Exactly. Boys and their dog get me every time. Philip and Charming just watched Aurora and Snow singing and talking to animals. Neither of those things seem very healthy.

But then, BOOM! Chaos. A storm! The ship EXPLODES! Ariel rescues Eric after witnessing him selflessly going back for his dog. Now she knows he’s courageous. When he wakes up on shore, Eric finally sees Ariel for the first time. She probably looked like an angel to him, with the sun hitting her the way it did and her perfect voice. Before they can talk, she’s startled by Max and Grimsby—just like the pre-Renaissance ladies running away.

little mermaid fuck mermaids reaction

The second time they meet is when Ariel has legs. They’re on the beach this time, with the castle in the distance. That is where Ariel is going to end up, visually illustrated as Eric offers her his support so she can walk with him. But the first time Ariel saw him, he was on a ship, perfectly straddling the line between their two worlds. They’re also on a beach, near the water, Ariel’s world, but firmly on land, Eric’s world. The castle visual remains in their first mutual meeting, while Ariel seeing him on a ship before is also significant.

The meeting is again facilitated by Max (animals shipping Disney couples since 1937!), who spooks Ariel onto the rock. Max is barking and unfamiliar and chasing her, so she’s rightfully a little scared.

And now here is the most important discovery I made: Every princess is scared during their so called “Love at First Sight” scenes. In Snow White a stranger pops out of nowhere and Snow literally runs away and barricades herself in her castle. This screams fear. Aurora is also scared, running and hiding behind a tree.In Cinderella, yes, it is definitely way less creepy and she does not present the same amount of fear. However, Charming approaches her from behind and she jumps when he touches her, hesitating before accepting. We can argue Cinderella is more shy and coy. If we had to pick one as the exception to the rule, I’d pick her.

cinderella and prince

Now Ariel is never fearful around Eric like Snow, Cinderella, and Aurora were. But when the ship begins to burn, she realizes there’s danger. And later, when Grimsby and Max arrive, she’s scared of them and also what would happen if they knew she was a mermaid. So far the princesses have either been scared of their suitors or there is an element of danger surrounding them. This theme is going to come up in every single movie.

this displeases me reaction

Their second meeting is kind of a twist on the “Love at First Sight” trope. Though Eric is clearly drawn to her, he’s disappointed when he thinks she’s not the girl that saved him and so he tries not to like her that way. Spoiler alert: he fails.

little mermaid prince-eric-laughing

Next we have Beauty and the Beast and I’m going to jump right into fear because um… Belle and the Beast do NOT have a love at first sight moment at all. Belle is terrified of the Beast. He’s holding her father captive, slithering around in the dark, and yelling and threatening her. He physically grabs her and throws her to the ground.

Like Ariel saving Eric during their meeting, Belle is also trying to save someone she loves: her father. A trend of heroism develops here and continues into the Renaissance era.

The setting here is also a castle and instead of animals, there are inanimate objects everywhere. Their gossip is an important aspect of the scene because they’re talking about needing Belle to save them as she’s trying to save her father. Ultimately, this castle needs her and she’s accepted in it in a way she never was in her small town. And then of course, it also becomes her home, too.

frozen me... feels reaction

This meeting is the first one when the prince isn’t immediately visible to the princess. Belle needs to tell the Beast to “come into the light.” This is something we’ll see repeated with Tangled. Also important to note, this is the first meeting with no music involved. The Beast isn’t drawn to Belle’s voice, nor is there a romantic song they sing together like in Snow White, Cinderella, or Sleeping Beauty. Perhaps this is because Belle does not fall in love this version of the Beast. She only cares for him after he changes his attitude and stops acting like such a dickwad. That is when they have their duet.

All right, let’s head to our next film: Aladdin. Like our other princesses being scared, Jasmine is about to have her HAND CUT OFF. Yes, she’s terrified. Jasmine comes from a very clinical environment where all her needs are met. No one has ever raised a hand to her and here is this giant man with a knife and she has no idea why she’s in trouble. Cue: terror.

Also cue: ALADDIN!

I mentioned this theme of heroism in the Renaissance first meetings and here’s another one: Aladdin saving Jasmine. This first meeting builds on the one in TLM where Ariel sees Eric being a decent, normal dude. In Aladdin, he sees her giving an apple to a child (just like he did with bread!), so while he is clearly drawn by her looks (“Wow.”), there is something deeper there. The scene also establishes that he and Jasmine work well together to get out of a very bad situation. She questions him initially, but plays along right away. However, Aladdin saving Jasmine reverses the mini-trend of women saving men.

Like other meetings, animals are involved (Abu). There’s also a familiar shot of Aladdin watching Jasmine similar to Philip and Charming and yes, it’s cute, but it is also is a tad creepy.

aladdin watching jasmine

There is no song involved and here is where the trend of saving that big duet moment happens. Well, it technically started in Beauty and the Beast (Something There happens later), but it continues here, thus making it a trend. While the pre-Renaissance films where all “Love at First Sight” these later films added more obstacles to their love stories, so while there was instant attraction, they didn’t immediately act on it. The importance of voice dies out in Aladdin. While singing voices led men to women (Snow White, Aurora, Ariel) or there was singing during their meeting (Cinderella, Snow White, Sleeping Beauty), that common thread is cut.

Aladdin and Jasmine meet in the marketplace. I like the symbolism here again as they’re between worlds. Like Eric was on a ship, a piece of land on water, in between, Jasmine and Aladdin are meeting in the middle, too. Jasmine has left the palace and is among common people, while Aladdin is in the “city” so to speak and later brings Jasmine to the outskirts, where he lives. And of course, they look at the palace, like Aurora and Philip. Aladdin longs to live there and with Jasmine at his side, not knowing she’s the princess, he will eventually.

aladdin

This leads to Pocahontas, where John Smith PULLS A GUN ON HER. Pocahontas is already wary (but curious) because John is a stranger and invader and now this. She doesn’t physically appear scared, she seems calm the entire time.

pocahontas in the mist

And even if she is not afraid of John Smith, neither were Ariel and Jasmine. They were scared because of what was happening around them and the element of danger. A gun pointed at you definitely qualifies as an element of danger present in a so called LOVE AT FIRST SIGHT meeting.

aladdin what

The mood changes quickly, though. After she runs off, like the pre-Renaissance princesses (and Ariel), a more traditional first meeting happens. The music and the flying leaves when their hands meet is more romantic and dreamy. That is the scene we see their attraction happen.

pocahontas holding hands

This meeting brings back a musical element since John was just singing Mine, Mine, Mine. There’s also animals present as Meeko and Flit watch. Pocahontas falls back on a lot of old tropes. However, in a move only Philip and Eric have made, John Smith asks for her name, which I am very proud of.

The setting here is the wilderness, something we haven’t seen since Sleeping Beauty. Pocahontas is not with her tribe or by Mother Willow, so she’s out on her own, kind of in her own space. And John Smith is new, so he has no place that’s familiar yet. In a way, they both meet in a strange land to signify the new world they’ll create together.

From there we move to Mulan. Like Beauty and the Beast and their decidedly not “Love at First Sight” meeting, the same applies here. And like Eric thinking the girl he met on the beach wasn’t his savior, Shang of course has no idea Mulan is about to blow his mind.

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There is a huge emphasis on names in this scene, something other meetings have lacked. Similar to how Jasmine and Ariel never feared Aladdin or Eric, Mulan isn’t afraid of Shang, but he is the authority figure and she’s clearly frazzled. However, the element of danger here is the fact that Mulan was just the target of a legit fight. The entire camp has been fighting with Mulan buried underneath them. Her meeting with Shang is also her first real test at being a man so she’s understandably nervous. Still, it fits an unnerving trend of princesses being afraid or under threat in their supposedly “Love at First Sight” moments.

Mushu is the animal present in the scene. Their setting is also out in nature, getting ready for war. I think this ties back into Mulan’s own personal story and I like that.

Modern Films
Now we hit the most recent princess films. Princess and the Frog obviously meets the animal trend since Naveen is a frog when they meet. Like TLM, though, they also have two meetings. There is a quick scene in the beginning when Naveen is playing music and trying to be charming, but Tiana is not having it. However, fear is back in their second meeting.

Tiana is startled because there’s a talking frog! And also, what was he doing on the balcony? He was just there, like the pre-Renaissance princes happened to be. In something we see continued in Tangled, Tiana physically assaults Naveen with books since she’s so scared. Naveen does apologize for scaring her, which is nice, but that’s probably because he needs her to kiss him.

Several new things continue to arise in this film. Tiana is concerned for her friend Lottie who is dancing with a fake prince Naveen. Of course, no other princess has needed to be concerned for their human friends since they never had one before (besides Pocahontas).

princess and the frog bestie hug

This is definitely not a “Love at First Sight” scene, but still, it’s the only one where they kiss as soon as they meet! Again, the plot hinges on Tiana kissing him so there’s a reason for it, but she did still kiss him. Like Ariel, Belle, and Aladdin, the thread of heroism returns since Tiana was trying to save Naveen. New and old elements combine in Princess and the Frog.

Our trip though Disney Princess History takes us to Tangled. I touched on it previously, but Rapunzel smacks Flynn with a frying pan since she’s so scared of the strange man that climbs into her room, a la Tiana. Flynn also shares some similarities with Naveen. Naveen is definitely more flirty (seriously go watch that scene over with this in mind), but Flynn tries to use his smolder.

tangled meeting

When it fails, he drops the act and just wants to get as far away from Rapunzel as possible.

Unlike any other scene, except maybe Mulan, their first meeting is more about Rapunzel proving herself to Gothel. After she hits him with the frying pan, cowers behind a mannequin, and checks him for sharp pointy teeth, she traps him in her closet to prove to Gothel she can take care of herself.

tangled pascal

In between she also tries on the tiara he stole and while it maybe seems familiar to her, it is quickly forgotten when Gothel returns. Later, after Flynn assures her he wants nothing to do with her hair, Rapunzel is confused. After all, Gothel swore her everyone would be out to get her. But like he also had normal teeth instead of terrifying ones, Flynn represents her freedom from Gothel. He guides her out of her isolation.

As discussed, like TLM there are two meetings. One where Rapunzel sees him (like Ariel watching the ship) and one where they actually talk for the first time. Tangled also draws other parallels to films like Beauty and the Beast. Rapunzel is first cloaked in darkness and steps into the light so Flynn can see her. While the Beast hid himself away because he believed himself hideous and unlovable, Rapunzel did it partly out of fear and suspicion.

As the pre-Renaissance films had an emphasis on music, a reprise of Rapunzel’s solo song follows their meeting and her subsequent leaving of the tower.

tangled now's when my life begins copy

And like the Renaissance films, their big duet comes later.

Their meeting is her tower because, as I said, Flynn represents the world and life Rapunzel can have. They leave together to see the lights.

reaction dead from the feels

Finally, this brings us to Frozen. Frozen has two meetings and while I considered if I had to include Anna meeting Hans since he’s not her true love, I rewatched the scene to see if it played with any tropes I’d already noticed or diverged from the usual meetings as a sign that Hans was not a good guy.

What I found was this:

-the Hans/Anna meeting plays out very cutesy and storybook-like (what you’d expect of a “Love at First Sight” scene)

frozen gorgeous wait what

-danger is present since she gets HIT BY A HORSE and falls onto a boat that nearly topples into a lake

-prince on horseback trope reappears (Snow White, Sleeping Beauty)

-no visible castle but Anna’s status is immediately told + mentions of the coronation

This takes us to Anna meeting Kristoff. Now, Frozen bothered me since it hated on previous Disney love stories. You’d expect then that this meeting would be very different from the others. However, Anna has the same fear as the other meetings discussed. Kristoff is covered in snow, not clearly visible like the Beast, and she backs away from him.

frozen awkward

Like Tiana, she expresses concern over her friend/sister since she has a person she can do that for! While Tiana wanted to know who Lottie was dancing with if he was with her, Anna wanted to know what Kristoff knew about Elsa.

This scene is a contrast to the perfect meeting she has with Hans. While Hans is perfect and charming, Kristoff is gruff. He doesn’t make a good first impression on her or Oaken since he gets tossed out of the store. Similarly, Mulan makes a horrid first impression as the center of a fight and unable to pick a name for herself. It’s not a traditional “Love at First Sight” scene but we’ve already seen several of those (Mulan, Beauty and the Beast, Princess and the Frog).

It even has an animal involved since Kristoff needs to buy carrots for Sven and Sven is waiting for him right outside the shop. Clearly, Frozen’s “you can’t marry someone you just met” love story doesn’t really hold up when compared to other princess meetings.

Conclusion
Wow! That was a lot of films! Okay, so the trends that carried through all were DANGER! FEAR! (which is great… not) and the presence of animals. We’ve also seen the importance of music and setting. All the eras also had their own particular features like heroism and the removal of a song while couples met. In the more recent films we saw a lot of physical humor added, even in Frozen, where Kristoff is thrown from the shop and hits his head on the sign. But the eras also weaved in and out of each other with similar aspects reappearing like women running away or light vs dark.

Some stand out meetings, I think, are Tangled, where there’s less focus on them as a couple and more focus on Rapunzel beginning to realize some of the things Gothel had told her were wrong. I also loved how Ariel saw Eric for the first time and it was a total surprise since she was just excited about the fireworks. Still, she got to see several sides of him (his adorableness with his dog, his disgust at a statue in his honor) that told her something about who he was instead of the three previous couples before her where there was no depth to why they fancied each other.

Fun Facts:

-Sleeping Beauty is the first film where Aurora is actually like, “What the hell you’re a stranger!!” (Not really, but kinda.) Points for that!

-Snow is the only princess that actively wishes for love and then POOF: Prince.

-Cinderella is the first film there’s an iconic dance.

-Prince Philip is the first prince to ask his love for her NAME upon meeting her (though it happens after Once Upon a Dream). Eric asks Ariel for her name during their second meeting. I think it’s hilarious while the Prince in Cinderella is begging her to stay he never once asks for her name.

-Belle and Anna both have two suitors, one being the villain of their film. While Anna and Hans have a first meeting scene, Belle and Gaston do not since they already know each other.

-Snow White and Tiana are both wishing, one by a wishing well and the other on a star, when they meet their prince.

-The setting in Princess and the Frog is a mansion, instead of a castle. There is also a party like in Cinderella.


Which is your favorite True Love Meeting? What do you think of all these common threads? What are some other fun facts you noticed?

Follow Animated Meta on Tumblr and Twitter. See you next week!

Cheers,

M&M

Princesses Need Friends Too: The Problematic Lack of Positive Female Interactions (and Friends) in Disney Princess Movies

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Disney only has two sets of female friendship in the Disney princess movies. I repeat: only two sets of female friends. That’s really, really bad. Come to think of it, Disney Princess movies in general are lacking in positive female interactions. Either we get a lack of women present, or their relationships are antagonistic in nature. There are a few proud exceptions, but not many.

Don’t believe me? Let’s take a quick trip through the halls of Disney Princess history and explore the nature of female relationships.

 

Snow White and the Seven Dwarves

The only two women in this movie are Snow White and her stepmother, the Evil Queen. And Snow White’s stepmother spends the majority of the movie trying to kill her because of her beauty, which doesn’t make for a healthy relationship. It’s interesting that the only two women we have in this film have an antagonistic relationship relating to beauty and power; it says a lot about women in society, who are often set up as competitors rather than coworkers. It’s a no for Snow.

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Cinderella

Good news: Cinderella has a stepmother and stepsisters, which is a step up from Snow White. Bad news: her stepmother is the worst, and her stepsisters aren’t much better.

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Instead of being treated like family, Cinderella is made into a servant by her stepfamily and constantly put down/ridiculed by them. There’s another antagonistic set-up here, with Cinderella’s stepsisters seeking marriage to the prince, and Cinderella inadvertedly coming into competition with them when she meets Prince Charming and falls for him.

There are also a few female mice, but Cinderella doesn’t seem particularly close to them. 😦 So no.

Sleeping Beauty

Our first sign of positive interaction: Sleeping Beauty gives us Briar Rose (aka Aurora) and the three fairies that raise her in seclusion to protect her from Maleficent. While the fairies tend to be a little oblivious, they mean well, and they take good care of Briar Rose. From the few interactions we see of theirs, it’s evident they care a lot about her, and want her to be happy. The surprise party for her birthday is a great example. Despite their no magic rule, they’re willing to go around it to make her present and her cake the absolute best. Nothing but the best for their Briar Rose!

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They also play a key role in getting Prince Phillip free and giving him the tools he needs to defeat Maleficent, so that they can save Aurora. And then there’s that sweet scene when they tuck Aurora in under the sleeping curse, much like a parent tucking their child in.

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While Aurora doesn’t have female friends, since she’s secluded in the woods, the fairies are maternal figures to her, so I’m going to fill this one under “sort of.” It could be better, but it’s progress.

The Little Mermaid

Ariel falls into the start of the “daughters with missing mothers and great relationships with their fathers” trend. Guys, I think Ariel’s relationship with Triton is awesome. And I think it’s important that Disney conveys so many great father-daughter relationships in their films. However, the lack of mother figures is really depressing, and I think it’s sad that like in most of the Disney princess movies, Ariel has a mother who isn’t around. It’s also sad that Ariel is one of seven sisters, and barely even interacts with her sisters throughout the movie. A woman she does interact with a lot is Ursula, the female antagonist, who spends the movie plotting against Ariel, steals her voice, and attempts to sabotage her relationship with Eric. No for Ariel.

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Beauty and the Beast

B&TB doesn’t have a lot of women. The three most prominent ladies in Belle’s village are a set of blonde triplets who aren’t displayed in the best light. They fawn over Gaston and basically exist to be his fangirls.

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In the castle, we have Belle’s wardrobe, who is nice, and we have Mrs. Potts, who is awesome, but she doesn’t interact with either of them a lot. So no.

Aladdin

Jasmine is our only prominent female character, which is really sad, because I would’ve loved if Jasmine had a friend. Poor girl is lonely in that castle with only her tiger to keep her company. Nope.

aladdin done w your shit

Pocahontas

YES. Pocahontas is one of our few Disney princesses with a female best friend, who happens to be awesome. Nakoma and Pocahontas’ friendship is fantastic. They squabble like sisters, gossip about everything (including cute boys), and just hang out like most girls do.

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Out of the two, Nakoma is the more level-headed and reasonable one, who tries to keep Pocahontas from doing anything too insane. But she’s also loyal, and tries to trust her friend’s judgment, even when she’s a bit unsure of Pocahontas sneaking around with John Smith.

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And while Pocahontas’ mother isn’t around, she does have a grandmother figure around in Grandmother Willow. She’s the one that Pocahontas goes to when she’s in need of guidance, a good listening ear, or just for comfort in times of strife. While Grandmother Willow never tells her what she should doing, she instead teaches Pocahontas to trust her intuition and follow her heart, allowing her to become a stronger leader and have more faith in herself and her decisions.

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Mulan

Mulan has won the parental lottery, guys, because she not only has a father and a mother, but she also has a grandmother! Sadly, like a lot of the princesses, Mulan’s bond with her father gets more focus than her bonds with her mother and grandmother. Mulan also doesn’t have any female friends, although in her case, it’s slightly more forgivable considering she’s posing as a man in the army and ends up surrounded by dudes. So no, but one that’s slightly more forgivable than other films due to the circumstances involved.

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The Princess and the Frog

Heck yes. This movie is the jackpot of female relationships in my opinion. There is this really awesome close-knit relationship between Tiana and her mother. There’s a years-long friendship between Charlotte and Tiana. There’s even a powerful woman named Mama Odie who assists our heroine on her adventure. But since Mama Odie is more supernatural assistance than friend, I’m going to focus on Tiana and her mom, and Charlotte and Tiana.

Tiana and her mom are awesome and close. We don’t get to see a lot of their interactions, but we get a nice glimpse of them when we see little Tiana, and we get a great scene where Tiana shows her mom the restaurant she wants to lease, which leads into “Almost There.” Unfortunately, after that, we don’t get much interaction from them, since Tiana is a frog for a majority of the movie.

Tiana/Charlotte we do get a lot of. We get a glimpse of little Tiana and little Lottie at the beginning of the movie, showing how long they’ve been friends, and they’re still close when we see them again.

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Despite differing social class and race, Tiana and Lottie have a really strong friendship. Lottie knows Tiana well enough to know she can’t give her bestie any handouts, so she does things like hiring Tiana’s catering services so she can pay her and give her the remaining funds she needs to achieve her dream. She also lends Tiana a new outfit when hers gets ruined at the party, which is total best friend behavior.

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Lottie also cares a lot about Tiana and her happiness. Like Tiana has her restaurant dream, Lottie’s dream is to be a princess. (Which I’m pretty sure a lot of us dreamed of, once upon a time.) When Naveen and Tiana fall in love while they’re stuck as frogs, Lottie offers to kiss him and forgo her dream of marrying into royalty, because she can see how much the two of them care for each other and there’s no way she’s getting in the way of that.

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These two are fantastic. The whole movie could’ve just been about them being awesome and I would’ve been content.

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Tangled

Tangled has Rapunzel, Mother Gothel, and Rapunzel’s mother. Rapunzel doesn’t get a ton of time with her mother, but we see her with baby Rapunzel at the start, we see her and her husband’s grief after losing their daughter, and we see her at the end when she reunites with Rapunzel. It’s sad we don’t get a ton to go on, but the end of the movie establishes what should be the start of a prosperous mother-daughter relationship, so at least that’s something.

tangled hug

Mother Gothel and Rapunzel have a painfully abusive relationship. Mother Gothel berates and terrifies Rapunzel into submission to break her spirit and keep her in the tower. She wants Rapunzel to be dependent on her, so that she can harass the power of her hair and stay alive. Not exactly a healthy relationship.

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She may have a budding relationship forming with her mother, but sadly, Rapunzel doesn’t really have any female friends. Boo.

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Brave

I haven’t seen all of Brave, but I do know one thing: Merida, like Tiana, has a close relationship with her mother, and their bond is a big part of the movie’s plot.

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Merida’s mother and Merida don’t always see eye to eye: they have different goals and outlooks, and Merida doesn’t always live up to her mother’s expectations, thus, they butt heads a lot. But Merida cares deeply for her mother, and vice versa. Merida’s accidental wish – and her attempt to undo it – bring mother and daughter closer together as the movie goes on.

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I think this is probably the biggest mother-daughter focus we get out of any of the Disney Princess movies, which is pretty awesome because the bulk of Disney Princess relationships tend to be between fathers/daughters, or a princess and their significant other.

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While we do get a mother-daughter relationship, Merida doesn’t have any female friends though, which is sad. Maybe we can get one in a sequel? 😉

Frozen

And finally, we have Frozen. Frozen is kind of a weird one, because the only two prominent women in the movie are the leads, Anna and Elsa. Anna and Elsa sisters, who used to share a close bond that Anna is hoping to rekindle, despite Elsa’s avoidance of her. However, Frozen doesn’t do a great job of displaying their relationship.

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Elsa and Anna are separated for a majority of the movie, and while they connect a little at the palace after Elsa’s coronation, they’re quickly separated afterwards, and only interact for a short time before Elsa’s powers freeze Anna’s heart and Anna and Kristoff are forced to flee. Next interaction: Anna steps in just in time to stop Hans from cutting down Elsa. Her act of true love both saves Elsa and defrosts her own heart, which is a nice twist.

frozen hug

I think Frozen is a draw for me. Elsa and Anna are close, and I enjoy the bond between them. It would’ve been nice though to see their bond better fleshed out, and see more women in the movie in general.

 

Conclusion (Aka, Why Is This So Important, Mel?)

feminist rant reaction

Much like the Bechdel test, checklisting whether a movie contain female friendships or not doesn’t mean that it is a failure. However, it’s telling that there are only two prominent female friendships, and three strong mother-daughter bonds, within 12 Disney princess movies. Why are father-daughter bonds and romantic bonds prioritized over female friendships and mother/daughter bonds? Why are so many of the female interactions in Disney films negative and antagonistic in nature? In a society where women are torn down, pitted against each other, and strive to be “one of the boys”, positive female interactions in Disney movies, especially Disney princess movies, might promote stronger female relationships in everyday life for young girls and women. (It would also be good for boys as well, and it’d be nice to see more parents take an initiative to be more gender-neutral, but that’s another post in itself.)

Do you think Disney movies need more positive female interactions? What are your favorite Disney bonds? Let us know in the comments!

Follow Animated Meta on Tumblr and Twitter. Have a happy Saturday!

Cheers,

M&M

10 Animated Women That Inspire Us to Epicness: Mel Edition

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Since this month is Women’s History Month, I decided to take a trip through animated history and talk about some of the animated women who have inspired me over the years, and what it is that makes them truly amazing.

1. Kim Possible

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A cheerleader who saves the world? Whoever thought of Kim deserves all of the awards, because she is awesome and super fleshed out. We don’t often get heroines with realistic life skills, but Kim’s cheerleading and gymnastics background is part of why she’s so adept at the world-saving business.

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Selfless, bold and determined, Kim inspires us to take a stand and embrace what makes us unique. She also has an amazing sense of fashion, especially when it comes to saving the world, and having a heroine who doesn’t have to sacrifice her femininity to be perceived as tough is amazing.

2. Ginger Foutley

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I think Ginger Foutley is one of the most underrated ladies in animation. Ginger isn’t the typical protagonist: she’s an introvert and writer, which we don’t see too often, and uses her writing to both express herself and be creative. Two of the show’s best episodes (Hello Stranger, And She was Gone) hone in on Ginger’s writing, and how it ties into her personal life in a fantastic way.

Other reasons Ginger is awesome: she’s stubborn, endearing in how she handles the chaos life throws at her, and she cares deeply for her friends and family, even if they drive her crazy at times. Her growth throughout the series is fantastic, and she’s definitely a character I can go back to even now and still relate to, because she reminds me of a younger time in my life when I went through similar struggles. Basically, Ginger’s just awesome, and the grass really is greener for her, even if it takes her a while to realize that.

3. Katara

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Katara is a force to be reckoned with. You can’t knock her down, no matter how hard you try. She’s so many things rolled into one awesome person. She’s a healer, a motherly figure, a fighter, a teacher, a friend, a sister… She’s not only physically strong, she’s also emotionally strong; she’s the rock of the Aang Gaang, who holds everyone together when the going gets tough. She’s the one who keeps hope, no matter how grim and dark the circumstances. She sees the best in others, even when they can’t see it in themselves, and she won’t give up on the people who need her most, even if it puts herself at risk. Her compassion, empathy and fighter’s spirit make her an inspiration, and someone many people could learn from.

4. Princess Jasmine

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Like I’ve said before, Jasmine is one of the most underrated Disney princesses ever. She’s politically savvy, has a strong sense of self, is snarky and refuses to settle for jerks who only want her for her money. She has a great sense of adventure, isn’t afraid to rebel in order to find the freedom and agency she desires.

She’s someone who will only accept someone who respects her and treats her as an equal for a future husband. Anyone who would dare treat her like a prize to be won is not worth her time. She shows us that agency and equality are two important things for women to strive for, and that settling for someone who doesn’t appreciate your worth is ridiculous. Her relationship with Aladdin shows us that honesty and respect are the two foremost foundations of what a relationship should be, and her determination to decide her own future despite the rules that oppress her is super admirable. Remind me again why she’s so underrated? Because she really shouldn’t be.

5. Belle

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A princess who reads, dreams big and refuses to conform to society’s standards for her because she knows that she is worth so much more and deserves so much more = one amazing Disney princess.

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Belle is intelligent, kind-hearted, and doesn’t care what people think of her. No matter how many people in her small town scoff at her oddities, she really doesn’t care. She also refuses to let anyone harass her or push her around, as evidenced by her smoothness in evading Gaston’s advances, and her yelling at the Beast and calling him out on his jerky behavior. She’s just awesome, and I think if we were all a little more like Belle and followed our dreams, we’d certainly be happier. (Also a good thing to emulate from Belle: her book-buying habits. Or better yet, marry a prince and get your own personal library.)

6. Asami Sato

asami and her gf

lok asami kicking ass

Asami is a girly heiress who also happens to be a savvy businesswoman, a smart girl who loves flashy cars, and a fighter who’s handy with an electric glove against enemies. She is someone with integrity and lots of inner strength, who was strong enough to stand up against her father when his own integrity was lost, and who built up his company from the ground up after his imprisonment.

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She is also a rare representation of bisexuality in animation, which is really important. People of all orientations, races, genders, exc deserve to be shown, and Asami’s relationships with Mako and Korra are exactly that.

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Kudos to the creators for letting someone as amazing as Asami get some spotlight, and giving us a character who doesn’t have to sacrifice her femininity to be strong, who can  take the world by storm, and is just generally an awesome influence.

7. Ariel

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I know, this is like my third Disney princess on the list, but hey, I was a Disney kid. I grew up on Disney movies, and the Disney Renaissance was in its prime when I was little, so I had some amazing influences because of that. One of these is Ariel, who is one of the most proactive Disney princesses ever.

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She needs cool knickknacks for the grotto? Easy: she’ll go explore that sunken ship and take down any sharks that get in the way. She wants to explore the shores up above, so she goes up there herself and later makes a deal with a sea witch to find a more permanent place on land. The prince she likes is in danger? Ariel dives down without any hesitation and saves him from drowning, and then later saves him (again) from being forced into a marriage with an evil sea witch. This girl is a total determinator: nothing gets in her way, not even losing her voice. She never gives up, never lets anyone break her spirit, and fights for what she wants, no matter how hard it is to achieve. If you want something, make like Ariel and be proactive. Fight to achieve your dreams.

8. Cinderella

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Cinderella was my favorite princess when I was little, and inspired me a lot growing up. Her perseverance, strength, and strong sense of self-worth make her an amazing role model for young girls. She’s always putting other people before herself, so when she finally puts herself first, it’s such a wonderful thing to watch. She teaches us that while it’s good to be kind to others, we need to be kind and value ourselves as well. She also teaches us to never give up on our dreams, because if you believe and work hard, whatever you wish for will be.

9. The Totally Spies

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I can’t just pick one of them, so I’m doing all of them: the Totally Spies! I used to love this show so much, especially because it was nice to get three completely different girls who all kicked butt and saved the world on a daily basis. Plus, they used amazing girly gadgets, like laser lipsticks and weaponized hairdryers. A few examples:

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The best thing about the Totally Spies for me was that they all brought something different to the team, and always managed to save each other from trouble. Sam, Alex and Clover are all awesome in their own way, and each has their own strengths that make them an integral part of the team. Take one girl away, and something was lost from the team. How can you compete with that brand of awesome?

10. Jazz and Maddie Fenton

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Brilliant women are really underrated in fiction, and Jazz and Maddie Fenton are two super savvy, super smart ladies. Maddie is an inventor, whipping up amazing ghost-fighting tools every week, and Jazz is both book smart and a sneaky plotter, as evidenced by how she repeatedly tricks Vlad in Secret Weapons, and how long she manages to keep her knowledge of Danny’s secret a secret, even from him. Their brilliance results in lots of awesome moments in-series, and both inspire us to seek knowledge and put it to an epic use, such as ghost-hunting or plotting to take down evil antagonists.

Which animated girl inspires you the most and why? Let us know in the comments!

Follow Animated Meta on Twitter and Tumblr. Have an epic Tuesday! (And happy St. Patrick’s Day as well!)

Cheers,

M&M

Response: How Disney Stereotypes Hurt Men

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On Thursday, Laci Green and MTV put out a video called How Disney Stereotypes Hurt Men. Unsurprisingly Mel and I had a lot of thoughts and decided to write a response. Watch the video below and then read our thoughts on body type in animation, physically empowered women, the way masculinity is presented in the princes and villains, and men fighting over women.


Body Types in Animation

One of the biggest and most obvious gripes about animation is the way people are drawn. Laci points this out very aptly when she says all the men are drawn the same. They’re big, tall, muscular, and generally white, as the video says. This is true. Men are pressured the same way women are to look a certain way. Men are encouraged to be physically fit, have six packs, and be big strong men.

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However, women in animation are not drawn any better. Women often times have a tiny waist, a decent chest, and huge wide eyes. Hell, recent Disney films have faced criticism for having Rapunzel, Elsa, and Anna drawn with the exact same face.

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This is a problem that goes both ways. Animated characters enforce gender stereotypes and uphold unattainable standards of beauty.

Disney and other animation houses need to recognize they are not drawing actual human beings. But this is also a problem that extends outside of animation to Hollywood and the media as a whole. Actors and actresses face extreme levels of pressure and then are ridiculed when they cave and get plastic surgery. It even extends to normal people that are not in the public eye. Eating disorders and low self-esteem are real life consequences that have wide reaching effects.

Now, Disney also draws its villains and heroes a certain way. While princes and princesses are both extraordinarily beautiful, Laci makes another point about men that are not everything a prince should be according to the standards of animation: “Men who aren’t tall and muscular are often portrayed as outcasts or subservient and weak.” I agree and disagree.

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Let me explain.

Men that do not look like a prince are treated differently, but the only one I can think of that is an outcast for it is Quasi in Hunchback. But the point of that film is that it is wrong to discriminate based on how people look. Frollo emotionally abuses Quasi and even tried to murder him as a baby. Quasi is the hero of the film despite not looking or being a prince and his film sends the message it is wrong to mistreat him because he looks different.

Another character that is an outcast in their film is Hercules. Hercules is super strong and tall and an awkward teenager. He hasn’t yet developed his muscles, which he does by training and actually working hard. But he does have this gifted insane amount of strength from childhood and is ostracized for it.

Often times, men that don’t fit the “big, tall, muscular” mold are actually villains. Look at Lawrence in Princess and the Frog. He wants power and is jealous of Naveen and so throws his lot in with Dr. Facilier. Lawrence, physically, is a short, plump, balding dude. He is one of the villains of the film. He’s not handsome in the conventional sense. The Huntsman in Snow White, who we are supposed to fear, is a big, also plump dude. He has a big nose and a scary, angry face. Smee, Hook’s right hand man, looks a lot like Lawrence. Cruella’s henchmen also have the big noses, while one is plump and short and the other skinny and tall. The Butler in Aristocats also doesn’t fit the prince mold. My point here is, these men don’t become outcasts. They are villains.

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An exception to this is Jasmine’s dad. He is drawn similarly to Lawrence (rather, Lawrence is drawn similar to him) and is kinda/sorta/not really a villain, but he is standing in the way of Jasmine being able to make her own choices. However, he is not the antagonist of the film and is ultimately a figure we sympathize with. He’s blinded by tradition and only wants Jasmine to be provided for once he dies. Jasmine could probably provide for herself quite fine, as could all women, if not held back by this archaic way of thinking. The sultan is a powerful figure though small in stature. He does not fit the prince mold, despite have been one before he became sultan.

Generally, though, beauty is equated with goodness, while villains are the opposite.

The same can be said for female villains. Ursula isn’t supermodel skinny and when she turns herself into Vanessa to tempt Eric, she has a totally different body type. Lady Medusa in The Rescuers has saggy boobs and buckteeth and looks certifiably insane. So do Cruella and Yzma. Disney is totally guilty of the way it draws its characters and the messages it sends. But this damage goes both ways.

Prince = “Savior”

As the video progresses, Laci tells us that princesses need saving and a prince has to be there do it. While this seems true at first glance, it’s not really so. The older films, Snow White, Cinderella, Sleeping Beauty, etc are definitely guilty of this. But Disney has evolved from those films.

Let’s start with The Little Mermaid, the beginning of the Disney Renaissance. Ariel saves Eric from drowning the very first time they meet. He would have died during the storm. But Ariel was there and she grabbed him and carried him to safety. But it does not end there. When Ariel finds out Eric is about to marry Ursula in disguise, she jumps into action. Literally.

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She can’t swim and relies on her friends to save her. I love The Little Mermaid for this reason. Everyone depends on each other. Ariel saves Eric, Eric saves Ariel, Ariel saves Flounder (the shark sequence in the opening), Flounder and Sebastian save Ariel (Sebastian cuts the barrels loose and Flounder tows her), etc. No one is the hero all the time. Everyone needs help.

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Anyway, back to Ariel saving Eric. She’s not about to let Eric get trapped in a fake marriage. Sebastian and Scuttle do a lot of the legwork for that scene, but Ariel’s presence matters, too. Saving does not always have to be literal. We’ll return to that notion later. Let’s stay with TLM a bit longer.

When Ursula captures Ariel and takes her home, Eric stops Ursula from hurting Ariel after Ariel protected her father. The Little Mermaid is very cyclical, as I mentioned, and it plays itself that way to the end of the film. Ariel evades Ursula in the whirlpool of doom and Eric is able to spear her with his ship. But the film does not end with Eric saving the day. The film ends when Ariel and her father finally find common ground. They reach an understanding. It’s not about Eric saving the day because everyone in The Little Mermaid has saved someone else at some point. It’s about Ariel—the little mermaid—and her relationship with her father. Triton gives Ariel legs and the Part of Your World reprise plays. Part of Your World was the moment the plot really kicked off, when we knew Ariel was going to go for what she wanted. She has her father’s blessing now; all is well between them. The final line of the film is “I love you, daddy,” emphasizing this.

little mermaid i love you, daddy

Another example where Disney bashes the notion of a prince having to save the day and the princess being useless is Mulan. To me, every female character in Disney is a princess. I know that’s technically untrue since Esmeralda’s not, etc, but to me they are. So I’m going to talk about Mulan now. Mulan, as I’ve talked about in other metas, is an amazing movie steeped in gender roles and seeks to overcome that beautifully.

Mulan totally saves herself and all of China and also her boyfriend.

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After Mulan confronts the Huns and shoots her arrow into the mountains to create an avalanche, Shang gets caught in the disaster. Mulan saves him from going off a cliff all while injured, herself! At the end of the film, when she fights Shan-Yu, she fights him as a woman. The gender roles are even emphasized more when Mulan has her friends dress as women to break into the palace because they would not be seen as a legitimate threat that way. The guards instead were interested if they could get some action. Disney throws that right in our faces! Disney is straight up showing us the gender roles, that women are weak and submissive and men won’t take them seriously.

And then badass Mulan goes and fights the leader of the Huns. She’s not pretending to be a man. She’s wearing feminine clothes. She’s herself. She even uses a fan to defeat Shan-Yu, something seen in Asian culture as a feminine practice. Disney subverts every single gender role and challenges them in Mulan. Mulan wins. She beats him. And again, the focus of the film is not on the romance. Mulan goes home to see her family and her dad. She makes peace with them before she essentially gets Shang as a “prize.” Eric and Shang are just bonuses in Ariel and Mulan’s stories. The men don’t win anyone.

Tangled also has the princess saving the prince—err, Flynn. She heals him at the end of the film, even though he is the one that came to rescue her. She saves him, literally. But now I want to look at the ways Disney has their female heroes saving men in not so obvious ways. The best example of this is Pocahontas. John Smith is a pretty arrogant guy when he meets Pocahontas. And it is through her that he becomes a better person. She teaches him about the importance of the land and also that judging people and fearing them is wrong. She changes his total world view. Colors of the Wind is the turning point. She challenges his assumptions that the English way is the best one, the “civilized” way. She does not overtly go charging into battle wielding a weapon, but she saves him nonetheless. She left a mark on him.

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Okay, so we covered the fact that princesses frequently save their princesses and saving does not always have to be so black and white. I also want to talk about physically empowered women that Disney has given us. These ladies aren’t necessarily saving anyone, maybe they’re protecting themselves, just surviving, or playing.

Esmeralda is always the first person I think of because of her epic escape scene after she protects Quasi. She counts how many guards there are and does the amazing, “10 of you and only 1 of me. What’s a poor girl to do?” And then POOF, she is gone! But, wait, there she is! And now watch her outsmart all of you. Then she meets Phoebus officially in Notre Dame has no qualms about fighting her future hubby with a candlestick. She’s smart, she’s sassy, and she knows how to fight. Esmeralda is a boss, okay.

I think I’ve already covered how perfect Mulan and Ariel are.

Nala always pawns Simba in a fight.

Jasmine is a fast learner, jumping over rooftops like she’s been doing it her whole life.

frozen punch hans

Disney has plenty of physically empowered women. It’s not all about the prince saving the day. In fact, it hasn’t really been about the prince saving anyone since the early Disney films. In Beauty and the Beast, the Beast needs Belle to save him from his curse. Aladdin beats Jafar at the end of the film, but Jasmine’s words are “I choose you, Aladdin.”

Men Fighting for Women and Domineering, Masculine Men

Laci mentions at one point how many Disney movies have a battle between two guys, with the winner winning pride, respect and a woman. Now I can see where people would see male antagonist vs. male hero and think the fight is about a woman, but in most cases, it’s really not. Even in cases where we have a possessive villain (Gaston, Jafar) who wants the princess for himself, the fight itself is more about power than it is about the woman at hand. We do have one fight that’s sort of about a woman in Hercules, between Hercules and Hades, and Hercules does get pride/respect/becomes a god. HOWEVER, that means losing out on Meg, because he can’t be with her if he’s not mortal, and Hercules gives up that pride and power for a chance to be with the woman he loves. On the flip side, Aladdin believes he can’t be with Jasmine without wealth and status, but she doesn’t care about that and chooses him after he sets the genie free instead of wishing to be a prince again.

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Disney proves to us time and time again that love is so much greater than status or power by showing us antagonists so consumed with getting that power and status that it destroys them. Gaston dies when he stabs the Beast after the Beast saves his life instead of just moving on with his life like a normal person. Jafar gets trapped in the lamp because he’s so obsessed with power that he doesn’t realize power always comes with a price. Hades underestimates Hercules’ strength and power, and more importantly, his love for Meg, which ends up screwing him over.

I also find the assumption that women are viewed as prizes to be won to be offensive, because they’re really not.

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A lot of these Disney movies are female-led, and if anything, the prince is their bonus prize achieved in the midst of their goal, mainly because princess/prince connect and share some commonality. (Ex: Aladdin and Jasmine, who both wish that the world would see them for who they really are, and feel trapped by everyone’s expectations and opinions.)

Jasmine actually has this really amazing quote that I love: “I am not a prize to be won.” These ladies do not put up with men who view them as prizes or commodities. Jasmine side-eyes Jafar and her rich suitors who are after the money/status that comes with marrying the Sultan’s daughter, and even side-eyes Aladdin for a while there when he’s pretending to be Prince Ali, because he’s acting like all of the idiots she’s dealt with before. It’s only when he shows her who he really is that she starts to respect him. Another great example: Belle and Gaston. Gaston is domineering and pushy and tries to harass Belle into dating him, because he feels as though he deserves her, and Belle rejects him time and time again, because his lack of respect for her and her boundaries means she has zero respect for him in return. She also doesn’t fall in love with the Beast until the Beast gets his shit together and starts treating her with the respect and kindness she deserves, and makes an effort to change his ways.

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At one point, Laci mentions that Disney tries to show us that “domination is central to being a real man” which I respectfully disagree with. Does Disney have men who are dominating and aggressive? Yes, they definitely do. But, those men are not the princes/heroes that the ladies in the Disney world fall for. In fact, the domineering aggressive dudes in Disney are often the antagonists. Radcliffe, Gaston, Jafar, Scar, Frollo: these are all dudes that feel entitled to women and power and status.

pocahontas radcliffe's strut

And these aggressive entitled dudes are the ones that end up alone, imprisoned or dead at the end. They’re not rewarded for being domineering or aggressive: they’re punished for it.

Meanwhile, most of our Disney heroes, the ones that end up with the girl at the end, are guys who are respectful toward women. They don’t treat women as prizes; they aren’t aggressive toward them or make them feel uncomfortable. They listen. They respect their feelings. They fight for them, and their women fight for them, and what we end up with are these wonderful, equal relationships that set a great example for women.

Passive Women/Gender Roles

Okay, so I love tearing apart gender roles as much as anyone, and while Disney does leave me unsatisfied in some regards, I really don’t think gender roles is a big issue for them. Passive/domesticated women and active/aggressive men are not how Disney relationships tend to balance out on-screen.

First of all, while I agree with Laci about the earlier Pre-Renaissance films (Snow White, Cinderella, Sleeping Beauty), I strongly disagree that the women in the Renaissance era and beyond are portrayed as passive. They don’t need men to save them. They aren’t sitting around in their castle waiting for a man to pop up and complete them. No, these princesses are out following their dreams, and if they happen to find the man of their dreams along the way, awesome.

The Renaissance (and beyond) Princesses have way more to do.

Ariel seems to get the most flack, so I’ll start with her. Ariel is our first princess who is incredibly active and adventurous and progressive. She’s the one who sets the entire plot into motion. She saves Eric from drowning. She battles sharks. She’s the one who goes to Ursula for the deal so she can explore land (which she’s always wanted to do) and also meet Eric. Notice how Eric is the straw that broke the camel’s back here. Ariel always wanted to go to land. (Remember “Part of Your World?” That takes place before Ariel even meets Eric.) Even when Ariel’s voiceless on land, she’s still the one initiating the relationship. She doesn’t sit around and hope Eric realizes she’s awesome: she’s actively hanging out with Eric and uses her body language and personality to show him that she’s into him. Like Mic mentioned, we get this wonderful relationship balance between the two of them, where Eric saves Ariel in return. She saves him, he saves her – it’s all balanced out.

But it isn’t just Ariel. The Disney Princess films revolve around the princesses, and thus we get women who actively go out and pursue their dreams. Disney does explore gender roles, but does something truly revolutionary. It sets our heroines in a world with so many biases and expectations for them, and then they proceed to break through those roles and debunk them entirely. Mulan runs off to join the army to bring honor to her family and break free of the gender roles confining her. Belle wants much more than her provincial life and definitely doesn’t want to be “Madam Gaston, his little wife” so she rejects the expectations fostered on her and finds that adventure she was looking for.

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Pocahontas doesn’t settle for the smoothest course, and ends up uniting her tribe and the settlers. Tiana fights her way to her happy ending and her dream to open that restaurant, ignoring the naysayers. Jasmine says “screw the law” and finds the true love and the freedom she wanted with Aladdin, and then ends up getting her dad to nix the laws that restrain her, which gives her the agency she’s desired. Rapunzel is just awesome, and takes charge of her destiny when she makes that deal with Flynn, and grows into herself and sees the lights and finds a new dream in him.

Also, men aren’t always the ones chasing the women. Most of these women are chasing those guys right back.

little mermaid take your dreams into your own hands

There’s so much mutual attraction and respect built into Disney relationships, where both sides pursue each other and take things at their own pace. A lot of the relationships build up over time as the movie goes on, and the characters get to know one another. Respect and trust is fostered throughout, which leads to love.

As times change and grow, our heroines grow with them, and become more revolutionary and break through more and more gender walls. Even the men do this.

We often forget that in the majority of these Disney films, we have a female lead, and thus the prince/love interest supplements the movie. In the past, this meant we got love interests like Prince Charming and Snow White’s prince, who weren’t as developed and were more confined to gender roles. They didn’t get as much of a role in the movies: they just appeared to save the princess. But as time has gone by, Disney has built up the love interests, giving them their own character arcs and roles and strong personalities that contrast and blend with the princesses in a wonderful way that ends up resulting in some great, balanced relationships. We don’t just get a prince saving a princess. Both sides save each other and look out for each other, because they care for and respect one another. A great example of this would be Flynn and Rapunzel, who both share character arcs and have their own quests and goals. They each save one another from danger, and are assets to each other in a great way.

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I talked a lot about gender roles for guys already, but there are a few more things I want to add. The Disney guys don’t tend to conform to gender roles, unless they’re villains and represent a hyper masculinity that’s very harmful. Most of our Disney dudes are not aggressive or domineering, or even stoic and cold. In fact, we get as much emotional expression from the dudes as we do from the ladies, which is pretty equal and awesome to me. Guys in Disney movies are not afraid to talk about their feelings, or love, or admit if they messed up, or even cry and feel sad or angry. They don’t hold back their emotions, and when they do, or when they try and be something they’re not, it usually ends badly for them. Examples:

  • Hercules: No one likes me. I don’t think I belong here. Something is wrong with me. WHERE DO I BELONG?
  • Aladdin: I AM NOT A STREET RAT. I’m pretty awesome, just give me a chance. I want Jasmine to love me. She’s so pretty and smart. *makes heart eyes*
  • Beast: is just a mess, okay? He’s all NO ONE WILL LOVE ME. I AM DOOMED.
  • Tarzan: Who am I? Why do they look like me? Am I supposed to be like them? WHO ARE THESE STRANGERS?
  • Kuzco: HELP I’M A LLAMA! I don’t want to be a llama. Llamas are lame. I want to be a badass rich emperor dude.
  • Naveen: I NEED MONEYYYYYYY. And women. And my status. Oh, Tiana, hiii. I ‘m gonna make you dinner and gaze up at the stars with you.
  • Flynn: Be cool, dude. I’m actually a wounded orphan on the inside pretending to be a swashbuckling rogue. Let me tell Rapunzel my whole life story. *heart eyes*
  • Eric: I want to marry the girl of my dreams. It’ll hit me, LIKE LIGHTNING. Or my ship exploding and sending me straight into her arms. Let me just stare at the water all moody and play my flute until she shows up. WHAT IS LOVE? IT IS HER. Alas!
  • Phoebus: I love my horse. Like, I really love my horse. We have a bromance. Also, I’m a soldier that follows my heart, not orders. I won’t burn down innocent people’s homes.
  • Yao, Ling, Ping: WE WANT LOVE TO SUSTAIN US WHILE WE GO OFF TO WAR.

I also disagree that Disney men are portrayed as being dopey/incompetent, because our heroes are not, and our villains definitely are not (since most of them are creepily savvy). I think some of the older men in Disney (Maurice, the Sultan, Prince Charming’s dad) fall prey to this trope, mainly through how they’re viewed by other characters. Maurice is written off as a crackpot/crazy by half the town, when he’s actually a pretty brilliant guy despite his absent-minded nature. Charming’s dad and the Sultan are both a little childish and silly, but they prove that they’re worthy kings to lead their land, and have a good head on their shoulders. So I don’t think the dopey thing has much merit, to be honest. Even in the earlier films, most of the guys aren’t portrayed that way, and as time goes on, it comes up less and less.

Conclusion: For the Most Part, Disney Stereotypes Aren’t Affecting Men Adversely

While the physical appearance of both Disney princesses and princes is a negative issue that needs some reworking, since it sets up unrealistic body standards, for the most part, Disney Stereotypes don’t seem to be hurting men too badly. Disney breaks away from the typical norm of gender roles for men by having its male leads be open with their emotions and letting them break out of the typical “knight in shining armor” role.

They also portray more domineering, aggressive men as a negative thing, as most of these men in Disney movies happen to be the antagonists. Disney stereotypes don’t seem to hurt women too badly either: instead of the more passive damsels of the past, Disney’s female leads are active, determined, and generally awesome role models. They initiate their plots and don’t wait around for a guy to save them; they save themselves. They don’t put up with men who don’t respect them or treat them like trophies.

The relationships they end up in are equally balanced and filled with respect and love on both sides of the equation. While Disney fails in some aspects, it definitely does not in regards to gender roles and its portrayal of their later princesses and princes. Instead, Disney challenges gender roles and allows both its female and male characters to break free from them in a way that is wonderfully creative and sets a great example for children.

Do do you think Disney Stereotypes hurt men? Are Disney princesses just damsels in distress that need men to come save them? Do you think body images in animation is a problem?

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Cheers,

M&M

The 8 Reasons Aladdin is Amazing

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aladdin logo

Aladdin (and its sequels) are pretty amazing, and I’ve wanted to meta about them for quite some time, so I decided to boil down the reasons why these movies are awesome sauce. (Note: I mainly focused on Aladdin, but did talk a bit about Return of Jafar and King of Thieves as well, so if you haven’t seen those, spoilers ahead!)

1. Aladdin is the Disney Prince of my heart.

aladdin copy

Aladdin is my favorite Disney Prince. Okay, so he’s not really a prince, but to be fair, he ends up becoming one, so I’d like to say he counts. Aladdin is just awesome. He’s selfless, kind, funny, adventurous, and gives me lots of feelings.

He’s probably our most developed male lead, and it really pays off with him, because he’s just a really fun main character to follow around. He’s a thief with a heart of gold, and while his first scene involves him running from guards, his character establishing scene is when he gives the bread to those two adorable kids on the street.

aladdin being charitable

After that, how can you not love him? It’s just… ❤

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His loyalty is one of his best traits. When he promises something, he doesn’t go back on it. Example: his promise to free Genie. Even when he risks out on losing a chance to be with Jasmine, he frees Genie anyway, because that was what he promised, and because he knows how important freedom is to Genie.

He also owns up to his mistakes when he makes them, even if sometimes it takes him a bit of time to stop fretting and do so. When he upsets Jasmine by being a jerk and talking about her future behind her back, he realizes that he’s made an idiot of himself and tells her that she’s right, and she should be free to make her own choice.

He also attempts to tell Jasmine the truth about how he really is before Jafar exposes him, and later apologizes for deceiving her, after the whole mess with Jafar is over with. It’s part of his wonderful character arc, involving his identity and how people view him vs. how he sees himself. One of Aladdin’s biggest woes in the movie is him being sick of the classism he deals with. He wishes people would stop just viewing him as a poor boy and a street rat, and that they’d look beyond the label and see him for who he really is. Thus, we get that whole plot where he thinks he needs to be something he’s not to win over Jasmine when really, all he ever needed to be was his adorable charming self.

aladdin flower

2. Jasmine is incredibly underrated and amazing.

aladdin jasmine

Jasmine is so underrated, and I don’t even understand why, because she’s amazing. She’s witty, loyal, compassionate, determined, confident…

She’s someone who thinks on her feet and uses her wit and cunning to get out of tough situations. Two great examples: 1) when she pretends to be in love with Jafar to distract him, and 2) when she jumped right into Aladdin’s improv in the marketplace when a guard tried to cut off her hand.

Jasmine is also incredibly confident in herself and her self-worth. She has high standards and doesn’t want to just settle for whatever rich guy shows up at her doorstep. She side-eyes her suitors, who let’s be real, are probably just trying to marry her to get money. She also does not stand for people telling her what to do. When she overhears her father, Jafar and ‘Prince Ali’ talking about who should marry Jasmine, she gets furious and goes off on them in what has to be one of my favorite rants ever:

aladdin how dare you

“How dare you! All of you, standing around, deciding my future? I am not a prize to be won!”

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Like most of our Disney Princesses, Jasmine longs for something more. In her case, that something more is her desire for agency, so she can make her own choices. She wants to choose where to go, rather than being stuck behind the palace walls. She wants to marry for love rather than business. And more importantly, she just wants people to listen to her and respect her choices. Jafar doesn’t do that. Her father also doesn’t do that, at first, anyway, but he comes around eventually. The first person who respects her and listens to her is Aladdin, and guess what? He’s the guy she ends up falling in love with because of that.

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I just love her and how much she loves herself, and how Disney wasn’t afraid to give us a heroine who is cunning and a little bit snarky and also incredibly confident and stubborn. Like Ariel and Belle did before her, Jasmine paves the way for the princesses that come after her, and that’s part of why I ❤ her so much.

3. Two fully fleshed out dual protagonists who build on what’s come before them, and create an even stronger foundation for future characters.

First we had Phillip and Aurora. Next came Eric and Ariel. While Phillip and Eric got quite a bit of development, and we spend a bit of the movie with them, The Little Mermaid focused more on Ariel, and as for Sleeping Beauty… well, quite honestly Phillip could’ve been a bit more fleshed out as a character, considering the fact that he’s pretty voiceless in the second half.

Beauty and the Beast comes after those, and we get so much wonderful development for both Belle and the Beast. The Beast is probably the first prince with a character arc, which is very important, because that builds on Aladdin, where we have two main characters with pretty equally split screen-time and two very strong character arcs.

Aladdin wants people to see him for who he really is, not just as a street rat. We even get a whole song about this, which I am embedding below because it gives me lots of feelings:

Jasmine wants to gain some agency and learn about life behind the palace walls. She doesn’t have a song. However, we do get this really awesome discussion with her dad, which basically amounts to an ‘I want’ chat, where Jasmine lays down the law with her father and tells him that she wants to marry for love, and she loathes the rules that bind her.

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The  musical also has this amazing song that kind of sums this up in a song called “These Palace Walls:”

We spend a pretty equal amount of time jumping between Jasmine and Aladdin, and when they finally meet, we’re rooting for them to get together because they’re both awesome. More importantly, we the audience have gotten to know both characters well at this point, and thus we’ve invested in their journeys going forward. We want them both to have their own happy ending. We want Jasmine to get that agency and freedom she desires. We want Aladdin to realize that he’s more than the label he’s been given, and to find someone who can see past that and love him for him. Heck, we even care about more minor characters like the Genie and his want to be free.

The character development and dual arcs in Aladdin set the tone for future Disney movies like Tangled, where we get more focus on each side of the couple. It’s pretty awesome how all of Disney’s animation builds on itself, isn’t it? Nowhere is this more evident than in the romance between Aladdin and Jasmine, our most fully realized pairing thus far of the Disney Princess films.

4. Aladdin and Jasmine are the ultimate OTP, basically.

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Aladdin and Jasmine’s relationship is really important to me. Not only are both incredibly fleshed out, but their relationship is formed on trust and respect, which are two very important building blocks in a relationship. After Aladdin gets Jasmine out of that tight spot in the marketplace, we get that awesome scene in the movie where they hang out and bond on the rooftops. Here, a foundation of respect begins.

For Aladdin, it starts when Jasmine pole-vaults her way across the rooftop, and proves that she isn’t quite as much of a damsel as Aladdin seems to think she is. Aladdin’s wide-eyed look leads into him respecting Jasmine, and only grows as they talk about that feeling of being trapped. Granted, they’re referring to two different things (Aladdin, life on the streets; Jasmine, life in the palace) but they both understand that feeling of being trapped by people’s expectations and rules. For Jasmine, it’s the fact that Aladdin actually listens to her, which no one else really does.

We also get this wonderful moment:

aladdin trust 1

Which later leads into this fantastic moment:

aladdin trust 2

In between this point, we’ve had Jasmine dealing with ‘Prince Ali’ (who she doesn’t know is Aladdin), and there’s a very important distinction made. Aladdin thinks that being a prince and becoming something he’s not is what will win Jasmine over, since surely she’d never want to marry a street rat. But Jasmine is taken aback by Prince Ali’s arrogance. All of the claims made in Prince Ali, about his wealth, possessions and status, mean nothing to her.

aladdin jasmine's not impressed

It’s not until she realizes that Prince Ali = Aladdin, and Aladdin starts showing her his real self, not his egotistical alter ego, that she falls head over heels in love with him.

The “do you trust me?” moment is important not only because Aladdin is asking for consent to take her on this adventure, rather than just taking her along for the ride, but also because it shows that Jasmine is impressed by the sentiment. Aladdin showing Jasmine a whole new world can be referenced in two ways: 1) him showing her around the kingdom, and 2) showing her the kind of affection and respect that she has never gotten from another guy, or well, anyone, really.

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Plus, these two make an amazing team. They’re equals in their relationship, which is really important. They also get the most development out of any of the Disney couples, because we have three movies and a TV series to follow their growth through. By the time of Prince of Thieves, Aladdin and Jasmine have been together for some time. They’ve seen the world, they’ve grown and changed as people, and more importantly, they know each other so much more than they did at the start of the movie. Their relationship has strengthened and grown, and so has their trust and respect for one another. Them getting married feels more important than past marriages, because whereas we never really got that growth before, here we get to watch the relationship unfold. Here, it feels more significant, and more developed as a whole.

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Plus, look at how cute these two are!

aladdin she knew it

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5. All of the songs are flawless and catchy.

Aladdin is one of those movies that I always wind up humming along to when it’s on. Every song from this movie is catchy, from “Arabian Nights” to “A Whole New World.” Each song has a purpose, adds something to the plot, and more importantly, is awesome to listen to. My favorite of the bunch is probably “A Whole New World,” which I rambled a lot about in the Disney Love Songs meta I wrote last month with Mic, so I won’t bore you with more rambling.

But seriously, the music is awesome. Even the sequels have good songs! Return of Jafar gives Jafar a true villain song with “You’re Only Second Rate” while Prince of Thieves just has awesome songs all around, like “Out of Thin Air” (which is one of my favorites) and “Are You In Or Out?”

I do want to talk about the nice juxtaposition in the music, with the opening of Aladdin, and the ending of The Prince of Thieves. Aladdin opens with “Arabian Nights” which is essentially our introduction to the world, and then shows us the merchant, who is essentially our narrator of the story. Then Prince of Thieves, the final movie, ties up the storyline by ending with the “Arabian Nights (Reprise)” in which the merchant finishes his story up for us. It’s a really cool way to tie together the series, and it shows the awesome continuity that the movies share.

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6. Jafar is a pretty awesome villain.

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I’ll admit it: Jafar is pretty twisted.

But that’s part of what makes him an effective villain. Jafar is our first male antagonist of a Disney Princess movie, and he’s a quite chilling one. He’s manipulative, petty, possessive, entitled, and he has a very deadpan sense of humor.

Like Gaston before him, Jafar feels entitled to lots of things. He thinks he deserves the kingdom. He thinks he deserves Jasmine. One of the great things about Jafar is that in a way, his relationship with Jasmine is the exact opposite of Jasmine’s relationship with Aladdin. While Aladdin respects Jasmine and her feelings, Jafar just kind of doesn’t. Jafar sees Jasmine as a trophy that he deserves, and Jasmine points out, she’s not a prize to be won. Unfortunately, Jafar never really gets that through his thick skull, or maybe he just doesn’t care. Either way, his lack of regard for Jasmine’s feelings and his attempts at forcing her into a relationship are shown as despicable, as they should be. It’s a great way of highlighting a not healthy relationship vs. a healthy one.

aladdin drink in the face

Unlike Gaston, who was mostly all talk and no bite, Jafar has the dark magic to back himself up. He’s also a fairly clever villain, who uses hypnotism and trickery in order to achieve his goals. His plot to steal the lamp from Aladdin, for example, was actually pretty clever. But like Gaston before him, Jafar’s arrogance is his downfall, and his wish to be a genie and get that unlimited power he desires ends up backfiring when he forgets that power always has a price. In his case, that means being shackled to a lamp. Whoops. Maybe he should’ve remembered that old adage: be careful what you wish for.

In Return of Jafar, Jafar doesn’t quite learn from his past lessons. He is a bit sneakier, which ends up helping him out for a while, but his flair for dramatics, and the way that he treats people as pawns rather than people (his treatment of Iago, for example) ends up screwing him over in the end when Iago leads directly to his defeat. Even cosmic powers can’t help you out when you just don’t leave from your past mistakes.

8. The Genie.

aladdin genie

Do I even need to go into why the Genie is awesome? Genie is awesome, not only because he has cool cosmic powers and makes great puns, but also because he’s the character who plays the voice of reason for Aladdin. He’s the one pressuring Aladdin to just fess up and tell Jasmine the truth, and to stop worrying so much about everyone else thinks and just be himself.

aladdin tell her the truth

He also has an awesome song (“Friend Like Me”). And he gives us lots of feelings. He is also voiced by the incredible Robin Williams (may he RIP), who did such an amazing job bringing Genie to life. I’ll just sum this up by including that scene that gives us all feelings and happiness:

8. Aladdin and Jasmine have awesome relationships with their dads!

I’ve talked a lot about how Aladdin builds off of the films that came before it, and this is very true in how it portrays the relationships with Jasmine/the Sultan and Aladdin/Cassim.

Previous Disney movies gave us some pretty great father/daughter and father/son bonds: Phillip and his father, Ariel and her father, Belle and her father…

And with both Aladdin and Jasmine, we get to see their relationships with their fathers grow and unfold. In Aladdin, we focus solely on Jasmine’s relationship with her father, the Sultan. The Sultan means well (“I just want you to be taken care of”), but the problem is that he’s so caught up in rules and tradition that he doesn’t realize that Jasmine knows what she wants and is perfectly capable of making her own decisions. He slowly realizes this over the course of the movie. Jafar turning out to be a traitor, and him seeing Jasmine’s independent spirit and her love for Aladdin, shakes him out of his daze and leads to him becoming closer to Jasmine and giving her the agency she desires to make her own choices.

aladdin father daughter cuteness

In Aladdin’s case, it’s a bit different. While Jasmine grew up with her father, sheltered, Aladdin lived on the streets exposed to a harsh world that treated him like crap, basically. When he finds out his father’s alive, he has lots of complicated feelings about him, because as he says, “What kind of man leaves his son?”

Aladdin has always felt abandoned by his father. He never had that fatherly figure to look up to. He didn’t have a father to guide or shape him the way that Jasmine did. As he says in “Out of Thin Air:”

Your father’s a man who taught you who you are;

Mine was never there

The fact that his father wasn’t there for him was a sore subject, especially when he realizes that his father is alive and off being the King of Thieves which to him feels like his dad didn’t care enough to come find him. However, just like Jasmine and the Sultan, Aladdin and his father begin to bond and understand one another. And just like the Sultan, Cassim learns to value his son and who he is as a person. Much like Jafar, Cassim was pretty obsessed with power, but whereas Jafar got consumed by power, Cassim follows in his son’s footsteps and realizes that power isn’t everything. He’d rather have his son – and his awesome future family.

While he doesn’t stick around, Aladdin doesn’t begrudge him for it, and Cassim leaves at the end of King of Thieves to go on his own trip to see the world, with Iago in tow. I’d like to think that trip led to some character growth for them, just as Aladdin and Jasmine grew in the animated series when they went off to see the world. 😉

aladdin cassim iago

What is your favorite Aladdin movie? What’s your favorite song? And what do you guys love most about the trilogy? Sound off in the comments!

Follow Animated Meta on Twitter and Tumblr. Have a great Tuesday!

Cheers,

M&M

Animated Love Songs (Part 1)

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This week is Valentine’s Day, so we wanted to do something fun to change things up. This week is the week of Animated Love Songs, both Disney and non-Disney. Mic and I have decided to co-write, so we’ve marked each song to show who’s waxing poetic about it. I hope you guys enjoy this!

A Whole New World – Aladdin (Mel)

Aladdin is one of my absolute favorite Disney movies ever and I fangirl shamelessly about Aladdin and Jasmine’s relationship. They’re the definition of a badass power couple. Thus, I’m super excited to talk about “A Whole New World” – aka, their epic song.

We start with Aladdin’s awesome promise to show Jasmine the world:

I can show you the world: shining, shimmering, splendid

Tell me, princess, now when did you last let your heart decide?

He’s appealing to Jasmine’s sense of adventure and he brings up a great point. Jasmine’s never really had a chance to follow her heart because of her duties, and now, she’s getting a chance to listen to her heart and go for what she wants with Aladdin.

“A Whole New World” is interesting because Jasmine is in on the secret with the audience now: she knows that Aladdin = Prince Ali, and so there’s also a sense of glee that she’s found this boy she deeply cared for and worried about earlier in the story. Also, she doesn’t really fall for “Ali” until she realizes he’s Aladdin. Aladdin’s attempts to be something he’s not don’t really get him anywhere. It’s this song, where he opens up and shows his true self, where he wins her over. Because who would not want Aladdin?

aladdin flower

A whole new world

A new fantastic point of view

No one to tell us no, or where to go

Or say we’re only dreaming

Both Aladdin and Jasmine are tired of always being told what to do. Aladdin’s been kicked around for being a street rat and no one’s really appreciated who is he. He was born a street rat and he’ll die a street rat, but he’s defying that expectation. Meanwhile, Jasmine’s been harassed about getting married, and having to stay behind the palace walls, but she’s sick of that. This moment is a little taste of rebellion against everyone who’s ever told them they can’t be who they want to be, or go where they want to go.

Unbelievable sights, indescribable feelings

Soaring, tumbling, freewheeling

Through an endless diamond sky

This is probably one of my favorite bits of the song. Jasmine’s delight and awe at getting to see all of Agrabah, finally, is wonderful. All she ever really wanted was to get out of the palace and find someone she loved, and she’s accomplished both in one fell swoop.

I’m like a shooting star, I’ve come so far

I can’t go back to where I used to be

After all that she’s seen, and all she’s experienced with Aladdin, she can’t go back to the sheltered girl she was before. And honestly, she doesn’t want to.

Every turn a surprise,

Every moment red letter;

I’ll chase them anywhere,

There’s time to spare;

Let me share this whole new world with you

(Small note: I actually had a great debate about whether the second line was “red letter”/”gets better” with Mic earlier; it was fun.)

Anyway, basically, these two crazy kids are enjoying their whole new world, filled with adventure and excitement. They want to enjoy the moment (“there’s time to spare”) and share the new world they’ve discovered.

A whole new world (A whole new world)

That’s where we’ll be (that’s where we’ll be)

A thrilling chase, a wondrous place

For you and me

Jasmine’s found the adventure she wants, Aladdin’s found the respect he wants, and they’re both pretty happy with this whole new world they’ve uncovered. We even get some hand-holding and fireworks – that’s basically official couple status right there. 😉

 

Far Longer Than Forever – The Swan Princess (Mic)

The love song in The Swan Princess is interesting since it happens when the lovers are apart. This song is a way to connect them, to bridge the gap.

I close my eyes and I am where you are

And with your love I’ll never be alone

It’s also a very flowery song, comparing their love to the sun and how meant to be they are. Funny, considering they’ve been paired together their whole lives with the expectation they’ll marry, and Odette and Derek have rebelled against that notion their entire lives.

swan princess gross odetteswan princess derek kissing hand

“This is My Idea” is a montage of their adolescence full of scowling and pranking and “ughhh, dad, I don’t want to go see Derekkkk,” and then this is NOT my idea turns into this is my idea.

As sure as the dawn brings the sunrise

We’ve an unshakable bond

Destined to last for a lifetime and beyond

Look, I adore this song. I do, truly. It’s just that Odette rejects Derek when he wants to marry her because of her beauty and that’s not enough for her. Odette knows that’s not what love is. She leaves him, so they haven’t seen each other since, nor did they part on good terms.

swan princess is beauty all that matters to you

The rational part of me could buy a love song a little more understated that did not declare their love “as constant as a star,” since after all this had happened with zero follow up.

However, they have known each other since childhood, which is longer than most animated couples. Maybe a part of Odette knew Derek didn’t just love her pretty face—he was just too dumb to put words together—and she jumped on his idiocy to turn him down because she was afraid. Her change of heart is never addressed once he saves her. And neither is the deepening of Derek’s feelings.

But that’s the rational side of me. The fangirl part that adores this movie and thinks Odette is the prettiest thing and Derek is cute and “You should write a book: How to Offend Women in Five Syllables or Less,” is one of the best lines ever, loves this this song. The flowery language, the longing, the not feeling alone BECAUSE LOVE. I can’t get enough of it.

I also love how Odette wants to save herself.

 If I could break this spell

I’d run to him today

And somehow I know he’s on his way to me

Odette tried to escape. She had a big song about it with her puffin, turtle, and frog friends. It just didn’t work. And later, she is the one that finds Derek and leads him to her (since boy is clueless, okay?), but she can’t break the spell. But she takes solace in knowing her partner is trying to save her. Tis one less thing to worry about.

So, yes, is Far Longer Than Forever a tad over the top? Is it cheesy? Is it everything movies tell us about love? Yes, yes, and yes. Do I care? No, no, no.

 

I See the Light – Tangled (Mel)

tangled the lights

“I See the Light” has a gorgeous montage involving the lights. It’s a great song, because it’s not only a love song, but it’s also about realizing your dreams – and discovering new ones. One of the best parts of Tangled to me is its message  about dreams. When you achieve your dreams, you discover new ones. And sometimes, what you’ve dreamed of isn’t always what you expected it to be. Your dreams change and grow along with you, which we see very clearly in Rapunzel and Eugene’s lyrics. Let’s start with Rapunzel:

All these days, watching from the windows

All these years, outside looking in

All that time, never even knowing

Just how blind I’ve been

Rapunzel’s first verse actually has a dual-sided meaning. The obvious one is that Rapunzel is sheltered and she’s never really known much about the world outside her walls. Much like Quasimodo, Rapunzel’s grown up naïve and scared of venturing outside her comfort zone. But once she does, she realizes how blind she’s been – and how much the world has to offer her. The second, less obvious meaning, relates to her feelings for Eugene. She’s been blind to how she feels about him, until now anyway.

Now I’m here, blinking in the starlight

Now I’m here, suddenly I see

Standing here, it’s oh so clear

I’m where I’m meant to be

Here’s our triumphant “I got what I wanted” moment. Rapunzel wanted to see the lights, and now she understands that this is where she’s meant to be. She was meant to see them, and she feels accomplished. Again, since this is a love song, we can also tie that back to Eugene: she was meant to be here – with him.

tangled rapunzel lights

I’m going to come back to Rapunzel’s want/dream soon, but first I’m going to change stride and focus on Eugene’s verses. We’ll come back to the pretty chorus later.

All those days, chasing down a daydream

All those years, living in a blur

All that time, never truly seeing

Things the way they were

Remember what I said earlier, about how what you dream of isn’t really what you expect it to be? That applies perfectly to Eugene. He’s realizing now that his dream isn’t really all that it was cracked up to be. Just like he’s opened up Rapunzel’s perspective and shown her the truth about the world outside the walls of her tower, she’s opened him up to a world he never really imagined – and the love he never thought he wanted. In the interlude before his verse begins, Rapunzel offers him the bag with the crown in it, and while the Eugene at the start of the story would’ve snatched that right up, he doesn’t even bother looking inside. He doesn’t care about that anymore, because he’s realized there’s more to life than the life he had before, all thanks to Rapunzel.

tangled light 1tangled light 3

tangled light 2

Now she’s here, shining in the starlight

Now she’s here, and suddenly I know

If she’s here, it’s crystal clear

I’m where I’m meant to go

While his old dream isn’t really working out for him, he’s found a new dream in Rapunzel. She’s his guiding light, and he knows that she has led him to the path he needs to be on. Unlike Rapunzel’s “I’m where I’m meant to be,” which signifies the completion of her dream, Eugene’s “I’m where I’m meant to go” signifies the start of a brand new dream.

tangled rapunzel eugene lights

Now, let’s go back to that chorus:

And at last I see the light, and it’s like a fog has lifted

And at last I see the light, and it’s like the sky is new

And it’s warm and real and right,

And the world has somehow shifted

All at once, everything looks different

Now that I see you

tangled now that i see you

This is important: the chorus pops up twice.

The first time, it’s sung by solely Rapunzel, after her verses end. The “now that I see you” occurs just as she turns and sees Eugene. Now, why is that important? Well, Rapunzel’s completed her dream to see the lights. And now, she’s realizing she has a new dream: Eugene. Now that she sees him, it’s clear that she wants him, and that she’s realized the depth of her feelings for him.

The second time, it’s a true duet. The inner monologues end, and Rapunzel and Eugene come together to sing their feelings out like a true Disney couple. It shows that they’re not afraid to express how they feel about one another, and also that they’re on the same page about their feelings.

The chorus is all about what it’s like to gain perspective. “A fog has lifted.” “The sky is new.” These are lines that relate to that moment when everything becomes clear, and suddenly you realize what’s most important to you. For our protagonists, that’s them realizing their feelings for one another, and how important they are to each other. Now, everything is different. They’ve shed their past dreams and started a brand new dream, together.

 

So This Is Love – Cinderella (Mel)

cinderella and prince

I am such a sap about Cinderella, so prepare for lots of gushing about this song.

So This Is Love is Cinderella and Prince Charming’s love song, and it’s pretty adorable. It’s an interesting case where there’s a duet, but neither part is actually singing out loud. Instead, it’s internal monologue about how they feel about finding love.

So this is love -humming-

So this is love

So this is what makes life divine

It’s important to focus on the visuals here. We get to see a close up of Cinderella and the Prince’s radiant grins, and the way they stare at each other in awe as they dance. It’s easy to see how enthralled Cinderella is with the Prince, and vice versa. For Cinderella, who’s grown up without much love after her father’s death, finding love with someone like the Prince certainly “makes life divine.”

cinderella and her princey dancing

I’m all aglow -humming-

And now I know (and now I know)

The key to all heaven is mine

“The key to all heaven is mine” relates to their feelings for one another: meeting one another has unlocked all kinds of happiness that neither of them even knew existed. There’s a Katy Perry somewhere that says “they say you know when you know,” and Cinderella and Prince Charming certainly seem to know that this is love, and this is the love they need to find eternal happiness with one another.

My heart has wings -humming again-

And I can fly

I’ll touch every star in the sky

This part is really beautiful to me, because the wings and flying metaphor ties in so well for Cinderella, who’s always been grounded by the cruelty her stepfamily shows toward her. She always had the faith that she would get out of her situation and the determination to never give up on her dreams, but now she’s found someone who makes her heart soar, and gives her more hope than she had before. With the Prince, she sees a new route opening, and he could be exactly what she needs to get out of her grim living situation.

So this is the miracle that I’ve been dreaming of

So this is love

cinderella otp

We know that Cinderella’s been dreaming of miracles, but this also brings up the interesting point that the Prince has been looking for a wife, so he’s probably been dreaming that he’ll find someone that he loves deeply and wants to spend the rest of his life with. And while Cinderella’s found an escape in love, he’s found a future in his love for her as well. Ah, young love.

 

Once Upon a Dream – Sleeping Beauty (Mic)

sleeping beauty dance

This is a song that has about five lyrics repeated over and over again. It’s a very dreamy (get it?) perception of love and has touches of pre-destination in it. Like, they “met” in a dream, okay? There’s no depth to this song or this interpretation of love.

Mel would like to  add that the pre-destination feeling could be because they’ve met before, and can be why they’re so familiar to each other. Their original meeting feels like it happened once upon a dream.

I think, more so, this song speaks to us about Aurora and how alone she feels. Her only friends are some woodland creatures and she’s been raised by three fairies in the middle of nowhere.

sleeping beauty playing prince

We don’t really know what her relationship with them is like, but it doesn’t seem like the fairies are very adept at parenting since they still can’t do anything without magic after sixteen years.

sleeping beautiy cake candles life copy

So Aurora wants love and that makes sense.

Yet I know it’s true that visions are seldom all they seem

But if I know you, I know what you’ll do

You’ll love me at once, the way you did once upon a dream

I think this first line definitely shows us that she’s been let down in love (the fairies?) before. Or she’s heard stories. But this also goes back the fairy tale aspect of most Disney films. True Love, Happily Ever After, etc. Lots of people don’t believe in those, or think it’s cheesy. People get hurt, a lot of times it doesn’t work out. But this song is basically telling you not to be a cynic. Sure, things don’t work out, dreams don’t always come true, but this time…

Or it’s a song about a guy and a girl meeting in woods and admiring the gleam in each other’s eyes. I don’t know.

 

Learn to Do It (Waltz Reprise) – Anastasia (Mel)

anastasia dance

Anastasia’s love song is interesting, because not only is it a reprise, but it’s not sung from the perspective of either of the couple. In fact, it’s from the matchmaker’s perspective, as he realizes that he’s inadvertedly pushed Dimitri and Anastasia together in the midst of their scheme.

anastasia dimitri vlad

It’s one, two, three,

And suddenly, I see it at a glance

She’s radiant, and confident,

And born to take this chance

Here, Vladimir admires his handiwork; watching Anastasia dance proves to him that he made the right choice, choosing her for his con. By bringing out her confidence and teaching her about Anastasia’s life, he and Dimitri have gotten her ready for this. She’s “born to take this chance” – which fits in more ways than one, considering Anya actually is the lost Anastasia.

anastasia

The “it” Vladimir refers to could also refer to the romance between Dimitri and Anya, which he gets into here:

I taught her well, I planned it all,

I just forgot… romance

Vladimir may have planned out everything, but he forgot to plan for the unexpected. He didn’t realize that despite Dimitri and Anya’s initial distaste for each other, they might end up falling in love. And here’s where he’s bittersweet about the whole thing.

anastasia shock copy

Obviously, he wants Dimitri to be happy, considering how close they are, but the emotional attachment might cause issues for them, and he doesn’t want his best friend to get hurt. At this point, he’s also grown fond of Anya, so he’s worried about them both. He scolds himself, saying:

Vlad, how could you do this?

How will we get through this?

I should have never let them dance

But unfortunately for Vladimir, it’s a little too late to sulk about it, so he’s just going to have to deal with the fact that Dimitri and Anya are falling for one another. (And lucky for him, and them, it ends up working out in the end.)

anastasia kiss

One interesting thing I noticed when I watched this scene was the way that Dimitri and Anya move in perfect harmony when they waltz. It shows their connection, and how normally stubborn Anya lets Dimitri take the lead, trusting him not to screw things up. I thought that was a nice touch to foreshadow this romance, and how opening up to one another and trusting each other is ultimately what strengthens a relationship. You can’t have a relationship without trust, after all.

 

Love – Robin Hood (Mic)

Love is a super short song in Robin Hood. The singer has this very dreamy quality to her voice that emphasizes this idea that love changes you, everything happens in a bubble:

Once we watched a lazy world go by

Now the days seem to fly

robin hood hug

While this song talks about love surpassing death and going on forever and being more precious than life, it also personifies love. That really threw me off.

Love

It seems like only yesterday

You were just a child at play

Now you’re all grown up inside of me

robin hood ring so cute

At first I was like, “Umm… okay weird.” But the more I thought about it, the more sense it made. Yes, we all have the capacity to love as children. Love has always been… inside us… but it’s not until we grow up that we learn how to really love another person romantically. We start out loving our family and ourselves–and most of the time we have to learn how to love ourselves, too. Sadly, it’s not innate. As we make friends, we learn how to love them and be good friends in return. In the same fashion, we also stumble around in the dark when it comes to romantic love.

robin hood love

Love matures as we mature. I think that’s a great message to send.

 

If I Never Knew You – Pocahontas (Mel)

If I Never Knew You is interesting because it was originally a deleted scene that they cut from the theatrical release due to it making the film drag a bit. Fun fact: they did add it back in on the 10th year anniversary when it was rereleased on DVD. It’s also that song in the credits of Pocahontas, so you’ve likely heard it before if you’ve see the movie all the way through.

lion gross sobbing reaction

Anyway, this scene is really sweet, and builds off the dialogue Pocahontas and John Smith share, when she visits him the night before her father is going to execute him. She tells him that she thinks it would be better if they’d never met, and he tells her: “I would rather die tomorrow than live a hundred years without knowing you.”

One of the most important things about this song is the fact that it makes a really excellent point. Who would John Smith be if he’d never met Pocahontas?

pocahontas you think the only people who are people

There are two really great sets of lines where he muses about this:

If I never knew you, if I never felt this love

I would have no inkling of how precious life can be

(AND)

If I never knew you, I’d be safe but half as real

Without Pocahontas, John Smith wouldn’t be the man that he is now. At this point, he’s come a long way from the man who thinks of the New World as “a land I can claim, a land I can tame.”

pocahontas with stick

Pocahontas’ influence has shown him a whole new perspective. Without her to push him and challenge his views, he may have never gained that perspective.

(That sound you hear is Mic sobbing uncontrollably.)

I really, really love that second line in there: “I’d be safe but half as real.” There’s a saying that you’ve probably heard: ignorance is bliss. If John Smith had never met Pocahontas, he would be safe, since he probably wouldn’t even be in this situation, about to be executed. His former beliefs would also be safe from scrutiny. But, again, he’d only be “half as real.” He gets a nice dose of reality from Pocahontas in “Colors of the Wind,” and that’s ultimately what forces him to take a look at himself and how he views the world. He values what he’s gained from knowing her, and even though he knows he would be safer not knowing her, he also wouldn’t be the man that he is now, so it wouldn’t really be worth it.

pocahontas if i never knew you 5pocahontas if i never knew you 6

In this world so full of fear,

Full of rage and lies,

I can see the truth so clear

In your eyes

I thought this was actually a really interesting stanza to include, considering that this song takes place right in between Savages Parts 1 and 2. “Savages” is all about the misconceptions both sides carry about one another, and the lies that they believe about one another. Both sides are filled with rage and fear toward each other. But Pocahontas and John Smith have moved past the misconceptions and seen the truth in one another.

I thought our love would be beautiful

Somehow we’d make the whole world bright

I never knew that fear and hate could be so strong

Here, Pocahontas is realizing that love can’t always conquer all; they never thought that their love could make things worse, and that fear and hatred could overcome everything they were working to prevent.

But still my heart is singing, we were right

But, despite the hardships, they know that they’re in the right. Because they are in love, and because they’re taken the time to understand each other’s side and learn about one another, they have a clearer view of one another and they know their truth. They just have to prove it to everyone else (which they end up doing).

There are also some really great callbacks to other songs earlier on in the movie. We get flashbacks of Colors of the Wind. That song references how they’re all connected to each other “in a circle, in a hoop that never ends,” and the two of them are intertwined throughout the song.

pocahontas if i never knew you 3

Compare that to here:

pocahontas and john smith 4

And in a callback to “Just Around the Riverbend,” Pocahontas sees herself and John Smith reflected in the water, and John Smith disappears, much like Kocoum did.

pocahontas should i marry kocoum

But this time, John Smith is the one letting go of her hand, while Pocahontas was the one who let Kocoum go. It’s symbolic of how they know that tomorrow, he will be gone, and his goodbye to her, in a way.

pocahontas farewell 1pocahontas farewell 2

Also, note the way that John Smith looks up from the darkness and turns his face to the light when he’s alone at the end of the song. Even though his situation is dark and grim, he has hope, all because he knew her.

reaction owl fangirl hearts happy

We’ll be back with more songs on Saturday! What are your favorite animated love songs? And who are your favorite animated couples? Let us know what you think in the comments.

You can follow Animated Meta on Tumblr and Twitter! I hope you guys have a lovely Tuesday!

Cheers!

M&M