Author Archives: MichellaDomenici

About MichellaDomenici

20yr old college student living with her parents and cat in Brooklyn Have a look around, I'll mostly be rambling about food, tea, animals, Captain Swan, and my book.

Poll: What’s Your Favorite Pixar Movie?

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There’s no meta this week on account of me getting back from California the night before. But while I was there I was at this place:

pixar

 

It got me thinking about what my favorite Pixar film is. I’ve always thought I didn’t have one since they’re all pretty amazing, but then I realized I do have a favorite. One I’ve watched more than the others, one I own on DVD, one I took with me to Italy and actually watched while I was on vacation. And that film is…

the incredibles logo

The Incredibles!!

I have such a soft spot for it for several reasons.

  1. Superheroes
  2. Family
  3. Violet
  4. Everything

Violet is one of the first characters I remember being told was like me. And um, I’ll take it. I love her so much. I was also really obsessed with forcefields and invisibility when I was younger.

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And then she becomes a bamf.

incredibles 3 Who me? YES, YOU GIRL!

Plus, with moments like this:

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incredibles 7

 

incredibles wheres my super suit

how can you not adore this film?

So The Incredibles is my favorite Pixar film. Which one is yours? Take the poll below and also tell us in the comments. Or maybe you can’t pick just one?

pixar in concert

Maybe you’re a Pixar super fan and have seen music from the films performed live! I know I have and it was awesome and I cried a lot. NO SHAME.

breakfast club fist pump yes reaction boss peggy sunglasses reaction

Either way, take the poll, leave a comment, and let’s all have a Pixar party together. 🙂

reaction wait fangirling freaking out mind blown

And guess what? HERE’S A BONUS POLL! Which upcoming Pixar movie are you most excited about?


 

Happy Saturday, people!

Back to our regular programming next week.

Cheers,

M&M

Tackling Depression in Inside Out

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Inside Out is one of those films where you will hear adults sobbing in the audience. Job well done, Pixar. Numerous articles have already come out about the psychology behind the film and why the best character is the one left out of marketing, so I’m not going to talk about those. Instead I want to focus on how the film dealt with mental illness.

We champion Frozen as some pillar of achievement, especially because Elsa is often seen as a symbol of depression and anxiety. Inside Out took this exploration into mental illness a step further. When Riley loses Joy, Sadness, and her core memories, she exhibits symptoms of depression and doesn’t know what to do.

I’m going to start with a quick explanation of Core Memories, something the film makes up for the sake of storytelling. In Inside Out, Riley has about five very strong, powerful memories that supposedly make her who she is. One moment where she’s goofing off with her mom and dad is singled out as the genesis of the ‘goofball’ facet of her personality. Her scoring a goal makes up her love of hockey, another of her walking hand in hand with her best friend to symbolize her love of friendship. You get the point. These memories are stored in their own area and are very, very important.

inside out the accident oops

When Joy and Sadness have an argument and are ejected from Headquarters, it so happens all of Riley’s core memories go with them, hence destroying the facets of her personality. Joy and Sadness are in a race against the clock to restore the memories before Riley loses herself completely.

inside out how are we supposed to be happy

Now, the bulk of the film is spent following Joy (and mostly Joy), as she attempts to get back. But we do see snippets of how Riley is functioning without Joy, Sadness, and her core memories. Spoiler alert: It’s not good. Riley exhibits symptoms of depression, which we’re going to discuss now.

Loss of Interest in Hobbies and Irritability

This is biggest and most obvious one. Riley loves hockey, but when her family moves to San Francisco, she has to leave her team and friends behind. Her mom quickly finds her a new league in their new town, but Riley isn’t excited. She tries out anyway, but it goes poorly and she storms away. Riley ends up turning aggressive when she gets frustrated, and her mom is surprised; clearly this isn’t something that has ever happened before.

Riley’s irritability also comes through when her parents are talking to her and want to know about school in the famous dinner scene that’s been used to promote the film. Riley doesn’t want to talk about it and can’t keep her tone from verging on disrespectful. It ends in a yelling match that has Riley stomping to her room.

Loss of Appetite

Let’s stay on that same scene a bit longer. It’s dinner and both her parents are eating, but Riley just swirls her fork around the take-out carton, never actually eating anything.

inside out riley not eating

Earlier in the film we see her reject pizza in San Francisco, but that’s because she resents the idea of putting broccoli on pizza.

inside out broccoli pizza

inside out anger pizza ruined

In fact, Riley was the one that suggested to her mom they get food in order to lift the mood. But during dinner, after the fiasco with Joy and Sadness has happened, she’s not eating.

Difficulty Concentrating/Remembering

On Riley’s first day of school in the new town, she has to introduce herself. At this point, Joy and Sadness are still in Headquarters, so she hasn’t gone into a spiral yet.

However, Sadness keeps touching all the memories, turning them from happy to sad, almost as if she can’t help it.

inside out sadness touching core memories

This confused me for a bit, but now I’m going to explain it this way: Riley was already in a negative state of mind because of the move. Riley was already letting Sadness govern her (instead of Joy). She didn’t just fall into a depression because she lost her core memories. She was already struggling emotionally before Joy and Sadness went missing—which is really great since for awhile I was worried Riley’s depression would be magically fixed with Joy and Sadness returning while people actually struggling with depression don’t have such an easy healing process. Riley already struggling to function before the mishap shows that depression sometimes creeps up on a person.

When Riley needs to introduce herself to the class, she can’t focus (partly because Joy and Sadness are squabbling up in Headquarters and her memories keep changing) and ends up crying because she misses her home so much.

inside out core memory turning sad Sadness turning a happy memory being recalled to a sad one.

Feelings of Worthlessness

This one was done subtly, but I saw it in the scene where Riley video chats with her best friend from home. When Riley finds out that her friend has already made a new friend, she angrily ends the call (another sign of irritability) and presumably feels not too great about herself. How come her friend was able to move on so quickly? Doesn’t she miss her?

woe is me reaction

Difficulty Sleeping

This one is more due to Joy and Sadness messing around with Riley’s Dream Production for various reasons, but Riley has a nightmare and wakes up.

Persistent sad, anxious, or “empty” mood

Riley is obviously sad about the move to San Francisco. She left her home, friends, and familiar surroundings all for a rundown house, a new school, and a city that puts broccoli on pizza.

There’s a lot of anxiety around the move. Besides fitting in and trying to make new friends, Riley can also sense her parents’ tension. They moved for her dad and his job and Riley overhears her parents talking about money problems. Worse, the moving van with all their stuff goes missing and no one knows when their stuff will arrive. Having your things to make your new home homey and familiar can help moving go smoother and cause less stress, but they don’t have that luxury.

However, after her initial breakdown in school, she doesn’t cry again, until the end of the film, when equilibrium is finally restored. Riley tried to suppress her feelings of sadness and anxiety because her mom asked her to put on a smile. As a result, Riley seems to numb herself and since she doesn’t have Joy and Sadness, she’s not functioning properly. This made me think of Frozen and the “good girl” Elsa strives to be. Because Riley and Elsa are putting on a face, they’re not processing their emotions. They aren’t allowed to go through a spectrum of emotion and that numbs them, making them feel empty.

frozen strugglebus reactioninside out riley sad

The hardest part of watching Inside Out for me was seeing Riley become more and more numb to everything. She seemed like a shell of her herself.

Riley is for all intents and purposes empty. Her core memories are gone. The glass case that stored them is literally empty. And she embodies that, like I just mentioned.

Does Love Fix Everything?

Long time followers of AM know Mel and I have major beef with Frozen for how they closed Elsa’s story. Love is not the answer to every problem, especially mental illness. Inside Out, thankfully, knows that and did something different.

Riley appears depressed because Joy, Sadness, and her Core Memories are gone. So Fear, Anger, and Disgust have been left in charge of helping her function (spoiler alert: They suck at it).

inside out fear disgust anger fightinginside out fear disgust anger punch

Riley is not clinically depressed since not once are neurotransmitters mentioned—the chemicals in the brain that can get out of whack and cause mental illness or other neurological problems like Parkinson’s Disease. Naturally, Joy and Sadness returning to HQ and restoring her memories should be solution enough.

It’s not.

Now I cried a lot during Inside Out. I cried the most here.

the floor is my friend reaction

This is where the story cycles back to Riley feeling like she has to put on a brave face because her mom asked her. It also ties us back to Joy and Sadness and their own arcs. I mentioned Sadness had been touching memories, thus making them sad instead of happy. This freaked Joy out because of course you’d rather have happy memories, right? No one wants to be sad. But Joy, who has been trying so hard to be happy all the time, finally sees that being sad is a part of life. Nothing can be wholly happy.

inside out SADNESS SAVES THE DAY WOOOTTTT Sadness saves the day!

Joy gives Sadness control of Riley, finally letting her cry. Letting her feel the pain she was numbing herself to—just like Elsa, unable to experience a full range of emotions. Riley also opens up to her parents, who are there for her.

inside out sad end family hug

Because the good thing about being sad is that usually, happiness will follow. Joy and Sadness are able to join forces and new memories form that are happy and sad, not solely one or the other. It also means a lot to me that Riley’s core memories do become “sad” in the end since they will now carry a tinge of nostalgia and longing for her old home. But they also still make her happy.

my babies 1 reaction

Riley overcomes her depression not just by Joy and Sadness restoring order in her brain, but by Riley talking with her parents, the people who love her, and feeling the sadness she needs to in order to move forward.

If you are suffering from symptoms of depression and don’t know what to do please, please, talk to someone you trust because you and your life matter. 

The National Suicide Prevention Lifeline: 800-273-8255

National Alliance on Mental Illness

Take care and love yourselves. 

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Cheers,

M&M

Songs for Dad: Animation Style

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Tomorrow is Father’s Day so have a Dad Themed meta! What better way to express your love for Dad than with music? There are two Disney songs and one non-Disney song that are Dad centered. Let’s dive in!

Father and Son

In the third Aladdin movie, Aladdin finally met his long lost father. They have a strained relationship on account of Cassim being absent (and the fact that he’s The King of Thieves—minor detail). In this song, Genie tries to help them make some positive progress in their relationship.

aladdin king1aladdin king2

And boy do they need it…

This song is different than the ones we’re gonna talk about because it’s not the kid and parent singing. Instead it is someone else commenting on a father/son relationship.

It’s a big bright beautiful future

Thank you your lucky stars, you’re alive

You’ve got someone special to talk to

A friend that you can trust for life

I love the optimism here, the notion that any relationship can be fixed or mended. Sometimes families become estranged and there’s bad blood there forever, which is just really sad. But Genie is here to tell you that as long as you’re both alive, there’s always a chance things can get better.

The second line also literally relates to Aladdin and Cassim, since Aladdin did think his dad was dead for basically his whole life. Shame on Disney for killing family so often or keeping them alive and separating them.

Next, “special someone to talk to” is a really sweet line. Usually moms are the parent you’re supposed to turn to with your problems because women are more interested in sharing their feelings, but here, dads are friends and trustworthy and they’ll have your back forever. This is similar with the idea that no one will ever love you as much as your family.

You’ve been on your own with no family ties

But those solo days are done

You’ll be two of a kind

Spending quality time

Together as father and son

Again, this stanza starts with referencing the estrangement and this becomes more pronounced as the song goes on. Aladdin and Cassim have both been separated, alone, and while their reconciliation will make them two of a kind since they’ll be together, they already are. They’re both thieves (or, Aladdin was) and they’ve both been alone. They already have things in common. Once they spend some time together, they’ll be able to see how similar they are and become two peas in a pod, basically.

aladdin king cassim

Building model ships

Taking fishing trips

Working hand in hand

Painting the palace and moving the sand

First ten to go, with your daddy-o

Once you break the ice

You can postulate paternal advice

Here is a list of typical “Dad Things.” Building things, fishing, the visuals also show them playing football together. But then we’re back to the estrangement (“break the ice”) and that good can come out of it if they just work through it.

It’s a fine fantobulous future

I see fruit on the family tree

You’ll be great as the grumpy old grand-pa

Bouncing babies on your knee

You can fall asleep on the comfy couch

After playing one on one

Dreaming back to back

That you walloped the Shaq

Together as father and son

There’s a bunch going on here. The Shaq reference at the end again ties back to sports and things Aladdin and his dad can do together. But I like this idea of family continuing to expand and that one day, Aladdin and Jasmine will have kids so not only is Cassim gaining his son, he’s also gaining grandkids and a daughter-in-law and father-in-law. Cassim may have missed all of this with his son, but he gets to watch his son do what he couldn’t and be supportive and have a relationship with him now. Plus he gets to meet his adorable grandkids and love them. Estranged family members miss out on those big moments in life when they let things get in the way. The genie does not want that for Aladdin and Cassim.

Maybe a bumpy ride

We’ll make it side by side

Good afternoon, I’ll be your travel guide

Move over, laddie,

Make room for Daddy

Gotta whole new shoulder to cry on

“Bumpy ride” takes us back to the fact that this isn’t gonna happen overnight. There’s probably a lot of anger, resentment, and sadness to work through. All relationships take time. They’re messy. They’re hard and painful. But the benefits, like gaining someone to build model ships with. 😉

We talked about earlier how a father here gets to be someone you can talk to and in this stanza we also see he’s a shoulder you can cry on. That’s really nice, especially to tell boys. Our society conditions boys not to cry, which is really damaging. This song includes all the masculine things like sports and fishing and also says you can talk and you can cry and that’s perfectly normal. Props to you, Disney. You did something good.

Take a chance now give it a spin

You’ve had chums for palin’ around with

But you’ve never had a friend like him

Put your checkered past behind you now

No more living on the run

Face the big bright beautiful future

Together as father and son

We’ve reached the end! So let’s just start with the callback to movie one, Friend Like Me. The song purposefully classifies family and friends differently. We like to say friends are the family you choose for yourself, or friends feel like family, but there’s also the saying blood is thicker than water. And since this is a song about how awesome a relationship with your dad is, of course, they’re going with the latter.

aladdin king end

We end right back where we started, with the future and all the possibilities that lie ahead. The estrangement and isolation doesn’t need to be permanent. They just need to make the choice.

On My Father’s Wings

Our next song selection is from Quest for Camelot. This one is different from above since Kayley sings this just after her father has died. What you need to know is: Kayley adored her father. Her dad = who she wanted to be. So now her hero has literally died/been murdered. This is where Kayley affirms her mission to live up to the man her father was, to be like him, to remember him.

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This song is very straightforward. The visuals are really what matters. Kayley goes back to the beach she used to visit her with dad. She draws the symbol of the knights, the three intertwined rings, and actually has a flashback to when they would play together.

camelot father's wings camelot father's wings2

Quest for Camelot is all about Kayley wanting to be a knight, but being told she can’t because she’s a girl. Her father was the only person that believed she could be a knight and when she loses him, she doesn’t know how to escape society’s expectations, but knows she still wants to.

camelot 27

And I will fly on my father’s wings

To places I have never been

There is so much I’ve never seen

And I can feel his heart beat still

And I will do great things

On my father’s wings

This world I’ll never see

My dreams that just won’t be

This horse’s stride, with one day’s ride

Will have covered more distance than me

Kayley still feels her father with her, which is a beautiful message about the people we love never leaving us.

Someday, with his spirit to guide me

And his memory beside me

I will be free

To fly on my father’s wings

To places I have never been

Kayley is trapped tending a farm, what she’s supposed to do. So she turns it into an adventure, using the pitchfork as pole vault, a jousting stick, and finally hitting the bulls eye with it. She uses a spoon and bucket cover as a sword and shield.

camelot father's wing

Kayley’s inspiration to be a knight stems from her father. If he wasn’t her father, she seriously would not be the person we see on film.

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This tells us that dads matter so much to the development of a child. Even Aladdin was affected by not having a father since earlier in the film he tells Jasmine that he feels like he comes from nowhere, like he just appeared out of thin air. Even in movie one he hated being referred to as a street rat, like he was worthless. He didn’t have a father in his life to take care of him or build up his self-esteem like Kayley did.

Nobody Else But You

Do you remember this Goofy Movie tune? I did not. (Props to Mel for reminding me!)

Before the song starts, Max and Goofy are mid-fight and they are really going at it. Max resent being treated like a kid, but to Goofy, Max is his kid. Goofy’s just trying to figure out what his role is now that Max is growing up and doesn’t want him around as much. Cue the sad feels.

goofy movie fight

But then the song starts and all the happy feels! They totally make peace and love each other to bits.

Max

There are times you drive me, shall we say, bananas

And your mind is missing, no offense, a screw

Still, whatever mess I land in

Who is always understandin’?

Nobody else but you

Goofy

Oh, your moodiness is now and then, bewilderin’

And your values may be, so to speak, askew

I love how it’s Max that makes the effort to go first and it takes him a few tries to get it going. Goofy and Max both have their differences, but none of that really matters in the long run. Family and dads in particular, are there for you when you mess up. Say you impersonate a pop star to get the girl and then tell her you know that pop star and will be on stage at his concert and give her a shout out and then have to highjack your father/son bonding trip to make it happen.

Goofy, for his part, is just dealing with what all parents do: that shift that happens when kids become teenagers. Parents have a hard game to play because they need to give their kids space to learn on their own, figure out who they are, and let them make their own choices. Teenage years are that inbetween phase and it’s hard for everyone involved.

goofy movie always my son

Nobody else but you

It’s just our luck

We’re stuck together

Nobody else but you

Is crazy enough to believe we’ll come through

Parents pretty much always have your back. Even when it doesn’t seem like it, sometimes my mom flat out has to tell me, “I’m always on your side.” We don’t get to pick our parents and parents do not get to pick their kid. It really is luck, pretty much, that got us here. That’s what family is. There are hard times and confusing times and sad times, but family are the people you’re always supposed to have in your corner. They’re automatically there for you.

Max

So your jokes are all, let’s face it, pre-historic 

Goofy

And your music sounds like monkeys in a zoo

Both

But when life becomes distressin’

Who’ll I be S.O.S’in? 

See, your automatic. They’re who you call when shit goes to hell. No matter what your differences, big or small, material or moral, you’re stuck with them so suck it up. No, kidding. But it’s nice. Sadly, not everyone does have their automatic. But adoptive parents and siblings and grandparents and aunts and uncles and even good friends can be that automatic, too. Because really, it was luck you got them, too.

goofy movie hug

Both

Hard times we’ve had a few

Goofy

Like we’re thrown in the drink

Max

Like we’re tossed outta town

Both

But when I start to sink, than I’d rather go down

With nobody else but Y-O-U!

The visuals here have them actually sinking since they get sucked in a whirlpool, which is a silly animation touch. This ending section is pretty much everything I’ve been saying. Like Aladdin and Cassim and their hard times, Goofy and Max have had something more akin to ‘normal problems’ but if all you have are ‘normal problems’ then well… they feel like big problems. But both pairs of fathers and sons were able to work it out in the end. Cause, family.

goofy movie dancing bigfoot

Conclusion

In what was probably the cheesiest meta in AM history…

No, but seriously. Okay all these songs are nice and all, but why are they all between fathers and sons? There are way more daughter/dad duos in animation. Especially in Disney with their KILL THE MOM fetish. That leaves so many princesses with fathers (Snow White, Ariel, Belle, Jasmine, & Pocahontas) (Aurora, Hercules, Mulan all had moms also, but their dads arguably played a much larger role in their stories.) The Lion King was also largely about Mufasa and Simba, while Sarabi had a very minor role. If you go the Pixar route, look at The Incredibles which yes, featured a family, but the dad had the biggest storyline.

Turn to Dreamworks and The Croods is about a family, but again largely revolves around the father character. Even in the Shrek franchise we meet Fiona’s dad and Shrek 2 is largely about Shrek and Fiona’s dad finding common ground. How to Train Your Dragon finds Hiccup without a mother, though this is rectified in part two (so amazing), but the dad so far has played a much larger role in the story. Maybe this will be different in movie 3 (if we get one/are we getting one?).

From other studios, we have Despicable Me, which focuses on a foster/adoptive father. Could Gru have been a woman? In The Swan Princess, Odette’s mother dies in the very beginning and though her father dies a bit later into the film, she was still raised by him and seemingly close. Look at how many more father figures feature prominently in animated movies. Anastasia is mostly about Anya and her grandma, but in the beginning, before it all goes to shit, Anya dances with her father and then imagines dancing with him again in Once Upon a December.

While I am unhappy with the lack of mom-rep, the amount of dad-rep is overwhelming. So why few songs about dad and family? Why does romance get all the best songs?

However, for the songs we do get, they’re all positive. It’s good. All is happy in animated-dad land. Unless you’re Kayley’s dad.

Happy Father’s Day.

Who is your fave animated dad?

Follow AM on Twitter and Tumblr.

Cheers,

M&M

Fear and Love at First Sight: An Examination of Disney Princesses and Their Princes

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Ariel and Eric are probably my Disney OTP (besides Esmeralda/Phoebus and Jane/Tarzan and Jasmine/Aladdin and Pocahontas/John Smith *cough*). I, and I’m sure many of you, have wanted to meet our Prince Charming with a perfect Love at First Sight moment we frequently associate with Disney. But I took a closer look at all the Princess/Prince meetings and um… well… I noticed a lot of trends that don’t really sit well with me. Let’s explore!

Pre-Renaissance Films
The Pre-Renaissance princess movies are Snow White, Cinderella, and Sleeping Beauty. All three meetings are a very typical ‘love at first sight’  storybook scene. However, in the case of Snow White and Aurora, their prince appears out of nowhere, drawn by their voice and startling them. Snow White actually runs into her castle because she’s so scared, while Aurora pulls away. The meeting in Cinderella is less creepy since it happens at a party, where one would expect to meet new people.

Though Cinderella isn’t singing like the other two princesses are when they meet their princes, music is still an important element in their meeting. Cinderella is the first film where dancing is introduced as both an important storytelling and romantic element.

cinderella and her princey dancing

There is also a song, and though it is sung with the impression it is Cinderella and her prince, they’re not actually singing in the scene. Instead, their meeting has a narrator of sorts, the Duke. In contrast, Snow White and Aurora are both singing alone and then have a duet with the prince (Snow White’s doesn’t last very long though, since she runs off when the prince startles her).

Snow White and Sleeping Beauty have many elements of their meetings in common. Firstly, both princes are on horseback. Animals are involved in both, with Aurora dancing with her owl friend and her other critters watching. In Snow White, Snow is singing to the doves. While Cinderella has mice friends and they did take her to the ball, they’re not present in this scene.

The settings for all three meetings are also similar. Snow White and Cinderella both happen in a castle and while Sleeping Beauty happens in the woods, they both stare at the castle in the distance afterwards.

sleeping beauty cuddling

The audience knows that castle is Aurora’s home, where she should be. Where Philip will have to battle his way to her and free her from Maleficent so they can be reunited. Cinderella meets the prince in his castle, where she ultimately belongs because she’s so good. It’s her escape from her stepmother. And while Snow White runs from the prince into the castle, at the end she leaves with him.

Setting is a theme we’re going to see repeated as well as some other points I made above.

To recap the pre-Renaissance Love at First Sight moments: running away, music, instant attraction, and castles.

star wars uhh reaction

Renaissance Films
We skip ahead a bunch of years and come to The Little Mermaid. TLM is the first film where we have a sort of ‘two meetings’ thing happen (it’ll make sense as we go on).

The first difference, and my favorite, is what draws Ariel and Eric together. Where Prince Charming and Philip were drawn by the sound of a mysterious voice and that’s how they find their princess, Ariel goes to the surface simply because she wants to see the ship.

little mermaid we're out to discover Exactly, Scuttle.

Then, she notices the fireworks and her curiosity skyrockets. For the first time in Disney Princess History, neither of them were looking for/drawn to each other. However, the only piece of Ariel Eric has is her voice, thus the trend does live on. We’ll come back to this.

Music too is involved here, though neither of them is singing. Eric is playing a flute, while crewmembers dance and play instruments. Another common theme is the presence of animals: Max (Eric’s dog), and Scuttle. Scuttle also marks the first meeting where a princess has a friend present. Aurora is with her forest buddies, but they’re just passively watching everything happening. Scuttle is actively involved, talking with Ariel throughout. If only Ariel could have had another mermaid as a friend, or maybe even one of her sisters. (Princesses need friends, too!)

Ariel watches Eric, much like Philip and Charming watched Aurora and Snow. It’s love at first sight for her. However, I give her a pass because she actually sees Eric acting like a decent human being. She sees that he has the same lust for adventure she does (when Grimsby tries to tell him he needs to marry and he’s not having it), she sees that he’s humble (disgusted by the giant statue of himself), creative/artistic (the flute), AND is a total sweetheart when it comes to his dog. Please tell me who would not turn to mush at a real life Eric?

my body is ready reaction my body is ready hook reaction my body is ready copy reaction

Exactly. Boys and their dog get me every time. Philip and Charming just watched Aurora and Snow singing and talking to animals. Neither of those things seem very healthy.

But then, BOOM! Chaos. A storm! The ship EXPLODES! Ariel rescues Eric after witnessing him selflessly going back for his dog. Now she knows he’s courageous. When he wakes up on shore, Eric finally sees Ariel for the first time. She probably looked like an angel to him, with the sun hitting her the way it did and her perfect voice. Before they can talk, she’s startled by Max and Grimsby—just like the pre-Renaissance ladies running away.

little mermaid fuck mermaids reaction

The second time they meet is when Ariel has legs. They’re on the beach this time, with the castle in the distance. That is where Ariel is going to end up, visually illustrated as Eric offers her his support so she can walk with him. But the first time Ariel saw him, he was on a ship, perfectly straddling the line between their two worlds. They’re also on a beach, near the water, Ariel’s world, but firmly on land, Eric’s world. The castle visual remains in their first mutual meeting, while Ariel seeing him on a ship before is also significant.

The meeting is again facilitated by Max (animals shipping Disney couples since 1937!), who spooks Ariel onto the rock. Max is barking and unfamiliar and chasing her, so she’s rightfully a little scared.

And now here is the most important discovery I made: Every princess is scared during their so called “Love at First Sight” scenes. In Snow White a stranger pops out of nowhere and Snow literally runs away and barricades herself in her castle. This screams fear. Aurora is also scared, running and hiding behind a tree.In Cinderella, yes, it is definitely way less creepy and she does not present the same amount of fear. However, Charming approaches her from behind and she jumps when he touches her, hesitating before accepting. We can argue Cinderella is more shy and coy. If we had to pick one as the exception to the rule, I’d pick her.

cinderella and prince

Now Ariel is never fearful around Eric like Snow, Cinderella, and Aurora were. But when the ship begins to burn, she realizes there’s danger. And later, when Grimsby and Max arrive, she’s scared of them and also what would happen if they knew she was a mermaid. So far the princesses have either been scared of their suitors or there is an element of danger surrounding them. This theme is going to come up in every single movie.

this displeases me reaction

Their second meeting is kind of a twist on the “Love at First Sight” trope. Though Eric is clearly drawn to her, he’s disappointed when he thinks she’s not the girl that saved him and so he tries not to like her that way. Spoiler alert: he fails.

little mermaid prince-eric-laughing

Next we have Beauty and the Beast and I’m going to jump right into fear because um… Belle and the Beast do NOT have a love at first sight moment at all. Belle is terrified of the Beast. He’s holding her father captive, slithering around in the dark, and yelling and threatening her. He physically grabs her and throws her to the ground.

Like Ariel saving Eric during their meeting, Belle is also trying to save someone she loves: her father. A trend of heroism develops here and continues into the Renaissance era.

The setting here is also a castle and instead of animals, there are inanimate objects everywhere. Their gossip is an important aspect of the scene because they’re talking about needing Belle to save them as she’s trying to save her father. Ultimately, this castle needs her and she’s accepted in it in a way she never was in her small town. And then of course, it also becomes her home, too.

frozen me... feels reaction

This meeting is the first one when the prince isn’t immediately visible to the princess. Belle needs to tell the Beast to “come into the light.” This is something we’ll see repeated with Tangled. Also important to note, this is the first meeting with no music involved. The Beast isn’t drawn to Belle’s voice, nor is there a romantic song they sing together like in Snow White, Cinderella, or Sleeping Beauty. Perhaps this is because Belle does not fall in love this version of the Beast. She only cares for him after he changes his attitude and stops acting like such a dickwad. That is when they have their duet.

All right, let’s head to our next film: Aladdin. Like our other princesses being scared, Jasmine is about to have her HAND CUT OFF. Yes, she’s terrified. Jasmine comes from a very clinical environment where all her needs are met. No one has ever raised a hand to her and here is this giant man with a knife and she has no idea why she’s in trouble. Cue: terror.

Also cue: ALADDIN!

I mentioned this theme of heroism in the Renaissance first meetings and here’s another one: Aladdin saving Jasmine. This first meeting builds on the one in TLM where Ariel sees Eric being a decent, normal dude. In Aladdin, he sees her giving an apple to a child (just like he did with bread!), so while he is clearly drawn by her looks (“Wow.”), there is something deeper there. The scene also establishes that he and Jasmine work well together to get out of a very bad situation. She questions him initially, but plays along right away. However, Aladdin saving Jasmine reverses the mini-trend of women saving men.

Like other meetings, animals are involved (Abu). There’s also a familiar shot of Aladdin watching Jasmine similar to Philip and Charming and yes, it’s cute, but it is also is a tad creepy.

aladdin watching jasmine

There is no song involved and here is where the trend of saving that big duet moment happens. Well, it technically started in Beauty and the Beast (Something There happens later), but it continues here, thus making it a trend. While the pre-Renaissance films where all “Love at First Sight” these later films added more obstacles to their love stories, so while there was instant attraction, they didn’t immediately act on it. The importance of voice dies out in Aladdin. While singing voices led men to women (Snow White, Aurora, Ariel) or there was singing during their meeting (Cinderella, Snow White, Sleeping Beauty), that common thread is cut.

Aladdin and Jasmine meet in the marketplace. I like the symbolism here again as they’re between worlds. Like Eric was on a ship, a piece of land on water, in between, Jasmine and Aladdin are meeting in the middle, too. Jasmine has left the palace and is among common people, while Aladdin is in the “city” so to speak and later brings Jasmine to the outskirts, where he lives. And of course, they look at the palace, like Aurora and Philip. Aladdin longs to live there and with Jasmine at his side, not knowing she’s the princess, he will eventually.

aladdin

This leads to Pocahontas, where John Smith PULLS A GUN ON HER. Pocahontas is already wary (but curious) because John is a stranger and invader and now this. She doesn’t physically appear scared, she seems calm the entire time.

pocahontas in the mist

And even if she is not afraid of John Smith, neither were Ariel and Jasmine. They were scared because of what was happening around them and the element of danger. A gun pointed at you definitely qualifies as an element of danger present in a so called LOVE AT FIRST SIGHT meeting.

aladdin what

The mood changes quickly, though. After she runs off, like the pre-Renaissance princesses (and Ariel), a more traditional first meeting happens. The music and the flying leaves when their hands meet is more romantic and dreamy. That is the scene we see their attraction happen.

pocahontas holding hands

This meeting brings back a musical element since John was just singing Mine, Mine, Mine. There’s also animals present as Meeko and Flit watch. Pocahontas falls back on a lot of old tropes. However, in a move only Philip and Eric have made, John Smith asks for her name, which I am very proud of.

The setting here is the wilderness, something we haven’t seen since Sleeping Beauty. Pocahontas is not with her tribe or by Mother Willow, so she’s out on her own, kind of in her own space. And John Smith is new, so he has no place that’s familiar yet. In a way, they both meet in a strange land to signify the new world they’ll create together.

From there we move to Mulan. Like Beauty and the Beast and their decidedly not “Love at First Sight” meeting, the same applies here. And like Eric thinking the girl he met on the beach wasn’t his savior, Shang of course has no idea Mulan is about to blow his mind.

reaction giggling noise

There is a huge emphasis on names in this scene, something other meetings have lacked. Similar to how Jasmine and Ariel never feared Aladdin or Eric, Mulan isn’t afraid of Shang, but he is the authority figure and she’s clearly frazzled. However, the element of danger here is the fact that Mulan was just the target of a legit fight. The entire camp has been fighting with Mulan buried underneath them. Her meeting with Shang is also her first real test at being a man so she’s understandably nervous. Still, it fits an unnerving trend of princesses being afraid or under threat in their supposedly “Love at First Sight” moments.

Mushu is the animal present in the scene. Their setting is also out in nature, getting ready for war. I think this ties back into Mulan’s own personal story and I like that.

Modern Films
Now we hit the most recent princess films. Princess and the Frog obviously meets the animal trend since Naveen is a frog when they meet. Like TLM, though, they also have two meetings. There is a quick scene in the beginning when Naveen is playing music and trying to be charming, but Tiana is not having it. However, fear is back in their second meeting.

Tiana is startled because there’s a talking frog! And also, what was he doing on the balcony? He was just there, like the pre-Renaissance princes happened to be. In something we see continued in Tangled, Tiana physically assaults Naveen with books since she’s so scared. Naveen does apologize for scaring her, which is nice, but that’s probably because he needs her to kiss him.

Several new things continue to arise in this film. Tiana is concerned for her friend Lottie who is dancing with a fake prince Naveen. Of course, no other princess has needed to be concerned for their human friends since they never had one before (besides Pocahontas).

princess and the frog bestie hug

This is definitely not a “Love at First Sight” scene, but still, it’s the only one where they kiss as soon as they meet! Again, the plot hinges on Tiana kissing him so there’s a reason for it, but she did still kiss him. Like Ariel, Belle, and Aladdin, the thread of heroism returns since Tiana was trying to save Naveen. New and old elements combine in Princess and the Frog.

Our trip though Disney Princess History takes us to Tangled. I touched on it previously, but Rapunzel smacks Flynn with a frying pan since she’s so scared of the strange man that climbs into her room, a la Tiana. Flynn also shares some similarities with Naveen. Naveen is definitely more flirty (seriously go watch that scene over with this in mind), but Flynn tries to use his smolder.

tangled meeting

When it fails, he drops the act and just wants to get as far away from Rapunzel as possible.

Unlike any other scene, except maybe Mulan, their first meeting is more about Rapunzel proving herself to Gothel. After she hits him with the frying pan, cowers behind a mannequin, and checks him for sharp pointy teeth, she traps him in her closet to prove to Gothel she can take care of herself.

tangled pascal

In between she also tries on the tiara he stole and while it maybe seems familiar to her, it is quickly forgotten when Gothel returns. Later, after Flynn assures her he wants nothing to do with her hair, Rapunzel is confused. After all, Gothel swore her everyone would be out to get her. But like he also had normal teeth instead of terrifying ones, Flynn represents her freedom from Gothel. He guides her out of her isolation.

As discussed, like TLM there are two meetings. One where Rapunzel sees him (like Ariel watching the ship) and one where they actually talk for the first time. Tangled also draws other parallels to films like Beauty and the Beast. Rapunzel is first cloaked in darkness and steps into the light so Flynn can see her. While the Beast hid himself away because he believed himself hideous and unlovable, Rapunzel did it partly out of fear and suspicion.

As the pre-Renaissance films had an emphasis on music, a reprise of Rapunzel’s solo song follows their meeting and her subsequent leaving of the tower.

tangled now's when my life begins copy

And like the Renaissance films, their big duet comes later.

Their meeting is her tower because, as I said, Flynn represents the world and life Rapunzel can have. They leave together to see the lights.

reaction dead from the feels

Finally, this brings us to Frozen. Frozen has two meetings and while I considered if I had to include Anna meeting Hans since he’s not her true love, I rewatched the scene to see if it played with any tropes I’d already noticed or diverged from the usual meetings as a sign that Hans was not a good guy.

What I found was this:

-the Hans/Anna meeting plays out very cutesy and storybook-like (what you’d expect of a “Love at First Sight” scene)

frozen gorgeous wait what

-danger is present since she gets HIT BY A HORSE and falls onto a boat that nearly topples into a lake

-prince on horseback trope reappears (Snow White, Sleeping Beauty)

-no visible castle but Anna’s status is immediately told + mentions of the coronation

This takes us to Anna meeting Kristoff. Now, Frozen bothered me since it hated on previous Disney love stories. You’d expect then that this meeting would be very different from the others. However, Anna has the same fear as the other meetings discussed. Kristoff is covered in snow, not clearly visible like the Beast, and she backs away from him.

frozen awkward

Like Tiana, she expresses concern over her friend/sister since she has a person she can do that for! While Tiana wanted to know who Lottie was dancing with if he was with her, Anna wanted to know what Kristoff knew about Elsa.

This scene is a contrast to the perfect meeting she has with Hans. While Hans is perfect and charming, Kristoff is gruff. He doesn’t make a good first impression on her or Oaken since he gets tossed out of the store. Similarly, Mulan makes a horrid first impression as the center of a fight and unable to pick a name for herself. It’s not a traditional “Love at First Sight” scene but we’ve already seen several of those (Mulan, Beauty and the Beast, Princess and the Frog).

It even has an animal involved since Kristoff needs to buy carrots for Sven and Sven is waiting for him right outside the shop. Clearly, Frozen’s “you can’t marry someone you just met” love story doesn’t really hold up when compared to other princess meetings.

Conclusion
Wow! That was a lot of films! Okay, so the trends that carried through all were DANGER! FEAR! (which is great… not) and the presence of animals. We’ve also seen the importance of music and setting. All the eras also had their own particular features like heroism and the removal of a song while couples met. In the more recent films we saw a lot of physical humor added, even in Frozen, where Kristoff is thrown from the shop and hits his head on the sign. But the eras also weaved in and out of each other with similar aspects reappearing like women running away or light vs dark.

Some stand out meetings, I think, are Tangled, where there’s less focus on them as a couple and more focus on Rapunzel beginning to realize some of the things Gothel had told her were wrong. I also loved how Ariel saw Eric for the first time and it was a total surprise since she was just excited about the fireworks. Still, she got to see several sides of him (his adorableness with his dog, his disgust at a statue in his honor) that told her something about who he was instead of the three previous couples before her where there was no depth to why they fancied each other.

Fun Facts:

-Sleeping Beauty is the first film where Aurora is actually like, “What the hell you’re a stranger!!” (Not really, but kinda.) Points for that!

-Snow is the only princess that actively wishes for love and then POOF: Prince.

-Cinderella is the first film there’s an iconic dance.

-Prince Philip is the first prince to ask his love for her NAME upon meeting her (though it happens after Once Upon a Dream). Eric asks Ariel for her name during their second meeting. I think it’s hilarious while the Prince in Cinderella is begging her to stay he never once asks for her name.

-Belle and Anna both have two suitors, one being the villain of their film. While Anna and Hans have a first meeting scene, Belle and Gaston do not since they already know each other.

-Snow White and Tiana are both wishing, one by a wishing well and the other on a star, when they meet their prince.

-The setting in Princess and the Frog is a mansion, instead of a castle. There is also a party like in Cinderella.


Which is your favorite True Love Meeting? What do you think of all these common threads? What are some other fun facts you noticed?

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Cheers,

M&M

Exploring Feminism and Femininity Through Mic’s Favorite DreamWorks Ladies

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Chel, Fiona, Marina, and Astrid are my favorite DreamWorks ladies. Sadly, none of them are the protagonists—shame. I wanted to look at how DreamWorks approaches feminity and feminism through them.

Fiona and Marina fit the mold of Disney princess pretty well. Fiona is locked in a tower and guarded by a dragon—Rapunzel and Aurora vibes, anyone? Marina is pressured into marriage for the good of her country while secretly dreaming of adventure—much like Jasmine, Ariel, and Belle.

Then we also have Chel and Astrid. Chel, if we’re really trying to give her a Disney counterpart, could be Pocahontas. Chel helps Tulio and Miguel fit into her society, the same way Pocahontas helps John Smith understand her people better. Yet she also has the Ariel/Belle/Jasmine desire to see the world. Astrid I can’t really see fitting any Disney mold, except maybe Mulan for her warrior spirit. My point here is that we can see similar molds and storytelling devices in both houses.

But let’s dig a bit deeper into each charater and their femininity or lack thereof and what that says about being ‘strong.’

Chel

Chel is heavily sexualized. In one way, she represents the damaging stereotype of the ‘exotic dark skinned woman’ or ‘jungle fever.’ Jean-Paul Goude took pictures of his black lover in a cage, baring her teeth, like an animal. Chel has large hips and black women used to be exhibited in freak shows as sexual objects for their large backsides.

el dorado chelel dorado chel

This idea that “black equals erotic” is fetishism in its purest form; it mocks “otherness” while pretending to celebrate it and defines human beings by their genitals instead of seeing them as whole people. [x]

Look at that title! The fact that video even EXISTS!!! ughhh

Chel’s sexualization, while it carries some heavily racial stereotypes, is also a result of animation. Sadly, there are numerous examples of it: Tinker Bell, Ariel, and Jasmine (also racially “Other”) are just a few examples of women in animation being exploited.

i'm in a rage 2 reaction

Let’s move onto some good! While Chel is not a fighter in the traditional way and needs saving by Tulio, she’s smart. She knows her culture inside and out, and maybe you can argue, “Of course she knows this. It’s her life. It’s been taught to her since birth.” However, without her, Tulio and Miguel would have failed. She filled them in on cultural norms, and it was her idea to help them cheat during the ball game. That was something creative she had not been taught at all. Chel is intelligent and creative.

As we touched on a bit, Chel is adventurous. Her introduction scene is important in establishing her character since she’s running away with gold she stole to start her life somewhere else. Chel wants to leave El Dorado and the only reason she partners with Tulio and Miguel to help them con the entire city is because she wants out. Chel is a pretty grey character morally. And I think that makes her very interesting compared to a lot of women heroes in animation that are good and kind (though there’s nothing wrong with that!).

Of course, Chel does get what she wants by the end of the film. She’s escaped and is ready to see the world. Chel, Miguel, and Tulio don’t escape with any gold to their name. Chel has gone full circle from stealing gold in her failed escape, to escaping and that being enough. Of course, now she also has her lover Tulio and friend Miguel, so do they take the place of gold for her? Or, is Chel Tulio’s gold? Does she remain an object the entire film, despite her moments of genius? I think that’s up to your interpretation, but the fact that we could read it this way makes me a little ill.

Fiona and Marina and Astrid

I thought these women went together pretty well and so they could share a section. Fiona and Marina are both royalty and both want more for themselves. Like the Disney princesses rebel against society’s expectations, so do these women.

However, their stories are very different. Fiona’s is ultimately about finding the beauty in yourself and accepting it, while Marina doesn’t really have a lesson to learn. Marina doesn’t have much of her own arc because she’s a supporting character to Sinbad and Proteus and also both of their love interest. Like Marina, Astrid is relegated to an awesome side character and overcomes her society’s stigma of dragons, but only because the plot needs her to.

Poor Marina. I love her. Marina needs her own film! Marina kicks major ass, literally, while also finally getting the adventure she wants. Basically. She saves Sinbad and his crew a bunch of times, while also sometimes being the damsel.

sinbad I'll protect yousinbad knock down the door

Meet my queen.

Astrid is also mostly a love interest and she sees dragons in a new light because well… how could Hiccup get with her if she didn’t? This is slightly rectified in How to Train Your Dragon 2 since Astrid has her own side plot and is a badass.

All three of these women are amazing fighters. Marina kinda learns on the job, but picks it up fast. Marina is also one of the only animated female characters ever to wear pants. She also has short hair which is traditionally seen as masculine, but I’m happy to see that stereotype fading away. Astrid and Fiona both have braids—which I just realized now. I think that’s actually a great, practical, and stylish way to have long hair but also have it out of your face for fighting.

Also, can we pause a minute to appreciate Astrid’s outfit. I love it.

Astrid_How_To_Train_Your_Dragon_2_cardboard_cutout_buy_now_at_starstills_11359.1404453275.1280.1280

Fiona’s green dress is simple and she also wears flats. Also a practical choice for her fighting skills.

shrek fiona pic

I love how the outfits of these women matter and it also highlights Chel’s sexualization as something that was done because of her race. They didn’t do it with Marina, Astrid, or Fiona. Chel was singled out. Chel is also the only non-fighter of the group.

Do they share anything else with Chel? Are they morally grey? Fiona might be since she’s so guided by her quest to be beautiful that she prioritizes that over all else. However, Fiona is also governed by fear of what people will think of her when they find out she’s an orge, so I don’t think that’s quite the same. Fiona is a great example of what fear will do to you. Hell, she agreed to marry Farquad despite having feelings for Shrek because she was so afraid.

Marina definitely has a firm moral compass since she goes after Sinbad for not having one. Marina wants to save Proteus from his unjust death sentence and is there to make sure Sinbad is not going to go back on his word. Astrid gets more screen time in the second movie where we see she also wants to save the dragons with all she has, so she’s pretty straight and narrow, too.

Conclusion

This meta wasn’t to say that DreamWorks is better than Disney. The purpose was to look at different women and their portrayal. DreamWorks has its strengths like practical costumes and lots of different roles for women (princess, dragon rider, sea explorer, etc), but is also lacking leading roles, which is a problem.

this displeases me reaction

DreamWorks has also done a good job of drawing women like people with different faces and body types, but they also seriously messed up Chel. So while some aspects are good, others still need work. Hopefully DreamWorks will provide us with some awesome leading ladies with franchises of their own in the near future. 🙂

What do you guys think? Does DreamWorks need more women in leading roles? Also: who is your favorite DreamWorks lady?

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Cheers,

M&M

That’s What Friends Are For: Disney’s Abundance of Animal Friendships

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Last week Mel talked about a really important issue: the lack of female friendships in princess movies. As I was figuring out how to possibly match her level of awesomeness, I realized something. Princess films were lacking in friendships, but Animal movies weren’t!

Lady and the Tramp
Lady has two friends, Jock and Trusty, whom she consults with when Mrs. Darling gets pregnant and who come to comfort her after her escapade with Tramp. They look out for her, getting protective since they dislike Tramp, but realize he’s a decent enough dog and hatch a plan to save him. They also build Lady up, complimenting her collar and just being good friends to her.

lady and the tramp pushing jockTramps’ like, “Eww, friends.”

101 Dalmatians
We don’t really see Pongo and Perdita interacting with other dogs too much, but there is the impression that all dogs look out for each other when Pongo sends out his distress call and all the dogs pass it along. They meet with the Great Dane, who tells them where their puppies are and takes them some of the way, being super helpful and just really kind. Like, all law enforcement people should measure themselves against this animated dog. They meet up with a horse, cat, and dog that help them escape, just showing everyone in the animal world looks out for each other. While Pongo and Perdita don’t have ‘friends’ (though they do have Roger and Anita), they interact with a bunch of animals in a friendly manner.

The Jungle Book
Mowgli is friends with Baloo and Bagheera, the vultures (they even had a song about it!), and an adorable baby elephant. Jungle Book is an interesting example since it is one of the few Disney films without a love story (until that moment at the very end), so as a result, there’s all kinds of friendships and relationships to explore in order to carry the film.

jungle book mowgli baloo hugMowgli’s like, “I like friends!”

The Aristocats
Like 101 Dalmatians, these cats aren’t really interacting with other animals since they’re a tight family unit and are on a mission. However, also like 101, there’s an impression all cats look out for each other, as seen in Everybody Wants to Be a Cat.

Robin Hood
Robin Hood and Little John are famous, so of course their bond had to be a part of the film. And this song will get in your head and never leave. Sorry not sorry.

The Fox & The Hound
Um, the movie full of feels that we all avoid unless we seriously can’t help it. This one also has a song about friendship because the relationship between Todd and Copper is the heart of the story. Seriously. I’m gonna cry just thinking about it.

Oliver & Company
Oliver’s first friends are the company of Fagin’s gang, but he also befriends Jenny and even wins over her snobbish poodle, Georgette.

oliver and dodger sleep

The Lion King
Before Simba meets Timon and Pumba, he’s friends with Nala—who, yes, he falls madly in love with—and they had epic elephant graveyard adventures together. It’s Nala, his bestie for life, who helps convince him to go back to the Pride Lands and fight Scar.

lion king cutieslion hakuna matata 2 copy

Tarzan
Like Jungle Book, Tarzan was friends with Terk and Tantor. There were also lots of shots of baby gorillas playing together because apparently everyone has friends except princesses.

Brother Bear
This movie hinges on the friendship/brotherhood of Kenai and Koda, similar to The Fox and the Hound.

I’ve blocked Bambi and Dumbo from my mind, but I know Dumbo had a mouse and Bambi had Thumper and Flower.

What gives, Disney? Why do animals have friends but not princesses?????

I mean, it is great we have great examples of friendship in animal focused films and I’m not saying animals shouldn’t have friends. But do we accept this because we think of animals as living in a herd and being surrounded by their own kind? And do we not think of girls as having female friends because girls are pitted against each other and constantly overcoming internalized misogyny everyday?

Animal films also tend to have friendships featuring animals that are enemies in the wild: Simba, Timon and Pumba; Dumbo and his mouse; and Todd and Copper. The message here has to be that we can all get along and shouldn’t be put off by our differences. It’s great to see this message being sent subtly through animal friendships but it is time to be overt! Girls are regularly pitted against each other and taught to see other girls as competitors. Seeing great friendships that they can emulate is important.

Disney can clearly do an amazing job at showing positive friendships, as evidenced above and the few princess friendships we’ve seen, so why won’t they do it in more of their princess/female character driven films?

What do you think?

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M&M

Say the (Friend) Word

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Say the Word was (and still is) one of my favorite songs. I was listening to it yesterday morning while I waited for the train and realized the song actually has a totally different meaning than I thought it did! Thus, let’s examine the famous Kim Possible song.

kp12

So maybe it’s just because I’ve never seriously thought about this song in any kind of ‘dissecting capacity’ (I’m sorry if that sounds very awkward), but listening to it recently made me realize some things. When I was little, I thought this song was all about how Kim was always there to save the world and was a general badass and all that wonderfulness.

But this song isn’t really about Kim saving the world whenever we say the word. It’s about saving her friends whenever they say the word. Maybe this was just my self absorbed 10 year old brain assuming she was talking about me and the rest of the world, but 20 year old (slightly less self absorbed) me actually paid attention to the words this time and learned something.

world cup omg reaction I know, right? My reaction, too.

Maybe we’re all Kim’s friends, which is why she saves anyone that needs her, but I think looking at this song in another lens, from Kim saving her “friends” in the traditional sense of the word (ie, people she knows), makes it more meaningful.

If you find your world is cavin’ in

You can bet you’re gonna need a friend

Someone to take those fears away

This is friendship. This is what it means to be a friend and this is what it means to have a friend. How many times do we turn to our friends for help and advice, especially when we feel like we’re alone? There’s ‘cavin’ in’ in the literal OMG ROCKS ARE FALLING ON ME FROM THIS DISASTER I AM IN that Kim could probably save you from because she is totally awesome that way. But there’s also an emotional ‘cavin’ in’ when good friends are important and totally help dig you out. And Kim would do that too for her friends. She’s not just a physical hero. She’s a person.

Make a call and I’ll be there

Anytime, anywhere

Have you heard

That I’m all about savin’ your world

All you have to do is say the word

The first two lines of this part of course reference how Kim is always on call when it comes to literal saving the world duties. But again, friends call on each other in the middle of the night, at sometimes the worst possible moment because that’s when they need to. That’s when the cavin’ in happens and you have to be ready.

I think it’s very important that that verse ends with ‘all you have to do is say the word’ because true friendships ask for nothing in return. And Kim isn’t either. Say the word is just letting someone in, admitting you need help. This song is freaking beautiful and profound, okay.

reaction i just have something in my eye

In trouble, in it deep

This is a promise that I can keep

Make it right, count on me

To be the best friend I can be

When your life is bending

Upside down

I’ll be the one to turn it around

What is happening to these people? Caves, trouble, deep, clearly things are in bad shape. Again, these could be literal – and refer Kim actually saving the world –  but they can also be symbolic. Whatever it is, Kim promises to do it. Kim is a class A friend and a class A superhero.

kp ron meeting LOOK AT THESE IDIOTS!

I think this song does a great job of being a tad ambiguous since it can clearly go either way. It represents the show really well.

The show never sacrificed character development for stakes or action. Kim and Ron and everyone else were just as important and so were all the relationships the show created.

Kim’s home life and school life and personal life carried as much weight as the saving the world arc of an episode. So it’s fitting this song is a perfect mix of saving your friends and saving the world.

**Eppp!! So sorry we forgot to post yesterday. This baby was sitting in the draft folder 😦

 

DON’T YOU JUST LOVE THIS SONG???????? CLASSIC.

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Cheers,

M&M